The supreme addresses of choice in New York are on Park Avenue and on Fifth Avenue, but merely living on either of these famous boulevards is not enough. The ultimate aspiration is to dwell in a suite of rooms designed by one of the two masters of apartm

Masterworks of the Jazz Age architect whose residential buildings are as significant in their impact on the character of New York as the skyscrapers of Wall Street. Known and celebrated for many of the apartment buildings on Park Avenue, Fifth Avenue, and in Sutton Place—82 in NYC, including the storied 740 Park, sometimes called the richest and most powerful address in New York and whose famous residents included John D. Rockefeller Jr.—Candela’s work is at once timeless and profoundly of its time. Classical in styling and even modest on the exterior, it is on the insides, in the apartment interiors, the floorplans, the extraordinary and frequently luxurious arrangements of rooms and space, where his designs set a standard that serves as a benchmark and aspirational goal of taste and refinement. The authors explore these seminal spaces through the lens of exteriors and urbanism, planning and interior architecture, and the circumstances and stories of creation. Lavish and comprehensive black-and-white vintage photography as well as color imagery of the exteriors, original plans, and a collection of exceptional interior views give historical perspective (including a seductive Slim Aarons' Park Avenue streetscape) and contemporary sizzle (as seen in Derry Moore’s depiction of K. K. Auchincloss’s penthouse at 1040 Fifth). The story told is of a genius designer who gave form to the New York of his dreams.

From the author of House of Outrageous Fortune For seventy-five years, it’s been Manhattan’s richest apartment building, and one of the most lusted-after addresses in the world. One apartment had 37 rooms, 14 bathrooms, 43 closets, 11 working fireplaces, a private elevator, and his-and-hers saunas; another at one time had a live-in service staff of 16. To this day, it is steeped in the purest luxury, the kind most of us could only imagine, until now. The last great building to go up along New York’s Gold Coast, construction on 740 Park finished in 1930. Since then, 740 has been home to an ever-evolving cadre of our wealthiest and most powerful families, some of America’s (and the world’s) oldest money—the kind attached to names like Vanderbilt, Rockefeller, Bouvier, Chrysler, Niarchos, Houghton, and Harkness—and some whose names evoke the excesses of today’s monied elite: Kravis, Koch, Bronfman, Perelman, Steinberg, and Schwarzman. All along, the building has housed titans of industry, political power brokers, international royalty, fabulous scam-artists, and even the lowest scoundrels. The book begins with the tumultuous story of the building’s construction. Conceived in the bubbling financial, artistic, and social cauldron of 1920’s Manhattan, 740 Park rose to its dizzying heights as the stock market plunged in 1929—the building was in dire financial straits before the first apartments were sold. The builders include the architectural genius Rosario Candela, the scheming businessman James T. Lee (Jacqueline Kennedy Onassis’s grandfather), and a raft of financiers, many of whom were little more than white-collar crooks and grand-scale hustlers. Once finished, 740 became a magnet for the richest, oldest families in the country: the Brewsters, descendents of the leader of the Plymouth Colony; the socially-registered Bordens, Hoppins, Scovilles, Thornes, and Schermerhorns; and top executives of the Chase Bank, American Express, and U.S. Rubber. Outside the walls of 740 Park, these were the people shaping America culturally and economically. Within those walls, they were indulging in all of the Seven Deadly Sins. As the social climate evolved throughout the last century, so did 740 Park: after World War II, the building’s rulers eased their more restrictive policies and began allowing Jews (though not to this day African Americans) to reside within their hallowed walls. Nowadays, it is full to bursting with new money, people whose fortunes, though freshly-made, are large enough to buy their way in. At its core this book is a social history of the American rich, and how the locus of power and influence has shifted haltingly from old bloodlines to new money. But it’s also much more than that: filled with meaty, startling, often tragic stories of the people who lived behind 740’s walls, the book gives us an unprecedented access to worlds of wealth, privilege, and extraordinary folly that are usually hidden behind a scrim of money and influence. This is, truly, how the other half—or at least the other one hundredth of one percent—lives.

An illustrated tour of the elegant entrances to New York City’s most celebrated apartment houses This handsome, oversized book introduces us to the grandest entrances of New York City’s residential buildings. These posh portals come in an array of forms and styles, such as the porte cochere, with a passage to admit carriages or motor cars; the classic awning, originally meant to be retracted in good weather; and Neoclassical, Romanesque, and Gothic revivals. Architectural historian Andrew Alpern highlights approximately 140 entrances, from the nineteenth century to the present, including those of the Dakota, the first true luxury apartment house in New York; San Remo, one of Central Park West’s most impressive apartment houses; and the Ansonia, at one time the largest hotel in the world. Each entrance is accompanied by a description of its signal features and the history of the building that surrounds it. All are represented in splendid color photographs, and many by charming watercolor drawings. These ornate entrances offer a glimpse into New York’s past, as well as its future—for today, once again, entryways have begun to feature heavily in the marketing of residential buildings. Posh Portals will be an inspiration for architects and a delight for city dwellers.

Magnificently illustrated directory of 73 of Manhattan's most splendid addresses includes mini-histories of each building, noting the architect, builder, date of construction, and more. 221 photographs and drawings.

What are New York City's best apartment buildings? Before 1900, it was the Dakota and the Osborne; soon after came McKim, Mead & White's 998 Fifth and the ultra-soigne 820 Fifth Avenue. The roaring twenties produced true luxury: 740 Park Avenue, the art deco-inspired River House, and Rosario Candela's extraordinary 778 and 720 Park Avenue. Today, the city's skyline sparkles with palatial new buildings, such as Robert A. M. Stern's 15 Central Park West, Richard Meier's glass-walled Perry Street towers, and 432 Park Avenue, New York's tallest residential building. Kirk Henckels and Anne Walker, real estate and architectural insiders, chronicle the fortunes and features of 15 outstanding apartment houses with a wealth of vintage and new photography and architectural plans, and show off select apartments as they look today, designed by top interior designers.

Gwathmey Siegel’s buildings represent the pinnacle of late-twentieth and early-twenty-first-century modernist design, and this new volume focuses on a single architectural masterpiece: 400 Fifth Avenue. Designed by the award-winning architectural firm Gwathmey Siegel & Associates Architects and soaring sixty stories above Fifth Avenue, 400 Fifth Avenue seamlessly integrates an unparalleled collection of spectacular condominium tower residences with the world-class, five-star Setai Fifth Avenue hotel, providing a one-of-a-kind architectural icon in the heart of midtown Manhattan.

A luxurious presentation of the work of a celebrated American designer and architect known for creating spaces that balance modern simplicity and historic detail. This book features the work of Lauren Rottet over the past fifteen years and includes the interiors of houses, apartments, hotels, and design studio offices in the wide range of styles at which Rottet Studio is adept, from elegant Modernism to Beaux-Arts classicism. Rottet-designed spaces are artfully curated living/working spaces that transcend their formal use and become places in which people ponder, experience, and are inspired. These environments, though immediately beautiful to the eye, are not meant to be one-moment impacts and instead are designed to reveal themselves over time. Above all, her elegant, contemporary designs, like pieces of art, emphasize transparency and light. “A minimalist at heart,” Rottet “would happily live in a white box with beautiful light.” But her influences are varied and her love of historic architecture, art, lovely objects, and well-edited decoration is deep, as is evident in her work.

This first volume on François Catroux is a comprehensive consideration of the work and life of an international master of interior design. François Catroux is an innovator and explorer in interior design, who has always been a master of contemporary style. From his early days as a design prodigy, creating space-age boutiques for a house of couture and apartments that drew from Art Deco and modern design, to chic, mirror-studded interiors rich with glamour and elegant refinement in residences in Hong Kong, New York, and London, Catroux is at home in the vast world of design. His spaces may surprise with the introduction of irregular elements—a chandelier of elk horn or pink florescent lighting in a hallway—but Catroux’s hallmark sensibility combines the majesty and grandeur of high ceilings, elegant moldings, and gossamer draperies with elements that suggest comfort and tasteful, restrained opulence. Go-to accoutrements include sumptuous sofas, rich carpeting, gentle lighting, rooms lined with books, and ship staterooms in warm wood paneling with brass lamps, all measured according to a modern eye. This book looks at Catroux’s career chronologically, featuring his first projects in 1968 through his latest, completed only this year, and includes the interiors of houses and apartments around the globe, from Paris to New York, Hong Kong to Los Angeles. Luxuriously photographed, this volume is more than just a design monograph on one of the great, and so far relatively untold, careers in the history of design—it is also a lively and intimate read about a life lived in great style.

Heather Clawson's wildly popular blog Habitually Chic collected the finer things in life: high fashion, fine art, interior design and arresting architecture. Now she narrows her vision in this stunning photographic collection that offers an intimate look into the workspaces of the world's foremost cultural generators. Clawson showcases the studious, workshops, offices and creative sanctuaries of cultural icons, including Jenna Lyons and Frank Muytjens of J. Crew, James de Givenchy of TAFFIN and potter Jonathan Adler, along with many more.