Dispatched to America in the early ’60s, the golden age of illustrative reportage, Ronald Searle spent several years covering everything―in the form of drawings in his trademark satirical and virtuosic style―from sports to politics, for magazines such as The Saturday Evening Post and TV Guide. Topics included Palm Springs, Las Vegas, the Presidential contest between John F. Kennedy and Richard Nixon―as seen through the eyes of a caustic Englishman.

Dispatched to America in the early ’60s, the golden age of illustrative reportage, Ronald Searle spent several years covering everything―in the form of drawings in his trademark satirical and virtuosic style―from sports to politics, for magazines such as The Saturday Evening Post and TV Guide. Topics included Palm Springs, Las Vegas, the Presidential contest between John F. Kennedy and Richard Nixon―as seen through the eyes of a caustic Englishman.

American Space/American Place offers geographical perspectives on the condition of the United States at the outset of the twenty-first century. It compares the American ideal of liberty, equality, individual opportunity and social improvement with the contemporary condition of the regions, states and localities--the ideal American space with its reality as a place. It uses the public standard provided by the official ideology of the United States to see how well things are really going. Agnew and Smith consider the contrast between ideal and reality at local, state and national levels in education, health, and welfare, in community, race, gender, and calss relations, in economic and industrial development, and in the use and exploitation of America's landscape. American Space/American Place provides a series of compelling insights into the current condition of American Society, its natural environment and its place within the world.

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.

We live in a time much like the postwar era. A time of arch political conservatism and vast social conformity. A time in which our nation’s leaders question and challenge the patriotism of those who oppose their policies. But before there was Jon Stewart, Al Franken, or Bill Maher, there were Mort Sahl, Stan Freberg, and Lenny Bruce—liberal satirists who, through their wry and scabrous comedic routines, waged war against the political ironies, contradictions, and hypocrisies of their times. Revel with a Cause is their story. Stephen Kercher here provides the first comprehensive look at the satiric humor that flourished in the United States during the 1950s and early 1960s. Focusing on an impressive range of comedy—not just standup comedians of the day but also satirical publications like MAD magazine, improvisational theater groups such asSecond City, the motion picture Dr. Strangelove, and TV shows like That Was the Week That Was—Kercher reminds us that the postwar era saw varieties of comic expression that were more challenging and nonconformist than we commonly remember. His history of these comedic luminaries shows that for a sizeable audience of educated, middle-class Americans who shared such liberal views, the period’s satire was a crucial mode of cultural dissent. For such individuals, satire was a vehicle through which concerns over the suppression of civil liberties, Cold War foreign policies, blind social conformity, and our heated racial crisis could be productively addressed. A vibrant and probing look at some of the most influential comedy of mid-twentieth-century America, Revel with a Cause belongs on the short list of essential books for anyone interested in the relationship between American politics and popular culture.

Kaye Webb, a journalist with no publishing experience, burst into the world of children's books in 1961 and changed the face of children's publishing forever. Her child-like enthusiasm and shrewd business mind led her to become Puffin's most successful editor and the genius behind the Puffin Club, which opened up the exciting world of authors and books to children across Britain. But whilst Kaye's professional life had worked out beautifully, her private life had been the reverse. Kaye had two husbands before her marriage to the artist Ronald Searle, and the torment of his sudden and shocking departure never left her. Yet to the outside world Kaye Webb remained passionate and unstoppable. This is the unknown story of the woman who brought the joy of books to children everywhere whilst battling the emotional pain that plagued her private life.

Includes entries for maps and atlases.

Reporter: "What's it like to be Bob Hope?"Hope: "I wouldn't have it any other way."From Bob Hope's early career as an upstart among professionals like Jack Benny and Milton Berle in the rollicking world of traveling comedians, to his blazing success as a radio, television, and film star, this completely revised and updated version of William Faith's acclaimed biography takes a straightforward, appreciative, and very funny look at Hope's life and times on the occasion of his 100th birthday. Filled with anecdotes, photographs, and plenty of jokes, the book reveals the real Bob Hope from his boyhood in England and youth in Cleveland to his present status as a living legend-a full-blooded, authentic appraisal of the man and his humor, a comic institution who is also a brilliant businessman, manipulator of the media, and politically influential figure. And of course Hope is the man who brought laughter and cheer (and long-legged beauties) to GIs throughout the world. At a time when patriotic fervor has never been running higher it's worth recalling the singular tribute paid Hope by none other than John Steinbeck: "When the time for recognition of service to the nation in wartime comes to be considered, Bob Hope should be high on the list.... He gets laughter wherever he goes from men who need laughter." Happy 100th, Bob!

Scholars have characterized the early decades of the Cold War as an era of rising militarism in the United States but most Americans continued to identify themselves as fundamentally anti-militaristic. To them, "militaristic" defined the authoritarian regimes of Germany and Japan that the nation had defeated in World War II--aggressive, power-hungry countries in which the military possessed power outside civilian authority. Much of the popular culture in the decades following World War II reflected and reinforced a more pacifist perception of America. This study explores military images in television, film, and comic books from 1945 to 1970 to understand how popular culture made it possible for a public to embrace more militaristic national security policies yet continue to perceive themselves as deeply anti-militaristic.