First published in 1963, this work puts into clear and rhythmical English one hundred stories and apologues of the Masnavi of Rumi. Composed over a period of many years during the thirteenth century, as a manual of instruction and initiation into spiritual life, the Masnavi has long been acclaimed the greatest mystical epic of Islam. The tales were designed to illustrate in human terms the often complex doctrine, and this they do with a wealth of beauty, honour and pathos, as appealing to the modern reader as to the medieval audience to which they were originally addressed. The volume, like its predecessor Tales of the Masnavi, is included in the UNESCO list of representative great works of world literature. This work will be of interest to those studying Islam and Middle Eastern literature.

First published in 1963, this work puts into clear and rhythmical English one hundred stories and apologues of the Masnavi of Rumi. Composed over a period of many years during the thirteenth century, as a manual of instruction and initiation into spiritual life, the Masnavi has long been acclaimed the greatest mystical epic of Islam. The tales were designed to illustrate in human terms the often complex doctrine, and this they do with a wealth of beauty, honour and pathos, as appealing to the modern reader as to the medieval audience to which they were originally addressed. The volume, like its predecessor Tales of the Masnavi, is included in the UNESCO list of representative great works of world literature. This work will be of interest to those studying Islam and Middle Eastern literature.

A. J. Arberry is one of Britain’s most distinguished and celebrated Orientalist scholars. This set contains five of Professor Arberry’s works: Scheherezade: Tales from the Thousand and One Nights (1953); The Seven Odes: The First Chapter in Arabic literature (1957); Classical Persian Literature (1958); The Romance of the Rubaiìyatì (1959); Oriental Essays: Portraits of Seven Scholars (1960); More Tales from the Masnavi (1963). These titles include translations of key middle-eastern texts and informative works on Persian literature as well as the European scholars that paved the way for 20th century Orientalist study. This set will be of interest to those studying Middle-Eastern literature and history.

First published in 1977, this book is intended as a record of sources in Islamic prophetology which focus on the prophet Isa — Jesus in Christian theology. The Islamic Isa differs markedly from the Christian Jesus, most obviously in that, although considered an important prophet, he is overshadowed by Muhammad. The doctrine of tawhid — the indivisible oneness of God — also necessarily means the rejection of Christ’s incarnation or dual nature. The primary of role of Jesus in Islam, as with all Islamic prophets, is to reaffirm the primeval religion of man, best expressed by the Shadada and Islam. This book collects, as comprehensively as possible, bibliographic sources in English and French from the time of the earliest available texts (circa 1650) providing annotated commentary and source information — making it an invaluable research tool for anyone who wishes to study the Islamic Jesus in more detail.

"Bylines," the book, collects the best of Cumming's freelance writing over a 34-year period. Cumming published these articles and columns in national magazines, such as Esquire, and in local newspapers. A foreword is by his son Doug Cumming, Ph.D., a journalism professor at Washington & Lee University.

The Persianate World: Rethinking a Shared Sphere is among the first books to explore the pre-modern and early modern historical ties among such diverse regions as Anatolia, the Iranian plateau, Central Asia, Western Xinjiang, the Indian subcontinent, and southeast Asia, as well as the circumstances that reoriented these regions and helped break up the Persianate ecumene in modern times. Essays explore the modalities of Persianate culture, the defining features of the Persianate cosmopolis, religious practice and networks, the diffusion of literature across space, subaltern social groups, and the impact of technological advances on language. Taken together, the essays reflect the current scholarship in Persianate studies, and offer pathways for future research.

This book offers a paradigm shift and fresh interpretation of Rumi's message. After being disentangled from the anachronistic connection with the Mevlevi order of Islamic Sufism, Rumi is instead placed in the world of philosophy.

This substantially revised second edition of The Routledge Handbook of Research Methods in the Study of Religion remains the only comprehensive survey in English of methods and methodology in the discipline. Designed for non-specialists and upper undergraduate-/graduate-level students, it discusses the range of methods currently available to stimulate interest in unfamiliar methods and enable students and scholars to evaluate methodological issues in research. The Handbook comprises 39 chapters – 21 of which are new, and the rest revised for this edition. A total of 56 contributors from 10 countries cover a broad range of topics divided into three clear parts: • Methodology • Methods • Techniques The first section addresses general methodological issues: including comparison, research design, research ethics, intersectionality, and theorizing/analysis. The second addresses specific methods: including advanced computational methods, autoethnography, computational text analysis, digital ethnography, discourse analysis, experiments, field research, grounded theory, interviewing, reading images, surveys, and videography. The final section addresses specific techniques: including coding, focus groups, photo elicitation, and survey experiments. Each chapter covers practical issues and challenges, theoretical bases, and their use in the study of religion/s, illustrated by case studies. The Routledge Handbook of Research Methods in the Study of Religion is essential reading for students and researchers in the study of religion/s, as well as for those in related disciplines.

Reprint of a classic text, this volume gives an insight into the rebirth of national literature in the national language and traces the course of its development and full maturity from the beginning of the ninth to the end of the fifteenth century.

Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime reconstellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization. By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.