Presenting 55 projects whose designers used the existing historic substance as the basis for their creative processes - the magic of patina and traces of the past are maintained and deliberately integrated into the design concept.

The worn, vintage and unfinished look of 'rough luxe' is more than just the masculine side of shabby chic. It creates the kind of authenticity that is unscripted history in physical form. It reinvents the past by redefining luxury today. Here design rejects minimalism and extravagance and celebrates imperfection.

Enter a world of interiors by Atelier AM, where classical proportions, varied finishes, and exquisite furnishings are masterfully combined, resulting in bold yet tranquil environments. A deft hand at creating interiors that mix materials, both rough-hewn and luxurious, antique and modern, marks the work of Alexandra and Michael Misczynski, the husband-and-wife team behind the Los Angeles–based firm Atelier AM. Only ten years after establishing their business, the couple has garnered a keen reputation for creating environments that are sensory experiences—visually sublime interiors enhanced with subtle, textural palettes. Seventeenth- and eighteenth-century furniture commingle with modernist pieces and ancient objects. Background colors and materials are muted and refined. Interiors Atelier AM showcases a selection of residences—each exhibiting the firm’s skill at mixing furniture and objects with backgrounds such as antique flooring and Venetian plaster, with bold and modern results. Their high-profile clients include Katie Holmes and Tom Cruise and the Michael Eisners. The photography of François Halard beautifully documents each project, educating and inspiring a new generation of interior designers and connoisseurs.

From the Third Coast comes this inspirational interiors book by award-winning interior designers Sandra Lucas and Sarah Eilers, who show us how to design inviting homes with a classical backbone that are stylish and versatile for today's living. Native Houstonians Lucas and Eilers's aesthetic marries the entrepreneurial, can-do spirit of the West with Southern grace. The distinctive influences of their hometown--from the architecture of John Staub to the textures and color palettes of the surrounding Texas ranches and expansive landscapes to the impact of futuristic NASA--infuse their design choices. Whether traditional, contemporary, or transitional in style, the rooms they create are timeless. The duo's seasoned insight into the principles and elements of interior design forms the book's heart. Touching on such topics as scale and proportion, color and light, and pattern and texture, they explore their pragmatic, imaginative approach to creating expressive living spaces in a diverse range of projects from coast to coast. They then tour us through several homes, including a comfortable family ski compound in Utah with repurposed rough-hewn wooden beams and custom forged-steel fireplace surrounds; a Houston shotgun home rich with patina; and a charming Gulf Coast beach house. For those passionate about interiors, this wealth of design fundamentals is inspirational.

This volume of primary source materials documents the nineteenth-century search for a representative style, and the alternating fashions for interiors that demonstrated the consumerism of the period. Although in some senses every interior is unique so that a style canon may seem to be meaningless, there have been important historical trends or styles that have influenced individual interiors, and these have formed the groundwork from which other styles and tastes have developed and changed. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.

The new edition of the leading textbook remains the gold standard for interior design education. In this twelfth edition of Beginnings of Interior Environments, established interior designer and professor Lynn M. Jones, ASID, IDEC collaborates with innovator Heidi Plumb, IIDA, IDEC, to deliver a practical and balanced overview of commercial and residential interior design. Written to offer coverage of the creative and technical characteristics of the profession, the text also addresses Council for Interior Design Accreditation (CIDA) content. Part I opens with a discussion on the scope and value of the profession and includes a pictorial overview of the history of design. Subsequent parts cover design fundamentals, the spatial envelope—including space planning and systems—, products and materiality, and designing for a living. A new chapter addresses the art and science of visual communications. Hundreds of images from actual design projects, supplied by national and international design firms, illustrate quality examples. “Precedent Studies” include in-house production work from these practicing designers. Content, updated throughout, includes additional information on design thinking, inclusivity, WELL building standards, casework, and architectural millwork. New end-of-chapter self-directed projects provide students the opportunity to apply their knowledge. Written by two successful educators and practitioners, both NCIDQ certified with terminal degrees, the text applies a balance between education and practice. It is the ideal textbook for introductory interior design or interior architecture courses, and an invaluable resource for anyone looking to apply a holistic interior design perspective to their own home or business. As in previous editions, the text Introduces interior design with a foundation in its health, safety, and welfare benefits Explores design fundamentals, including visual literacy, and the elements and principles of design, with a special emphasis on color and now visual communications Discusses construction, including building components, codes, regulations, as well as lighting, electrical, and communication systems Offers an in-depth examination of the profession, including career pathways and professional organizations Reviews critical global issues such as sustainability, universal design, and culturally sensitive design Includes a dedicated section on interior materials and finishes—floorings, ceilings, wallcoverings, upholstery—and furnishings such as furniture, art, and accessories Leads students to analyze the needs of clients to design safe and sustainable environments that enhance the quality of life Includes a companion site for instructors featuring PowerPoint slides and an Instructor's manual with discussion points, objectives, lecture outlines, learning activities, and example quizzes with answers

Western design has evolved from the limitations of log-style architecture, simple and rough-hewn lodgepole pine furnishings, brightly colored leather, and Chimayo weavings to stately interiors that are graceful, elegant, and highly polished, incorporating upscale fabrics and ornamentation.

Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic Countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.

Presents 2 villas, now museums, designed by Mies van der Rohe. A further understanding is given by examining specific on-site interventions by artists Yves Klein, Sol LeWitt, Richard Serra and Ernst Caramelle.