First published in 1990, this book presents a discussion with Arthur Miller, in conversation with Christopher Bigsby. Miller talks openly and extensively about his own life and experiences, events and environments which provide material for his plays: his New York childhood, the Depression, the McCarthy witch-hunts. He discusses in depth both the technique of his writing and the moral and political questions which his plays address, and argues passionately for the importance of maintaining respect for human values in a world where they are so frequently transgressed. Interwoven with these conversations are contributions from actors, directors, designers, reviewers, and writers who have encountered Miller over the years – whether in person or through his plays – which attest to the universal and enduring importance of his work.

First published in 1990, this book presents a discussion with Arthur Miller, in conversation with Christopher Bigsby. Miller talks openly and extensively about his own life and experiences, events and environments which provide material for his plays: his New York childhood, the Depression, the McCarthy witch-hunts. He discusses in depth both the technique of his writing and the moral and political questions which his plays address, and argues passionately for the importance of maintaining respect for human values in a world where they are so frequently transgressed. Interwoven with these conversations are contributions from actors, directors, designers, reviewers, and writers who have encountered Miller over the years - whether in person or through his plays - which attest to the universal and enduring importance of his work.

"First published in 1990, this book presents a discussion with Arthur Miller, in conversation with Christopher Bigsby. Miller talks openly and extensively about his own life and experiences, events and environments which provide material for his plays: his New York childhood, the Depression, the McCarthy witch-hunts. He discusses in depth both the technique of his writing and the moral and political questions which his plays address, and argues passionately for the importance of maintaining respect for human values in a world where they are so frequently transgressed. Interwoven with these conversations are contributions from actors, directors, designers, reviewers, and writers who have encountered Miller over the years – whether in person or through his plays – which attest to the universal and enduring importance of his work. "--Provided by publisher.

First published in 1990, this book presents a discussion with Arthur Miller, in conversation with Christopher Bigsby. Miller talks openly and extensively about his own life and experiences, events and environments which provide material for his plays: his New York childhood, the Depression, the McCarthy witch-hunts. He discusses in depth both the technique of his writing and the moral and political questions which his plays address, and argues passionately for the importance of maintaining respect for human values in a world where they are so frequently transgressed. Interwoven with these conversations are contributions from actors, directors, designers, reviewers, and writers who have encountered Miller over the years - whether in person or through his plays - which attest to the universal and enduring importance of his work.

Cold War Theatre, first published in 1992, provides an account of the theatrical history within the context of East/West politics. Its geographical span ranges from beyond the Urals to the Pacific Coast of the US, and asks whether the Cold War confrontation was not in part due to the cultural climate of Europe. Taking the McCarthy era as its starting point, this readable history considers the impact of the Cold War upon the major dramatic movements of our time, East and West. The author poses the question as to whether European habits of mind, fostered by their cultures, may not have contributed to the political stalemates of the Cold War. A wide range of actors from both the theatrical and political stages are discussed, and their contributions to the theatre of the Cold War examined in a hugely enjoyable and enlightening narrative. This book is ideal for theatre studies students.

First published in 1991, this book presents a comprehensive annotated bibliography of radio broadcasting. Its eleven chapter-categories cover almost the entire range of radio broadcasting — with the exception of radio engineering due to its technical complexity although some of the historical volumes do encompass aspects, thus providing background material. Entries are primarily restricted to published books although a number of trade journals and periodicals are also included. Each entry includes full bibliographic information, including the ISBN or ISSN where available, and an annotation written by the author with the original text in hand.

The Routledge Guide to Broadway is the second title in our new student reference series. It will introduce the student to the Broadway theater, focusing on key performers, writers, directors, plays, and musicals, along with the theaters themselves, key awards, and the folklore of Broadway. Broadway is the center of American theater, where all the great plays and musicals make their mark. Students across the country in theater history, performance, and direction/production look to Broadway for their inspiration. While there are illustrated coffee table type books on Broadway, there are few that offer a comprehensive look at the key figures and productions of the last two centuries. The Routledge Guide to Broadway offers this information in an easy-to-use, inexpensive format that will appeal to students, professors, and theatrical professionals.

First published in 2005, this book represents the first full length biography of John Phillips, one of the most remarkable and important scientists of the Victorian period. Adopting a broad chronological approach, this book not only traces the development of Phillips’ career but clarifies and highlights his role within Victorian culture, shedding light on many wider themes. It explores how Phillips’ love of science was inseparable from his need to earn a living and develop a career which could sustain him. Hence questions of power, authority, reputation and patronage were central to Phillips’ career and scientific work. Drawing on a wealth of primary sources and a rich body of recent writings on Victorian science, this biography brings together his personal story with the scientific theories and developments of the day, and fixes them firmly within the context of wider society.

Evangelicalism, an inter-denominational religious movement that has grown to become one of the most pervasive expressions of world Christianity in the early twenty-first century, had its origins in the religious revivals led by George Whitefield, John Wesley and Jonathan Edwards in the middle decades of the eighteenth century. With its stress on the Bible, the cross of Christ, conversion and the urgency of mission, it quickly spread throughout the Atlantic world and then became a global phenomenon. Over the past three decades evangelicalism has become the focus of considerable historical research. This research companion brings together a team of leading scholars writing broad-ranging chapters on key themes in the history of evangelicalism. It provides an authoritative and state-of-the-art review of current scholarship, and maps the territory for future research. Primary attention is paid to English-speaking evangelicalism, but the volume is transnational in its scope. Arranged thematically, chapters assess evangelicalism and the Bible, the atonement, spirituality, revivals and revivalism, worldwide mission in the Atlantic North and the Global South, eschatology, race, gender, culture and the arts, money and business, interactions with Roman Catholicism, Eastern Christianity, and Islam, and globalization. It demonstrates evangelicalism’s multiple and contested identities in different ages and contexts. The historical and thematic approach of this research companion makes it an invaluable resource for scholars and students alike worldwide.

First published in 1995, this title provides the reader with a compendium of useful information for any reader of George Herbert to have at hand. It includes key biographical information, situates the poetry in its historical and cultural context, and, where appropriate, explains theological concepts and traditions which have a direct bearing on the verse. The aim throughout is to enhance understanding and appreciation, without being exhaustive. A George Herbert Companion will be of most use to general readers and undergraduate students coming to this poetry for the first time, and will interest students of Anglican Caroline theology and hymnology.