The extraordinary and genuine account of Rosemary Say - a courageous young Englishwoman whose emigration to France in 1939 led her to suffer the horrors of life under the Nazis.

This book restores to history the lives of American women involved in war work during World War I.

An account of how 18 million women, many of whom had never held a job, entered the work force in 1942-45 to help the United States during World War II. Their unprecedented participation changed the course of history for women, and America forever.

Discusses the important role that women had during World War II, both on the home front and overseas.

Meet Rosie's Daughters in this collective memoir of American women born during World War II, precursors of the Baby Boom generation. Their stories will inform, entertain, and surprise you. In these in-depth interviews, they are declaring their place in history.

The iconic bicep-flexing poster image of "Rosie the Riveter" has long conveyed the impression that women were welcomed into the World War II work force and admired for helping "free a man to fight." Donna Knaff, however, shows that "Rosie" only revealed part of the reality and that women depicted in other World War II visual art-both in the private sector and the military-reflected decidedly mixed feelings about the status of women within American society. Beyond Rosie the Riveter takes readers back to a time before television's dominance, to the golden age of print art and its singular power over public opinion. Focusing specifically on instances of "female masculinity" when women entered previously all-male fields, Knaff places these images within the context of popular discussions of gender roles and examines their historical, cultural, and textual contexts. As Knaff reveals, visual messages received by women through war posters, magazine cartoons, comic strips, and ads may have acknowledged their importance to the war effort but also cautioned them against taking too many liberties or losing their femininity. Her study examines the subtle and not-so subtle cultural battles that played out in these popular images, opening a new window on American women's experience. Some images implicitly argued that women should maintain their femininity despite adopting masculinity for the war effort; others dealt with society's deep-seated fear that masculinized women might feminize men; and many reflected the dilemma that a woman was both encouraged to express and suppress her sexuality so that she might be perceived as neither promiscuous nor lesbian. From these cases, Knaff draws a common theme: while being outwardly empowered or celebrated for their wartime contributions, women were kept in check by being held responsible for everything from distracting male co-workers to compromising machinery with their long hair and jewelry. Knaff also notes the subtle distinctions among the images: government war posters targeted blue-collar women, New Yorker content was aimed at socialites, Collier's addressed middle-class women, and Wonder Woman was geared to young girls. Especially through its focus on visual arts, Knaff's book gives us a new look at American society decades before the modern women's rights movement, torn between wartime needs and antiquated gender roles. It provides much-needed nuance to a glossed-over chapter in our history, charting the difficult negotiations that granted-and ultimately took back-American women's wartime freedoms.

Collection of primary source documents, which include photographs, official reports, editorials, executive orders, radio broadcast scripts, letters and oral histories, detailing the experiences and contributions of American women during World War II. The documentary collection is a companion volume to a 2012 traveling exhibition from the Museum of History and Holocaust Education. Chapter 1 documents the mobilization of women into industrial factories and agricultural sectors. Chapter 2 deals with women who found employment in white-collar professions, such as law, journalism, clerical work and medicine. Chapter 3 traces women's service in military auxiliary units. Chapter 4 focuses on women's domestic labor on the home front. Chapter 5 documents the secret war waged by the government including its use of women as spies and saboteurs.

In this beloved New York Times bestselling picture book, meet Rosie Revere, a seemingly quiet girl by day but a brilliant inventor of gizmos and gadgets by night. Rosie dreams of becoming a great engineer, and her room becomes a secret workshop where she constructs ingenious inventions from odds and ends. From hot dog dispensers to helium pants and python-repelling cheese hats, Rosie's creations would astound anyone—if only she'd let them see. But Rosie is afraid of failure, so she hides her inventions under her bed. That is, until her great-great-aunt Rose (also known as Rosie the Riveter) pays her a visit. Aunt Rose teaches Rosie that the first flop isn't something to fear; it's something to celebrate. Failure only truly happens if you quit. And so, Rosie learns to embrace her passion, celebrate her missteps, and pursue her dreams with persistence. This empowering picture book encourages young readers to explore their creativity, persevere through challenges, and celebrate the journey toward achieving their goals. Whether you're a budding engineer or simply love stories of resilience, Rosie Revere, Engineer is a delightful read for all ages. Add this inspiring tale to your family library and discover the magic of celebrating each failure on the road to success. Don’t miss the book that the Duchess of York recently chose to read aloud at a Literally Healing visit to a children’s hospital. For more STEM-themed adventures, check out other titles by Andrea Beaty and David Roberts, including Ada Twist, Scientist, Iggy Peck, Architect, and Rosie Revere and the Raucous Riveters. “Will no doubt inspire conversations with children about the benefits of failure and the pursuit of dreams.” —School Library Journal Check out all the books in the Questioneers Series: The Questioneers Picture Book Series: Iggy Peck, Architect | Rosie Revere, Engineer | Ada Twist, Scientist | Sofia Valdez, Future Prez | Aaron Slater, Illustrator | Lila Greer, Teacher of the Year The Questioneers Chapter Book Series: Rosie Revere and the Raucous Riveters | Ada Twist and the Perilous Pants | Iggy Peck and the Mysterious Mansion | Sofia Valdez and the Vanishing Vote | Ada Twist and the Disappearing Dogs | Aaron Slater and the Sneaky Snake Questioneers: The Why Files Series: Exploring Flight! | All About Plants! | The Science of Baking | Bug Bonanza! | Rockin’ Robots! Questioneers: Ada Twist, Scientist Series: Ghost Busted | Show Me the Bunny | Ada Twist, Scientist: Brainstorm Book | 5-Minute Ada Twist, Scientist Stories The Questioneers Big Project Book Series: Iggy Peck’s Big Project Book for Amazing Architects | Rosie Revere’s Big Project Book for Bold Engineers | Ada Twist’s Big Project Book for Stellar Scientists | Sofia Valdez’s Big Project Book for Awesome Activists | Aaron Slater’s Big Project Book for Astonishing Artists

This gorgeous picture book highlights how an iconic image of a working woman evolved into an inspirational symbol of hope and strength for all girls and women. Rosie the Riveter was born in 1942, in the middle of the Second World War. Riveting is a way to hold pieces together to make something strong and powerful. In a time when everything was coming apart, America turned to Rosie and American women to hold things together. Over time, Rosie came to represent so much more. As women pushed back against all the things society suggested they could not do, they used the symbol of Rosie to motivate, represent, and unite them. Today, Rosie isn’t just one woman—she’s every woman. Like a rivet, she holds us all together, reminding us how far we’ve come and how far we still have to go. This inspirational text traces Rosie’s formation and legacy from World War II to today, letting girls know that they are capable and strong—just like Rosie and the long history of strong women who came before and after. Included in the back of the book is additional information on the history of Rosie the Riveter. An Imprint Book

There was a sign on Rosie's door that said, "If you want to know a secret, knock three times." Kathy, Rosie's good friend, knocked three times and learned the secret-that Rosie was no longer Rosie, but Alinda, the lovely lady singer. Adventures with Alinda were fun for Kathy and Sal and Pudgy and Dolly. Even Lenny, who occasionally didn't believe in Alinda, was delighted by the Fourth of July celebration that Alinda, with the help of the Magic Man, held. At the end of the celebration, Alinda was gone forever, and Rosie had returned, but she soon found something else nice to be. Maurice Sendak, the well-known artist and author-illustrator of Kenny's Window and Very Far Away, has written a story of real children, playing as only children know how. Young readers will wish that Alinda lived next door to them.