Bawdy and sometimes horrifying, hilarious on the way to being tragic, Raymond Andrews's Muskhogean County novels tell of black life in the Deep South from the end of the First World War to the beginning of the 1960s, from the days of mules and white men with bullwhips to the moment when the pendulum began to swing. This second novel in the trilogy begins in 1906, on the day when a beautiful "acorn-brown" woman arrives in the small North Georgia community of Appalachee asking directions to "the house of the richest white man living in this heah town." Forty years, one hundred acres, four children, numerous grandchildren, and many legends later, Rosiebelle Lee is on her deathbed--and ready to reveal her secrets.

A rambunctious saga that captures the most frustrating half-century in Black history, as a group of people learn to define freedom in a world in which they coexist with some strange, white, animal force.

Bawdy and sometimes horrifying, hilarious on the way to being tragic, Raymond Andrews's Muskhogean County novels tell of black life in the Deep South from the end of the First World War to the beginning of the 1960s, from the days of mules and white men with bullwhips to the moment when the pendulum began to swing. This story tells of a venture between John Morgan Jr., the dissolute heir to Appalachee's leading white family, and Baby Sweet Jackson, owner of the once-vibrant Red's Cafe in Dark Town. On Independence Day, 1966, the partners open Muskhogean County's first bordello, with two dark-skinned black women, Lana Lips and Fig, ready for the expected white clientele. Then a mysterious woman, announcing herself as the 'third whore,' arrives--and proclaims that her body will be 'for colored only.'

Georgia has played a formative role in the writing of America. Few states have produced a more impressive array of literary figures, among them Conrad Aiken, Erskine Caldwell, James Dickey, Joel Chandler Harris, Carson McCullers, Flannery O'Connor, Jean Toomer, and Alice Walker. This volume contains biographical and critical discussions of Georgia writers from the nineteenth century to the present as well as other information pertinent to Georgia literature. Organized in alphabetical order by author, the entries discuss each author's life and work, contributions to Georgia history and culture, and relevance to wider currents in regional and national literature. Lists of recommended readings supplement most entries. Especially important Georgia books have their own entries: works of social significance such as Lillian Smith's Strange Fruit, international publishing sensations like Margaret Mitchell's Gone With the Wind, and crowning artistic achievements including Jean Toomer's Cane. The literary culture of the state is also covered, with information on the Georgia Review and other journals; the Georgia Center for the Book, which promotes authors and reading; and the Townsend Prize, given in recognition of the year's best fiction. This is an essential volume for readers who want both to celebrate and learn more about Georgia's literary heritage.

An illustrated biography of the famous Georgia-born, New York artist

Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.

This is a book about prejudice and democracy, and the prejudice of democracy. In comparing the historical struggles of two geographically disparate populations - Indian Dalits (once known as Untouchables) and African Americans - Gyanendra Pandey, the leading subaltern historian, examines the multiple dimensions of prejudice in two of the world's leading democracies. The juxtaposition of two very different locations and histories, and within each of them of varying public and private narratives of struggle, allows for an uncommon analysis of the limits of citizenship in modern societies and states. Pandey, with his characteristic delicacy, probes the histories of his protagonists to uncover a shadowy world where intolerance and discrimination are part of both public and private lives. This unusual and sobering book is revelatory in its exploration of the contradictory history of promise and denial that is common to the official narratives of nations such as India and the United States and the ideologies of many opposition movements.

With close readings of more than twenty novels by writers including Ernest Gaines, Toni Morrison, Charles Johnson, Gloria Naylor, and John Edgar Wideman, Keith Byerman examines the trend among African American novelists of the late twentieth century to write about black history rather than about their own present. Employing cultural criticism and trauma theory, Byerman frames these works as survivor narratives that rewrite the grand American narrative of individual achievement and the march of democracy. The choice to write historical narratives, he says, must be understood historically. These writers earned widespread recognition for their writing in the 1980s, a period of African American commercial success, as well as the economic decline of the black working class and an increase in black-on-black crime. Byerman contends that a shared experience of suffering joins African American individuals in a group identity, and writing about the past serves as an act of resistance against essentialist ideas of black experience shaping the cultural discourse of the present. Byerman demonstrates that these novels disrupt the temptation in American society to engage history only to limit its significance or to crown successful individuals while forgetting the victims.

Multicultural fiction is an essential part of the American literary landscape. This reference helps scholars, teachers, and librarians choose significant texts from both the past and present, and provides guidance in approaching multicultural issues as they are discussed in fiction for young adults. Included are entries for 51 writers, some of whom have nearly been forgotten, others who are just emerging. Each entry provides biographical, critical, and bibliographical information, while a general bibliography of works on multicultural literature concludes the book. Authors included range from the nearly forgotten, such as Laura Adams Armer, to the newly discovered, such as Graham Salisbury, winner of the 1994 Scott O'Dell Award for Historical Fiction. The breadth of authors covered ensures an historical context for the issues raised by multiculturalism, and the sections on the critical reception of each author address such important issues as the authority and authenticity of the writer to comment on a different culture. Contributors are of many different ethnicities and include important scholars of children's literature, lending authenticity and authority to the volume itself.

Featuring the work of the most distinguished scholars in the field, this volume assesses the state of Afro-American literary study and projects a vision of that study for the 1990s. "A rich and rewarding collection."—Choice. "This diverse and inspired collection . . . testifies to the Afro-Am academy's extraordinary vitality."—Voice Literary Supplement