"More than 250 authentic Cajun and Creole recipes and memories from a Louisiana native"--Page 4 of cover

“Wickedly smart, devious as hell, and lightning fast.” -Jonathan Maberry, New York Times bestselling author “A suspenseful and disturbing sci-fi thriller about the interweaving nature of trauma, memory, and identity.”—Peter Clines, New York Times bestselling author In this claustrophobic science fiction thriller, a woman begins to doubt her own sanity and reality itself when she undergoes a dangerous experiment. The Ganymede facility is a fresh start. At least that's what Senna tells herself when she arrives to take part in a cutting-edge scientific treatment in which participants have traumatic memories erased. And Senna has reasons for wanting to escape her past. But almost as soon as the treatment begins, Senna finds more than just her traumatic memories disappearing. She hardly recognizes her new life or herself. Even though the cure might justify the side effects of the process, Senna knows that something isn't right. As the side effects worsen, she will need to band together with the other participants to unravel the mystery of her present and save her future.

This book explores the eight-month wave of mutinies that struck the French infantry and navy in 1919. Based on official records and the testimony of dozens of participants, it is the first study to try to understand the world of the mutineers. Examining their words for the traces of sensory perceptions, emotions and thought processes, it reveals that the conventional understanding of the mutinies as the result of simple war-weariness and low morale is inadequate. In fact, an emotional gulf separated officers and the ranks, who simply did not speak the same language. The revolt entailed emotional sequences ending in a deep ambivalence and sense of despair or regret. Taking this into account, the book considers how mutineer memories persisted after the events in the face of official censorship, repression and the French Communist Party’s co-option of the mutiny.

Compiled and written by a veteran teacher of home economics, Making Memories takes you back a step in time to an age when life was just simpler. Culled from the best of author Verna Sheltons many years as a teacher, this collection shares not only tried-and-true recipes but also touches of humor and generous tributes to the past through memories of the classroom, family, and friends. Sheltons professional advice, time-tested techniques, easy-to-understand instructions, and witty banter offer something for every cook, no matter their level of competenceor confidence. In her thirty-two years teaching high school students, she was twice chosen teacher of the year by her colleagues, and she was featured in Whos Who Among Americas Teachers. As versatile as all-purpose flour and containing over four hundred recipes, Making Memories provides a practical and very human look inside a remarkable career, proving that were never too old to learn.

Memoirs of the author's life in Franschhoek, South Africa.

Creating your own family or community cookbook for yourself and those you love A recipe is a snapshot that captures place, people, and time, making handed-down recipes into delicious memories to treasure and share. Yet these precious instructions are often lost to bad handwriting, the passing of loved ones, or simply not knowing where to start gathering them for safekeeping. With the help of The Keepsake Cookbook, you can bring all those cherished memories together and create an heirloom to be savored and treasured. Within these pages are easy-to-follow, step-by-step instructions for collecting both oral and written recipes——as well as photographs and memorabilia——and tips on organizing it all into a cookbook that can be used and shared for generations to come. Cookbook author Belinda Hulin supplies advice on interviewing relatives and friends as well as tapping into your own memories. Also included are basic recipe times, tips, and measures to help you turn casual instructions into fully realized recipes.

Refusal, Transition and Post-apartheid Law under editorship of professor Karin van Marle is indeed long overdue. As some of the authors in the relevant contributions to this publication rightly point out, Van Marle?s call for a ?jurisprudence of generosity?, enabled through an ?ethics of refusal?, signals a new shift in South African jurisprudence. Through the lens of Van Marle?s ethics of refusal and her jurisprudence of generosity, the articles present fresh and meaningful interpretations in respect of a range of very relevant topics ranging from property theory and a rethinking of human rights, to the role of forgiveness and the dangers inherent in modern technology.

The United Nations’ declaration of 2009 as the International Year of Reconciliation is testimony to the growing use of historical commissions as instruments of reconciliation in post-conflict societies. Since the South African Truth and Reconciliation Commission (TRC) has had a profound impact on international efforts to deal with the aftermath of mass violence and societal conflict, this is an appropriate time for scholars to debate and reflect on the work of the TRC and the wide-ranging scholarship it has inspired across disciplines. With a foreword by Harvard Law Professor Martha Minow, Memory, Narrative, and Forgiveness: Perspectives on the Unfinished Journeys of the Past offers readers a front-row seat where a team of scholars draw on both theoretical analysis and case studies from around the world to explore the themes of memory, narrative, forgiveness and apology, and how these themes often interact in either mutually supportive or unsettling ways. The book is a vibrant discussion by scholars in philosophy, psychology, psychoanalytic theory, history, literary theory, and Holocaust studies. The authors explore the complex, interconnected issues of trauma and narrative (testimonial and literary narrative and theatre as narrative), mourning and the potential of forgiveness to heal the enduring effects of mass trauma, and transgenerational trauma-memory as a basis for dialogue and reconciliation in divided societies. The authors go well beyond the South African TRC and address a wide range of historical events to explore the possibilities and the challenges that lie on the path of reconciliation and forgiveness between victims, perpetrators, and bystanders in societies with a history of violent conflict and unspeakable injustice. The book provides readers with a cohesive, theoretically well-grounded analysis of the impact of traumatic memories in the personal and communal lives of survivors of trauma. It explores how narrative may be creatively applied in processes of healing trauma, and how public testimony can often restore the moral balance of societies ravaged by trauma. The book deepens understanding of the ways in which lessons from the TRC might be developed and both usefully and cautiously applied in other post-conflict situations.

This monograph explores how the constitutional courts in the United States, Germany, and South Africa have invoked slavery, Nazism, and apartheid - three historical evils - as an aid in constitutional interpretation. It examines how the memory of evil pasts moulds constitutional meaning in the contested present.

The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to ‘symptomatic’ interpretation, where details of the fictional world represented are used to diagnose a specific set of social preoccupations and priorities operative at the time of writing. Such approaches can yield valuable insights. Nonetheless there is a risk of limiting the value of the genre as a whole solely to its role as a mirror held up to society. In this perspective, issues of structure and style are sidelined, or, if addressed, are praised to the extent that they approach invisibility — concision, spareness, realism are the qualities singled out for praise. The genre also gives much scope for formal innovation — and indeed has often attracted already established ‘mainstream’ writers and filmmakers for just this reason. The eclectic diversity of the detective narratives considered in this volume reveal the malleability of the traditional constraints of the genre. The essays bear rich testimony to the value of considering the interplay of thematic and structural issues, even in the most apparently unselfconscious and popular (or populist) forms of narrative. The patterns of reassurance, the triumph of intellect and the ordered, rational world ‘of old’ are now challenged by the need to foreground the problems, ambiguities and uncertainties of the self and of society. The plurality of meanings and the antithetical imperatives explored in these detective narratives confirm that the most recent forms of the genre are not mere palimpsests of their ‘golden age’ precursors. The subversion of traditional expectations and the implementation of diverse stylistic devices take the genre beyond mere homage and pastiche. The role of the reader/spectator and critic in conferring meaning is a crucial one.