An unprepared understudy is forced to take the stage with her secret crush in this romantic YA comedy of errors from author Shani Petroff.

In this fast-paced romance that combines flirty fun and situational comedy, a spunky heroine must navigate secret crushes, high school hijinks, and of course, Shakespeare. Understudies never get to perform...which is why being Juliet's understudy in the school's yearly Shakespeare production is the perfect role for Emily. She can earn some much-needed extra credit while pursuing her main goal of spending time with Wes, aka Romeo, aka the hottest, nicest guy in school (in her completely unbiased opinion). And she meant to learn her lines, really, it's just: a) Shakespeare is HARD, b) Amanda (the "real" Juliet) makes her run errands instead of lines, and c) there's no point, since Amanda would never miss her chance to be the star of the show. Then Amanda ends up in the hospital and Emily, as the (completely unprepared!) understudy, has to star in the most famous scene from Romeo and Juliet opposite the guy of her dreams. Oops? Shani Petroff’s Romeo and What’s Her Name is a laugh-out-loud funny novel chosen by readers like you for Macmillan's young adult imprint Swoon Reads. Praise for Romeo and What's Her Name: "This has all the hallmarks of a high-school romance: a swoon-worthy male lead, a requisite mean girl, and plenty of backstage dallying and wacky miscommunication. Flirty and fun." —Booklist "Petroff’s latest offering, published by Macmillan’s crowdsourced imprint, will delight romance lovers with its fast pace and humorous tone." —School Library Journal "[Emily is] the American Bridget Jones...this book is simply amazing!" —Jenn, reader on SwoonReads.com

The tragedy of Romeo and juliet - the greatest love story ever.

In this version of Shakespeare's famous love story set in present-day Paris, Romeo and Juliet, heirs to the rival fashion houses of Montague and Capulet, share a secret relationship until a mysterious American befriends the young lovers.

In her first novel, Serle presents an intensely romantic, modern recounting of the greatest love story ever toldNnarrated by Rosaline, the girl Romeo was "supposedO to love.

Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

(Applause Books). If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman, Head, Graduate Directing Program, University of British Columbia.