Shown chronologically from Rou McMakin's earliest exhibited work in 1979 until the present, this book includes custom & commissioned furniture, production furniture from his company, permanent installations in galleries, institutions, private homes, exhibition installations images, & recent artworks.

Romantic, liberating and totally addictive, the Fifty Shades trilogy will obsess you, possess you, and stay with you for ever ... Daunted by the dark secrets of the tormented young entrepreneur Christian Grey, Ana Steele has broken off their relationship to start a new career with a US publishing house. But desire for Grey still dominates her every waking thought, and when he proposes a new arrangement, she cannot resist. Soon she is learning more about the harrowing past of her damaged, driven and demanding Fifty Shades than she ever thought possible. But while Grey wrestles with his inner demons, Ana must make the most important decision of her life. And it's a decision she can only make on her own ...

Figuring Color looks at the work of four artists who use color and shape to represent a metaphorical body. For instance, Roy McMakin's sculpture of a chair is at once a body and an implication of an absent body, where two tables intertwined suggest bodies nestled together. Kathy Butterly's ceramic sculptures are miniature bodies, whose sensuality amplifies clay's potential for delightful form. In Felix Gonzalez-Torres's sculptures, piles of wrapped candy and plastic-bead curtains are experienced through touch, privileging the physical body while still evoking a metaphorical body. Sue Williams's riotously colorful paintings explore the body abstracted, represented entirely through color. Poems by Charles Bernstein, Mei-Mei Berssenbrugge, Jen Bervin, Lee Ann Brown, Miles Champion, Marcella Durand, Craig Dworkin, Tonya Foster, Alan Gilbert, Lisa Jarnot, Vincent Katz, Damon Krukowski and others respond to the book's sensuous theme.

Twenty-five-year survey of Domestic Architecture: the architecture of Roy McMakin, with essays from Pilar Vilades and Daniel Friedman. 12-15 case studies of projects in Seattle, Vashon Island, Mercer Island, San Antonio, Red Hook / Brooklyn, Venice Beach, Santa Monica, Beverly Hills, and Mattapoisett, MA.

At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers were guided by the principles of utility, honesty, and order in both their work and worship, and this belief system influenced the physical expression of the goods they produced for use at home and for sale outside their communities. This lovely book presents a wide array of extraordinarily fine examples of Shaker furniture, household objects, textiles, religious drawings, and items made to sell to the "world's people" (non-Shakers). The book's expert contributors discuss Shaker design in relation to the furniture they constructed, the products they sold, their gift drawings and spirituality, and their rejection of American Fancy design. The book also considers the powerful inspiration Shaker design has provided for diverse modern and contemporary designers, including George Nakashima, Roy McMakin, Thomas Moser, and Scandinavian furniture makers.

At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.

The PIN–UP Interviews is a compilation of over 50 of the most fascinating interviews from PIN-UP magazine since its first issue was published in October 2006. Serious, yet accessible, featuring the elegant and modern aesthetic PIN-UP’s readers have come to expect, there is no comparable source available for such a stunning array of contemporary design talent collected in one place. It is indispensable to all lovers of today’s brightest architectural and design ideas. The PIN–UP Interviews is the first book produced by PIN–UP, the award-winning, New York-based, biannual architecture and design magazine. Cheekily dubbing itself the “Magazine for Architectural Entertainment,” PIN–UP features interviews with architects, designers, and artists, and presents their work informally—as a fun assembly of ideas, stories, and conversations, all paired with cutting-edge photography and artwork. Both raw and glossy, this “cult design zine” (The New York Times) is a nimble mix of genres and themes, finding inspiration in the high and the low by casting a refreshingly playful eye on rare architectural gems, amazing interiors, smart design, and that fascinating area where those spheres connect with contemporary art. Included in The PIN-UP Interviews are the architects David Adjaye, Shigeru Ban, Ricardo Bofill, David Chipperfield, Zaha Hadid, Junya Ishigami, Rem Koolhaas, Peter Marino, Richard Meier, and Ettore Sottsass; artists Daniel Arsham, Cyprien Gaillard, Simon Fujiwara, Oscar Tuazon, Francesco Vezzoli, Boris Rebetez, Retna, Robert Wilson, and Andro Wekua; and designers Rafael de Cárdenas, Martino Gamper, Rick Owens, Hedi Slimane, Bethan Laura Wood, and Clémence Seilles.

This catalog commemorates the exhibition Irving Gill: Progress & Poetry in Architecture and features essays by four San Diego experts on Gill who approach his buildings from personal hands-on experience, study, and reflection. And, in what may be the first compendium of its kind, we have also gathered the most important period writings by and about Gill and reprinted them here. Lavishly illustrated and published for the first time are historic photographs of Gill buildings made from glass slides circa 1910 that were commissioned and used by Irving Gill in his practice. The over 130-page publication includes essays by Erik Hanson, Paul and Sarai Johnson, and Roy McMakin, with the foreword by Bruce Coons, and introduction by Ann Jarmusch.