SANDLIN/ROWDY IN PARIS

New York Times Bestseller Cara Black’s fashionable Parisian P.I. Aimée Leduc has a new look for her 14th adventure: five months pregnant. June, 1998: Paris’s sticky summer heat is even more oppressive than usual as rowdy French football fans riot in anticipation of the World Cup. Private investigator Aimée Leduc has been trying to slow down her hectic lifestyle—she’s five months pregnant and has the baby’s well-being to think about now. But then disaster strikes close to home. A serial rapist has been terrorizing Paris’s Pigalle neighborhood, following teenage girls home and attacking them in their own houses. Zazie, the 13-year-old daughter of the proprietor of Aimée’s favorite café, has disappeared. The police aren’t mobilizing quickly enough, and when Zazie’s desperate parents approach Aimée for help, she knows she couldn’t say no even if she wanted to.

This book grew from a simple question. Why did French audiences become silent? Eighteenth-century travelers' accounts of the Paris Opera and memoirs of concertgoers describe a busy, preoccupied public, at times loud and at others merely sociable, but seldom deeply attentive.

A comparison of the mid-19th-century city in the poetry of Walt Whitman and Charles Baudelaire and their responses to the inescapable push of modernization

An illustrated guide to a surrealist Paris. At the Cinema l'Ange des Sables, they show only movies shot in the desert, while in the Cafe Dada you insert food into an automatic dispenser and get money. By the author of The Red Shoes.

There were eccentric characters in the hotel. The Paris slums are a gathering-place for eccentric people—people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent. Poverty frees them from ordinary standards of behaviour, just as money frees people from work. Some of the lodgers in our hotel lived lives that were curious beyond words. There were the Rougiers, for instance, an old, ragged, dwarfish couple who plied an extraordinary trade. They used to sell postcards on the Boulevard St Michel. The curious thing was that the postcards were sold in sealed packets as pornographic ones, but were actually photographs of chateaux on the Loire; the buyers did not discover this till too late, and of course never complained. The Rougiers earned about a hundred francs a week, and by strict economy managed to be always half starved and half drunk. The filth of their room was such that one could smell it on the floor below. According to Madame F., neither of the Rougiers had taken off their clothes for four years.

Chicago, 1920: Hadley Richardson is a shy twenty-eight-year-old who has all but given up on love and happiness when she meets Ernest Hemingway and is captivated by his energy, intensity and burning ambition to write. After a whirlwind courtship and wedding, the pair set sail for France. But glamorous Jazz Age Paris, full of artists and writers, fuelled by alcohol and gossip, is no place for family life and fidelity. Ernest and Hadley's marriage begins to founder, and the birth of a beloved son serves only to drive them further apart. Then, at last, Ernest's ferocious literary endeavours begin to bring him recognition - not least from a woman intent on making him her own . . .

Packed with travel information, including more listings, deals, and insider tips:CANDID LISTINGS of hundreds of places to eat, sleep, drink, and danceRELIABLE MAPS to help you navigate the metro, the RER, and all the arrondissementsTHEMED ITINERARIES for the scholar, the spendthrift, and the sybariteINSIDER TIPS on everything from crêpes to cafés and clubsNIGHTLIFE advice on where to see and be seen, and how to stay safe while you're thereEXPANDED COVERAGE of volunteer and work opportunities

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