Robert Brentano evokes papal Rome in all its paradox and complicated brilliance. From a detailed re-creation of the physical "town" with its series of brick "campanili" and green and purple mosaic floors, to the intrigues of the great families, like the Orsini and Colonna, the reader is guided through complex and fascinating culture. Brentano's skill lies in his ability to combine the story of the vaulting ambition of the great families, only mildly tempered by their very real religious piety, with a vivid reconstruction of everyday life in postclassical Rome.

Unn Falkeid considers the work of six fourteenth-century writers who waged literary war against the Avignon papacy’s increasing claims of supremacy over secular rulers—a conflict that engaged contemporary critics from every corner of Europe. She illuminates arguments put forth by Dante, Petrarch, William of Ockham, Catherine of Siena, and others.

With the arrival of Clement V in 1309, seven popes ruled the Western Church from Avignon until 1378. Joëlle Rollo-Koster traces the compelling story of the transplanted papacy in Avignon, the city the popes transformed into their capital. Through an engaging blend of political and social history, she argues that we should think more positively about the Avignon papacy, with its effective governance, intellectual creativity, and dynamism. It is a remarkable tale of an institution growing and defending its prerogatives, of people both high and low who produced and served its needs, and of the city they built together. As the author reconsiders the Avignon papacy (1309–1378) and the Great Western Schism (1378–1417) within the social setting of late medieval Avignon, she also recovers the city’s urban texture, the stamp of its streets, the noise of its crowds and celebrations, and its people’s joys and pains. Each chapter focuses on the popes, their rules, the crises they faced, and their administration but also on the history of the city, considering the recent historiography to link the life of the administration with that of the city and its people. The story of Avignon and its inhabitants is crucial for our understanding of the institutional history of the papacy in the later Middle Ages. The author argues that the Avignon papacy and the Schism encouraged fundamental institutional changes in the governance of early modern Europe—effective centralization linked to fiscal policy, efficient bureaucratic governance, court society (société de cour), and conciliarism. This fascinating history of a misunderstood era will bring to life what it was like to live in the fourteenth-century capital of Christianity.

A Jewish family and other fascinating characters deal with prejudice and the Black Death in 14th-century Avignon'--until then the most prosperous and vibrant city in medieval France

Integrating the written sources with Rome's surviving remains and, most importantly, with the results of the past half-century's worth of medieval archaeology in the city, The Making of Medieval Rome is the first in-depth profile of Rome's transformation over a millennium to appear in any language in over forty years. Though the main focus rests on Rome's urban trajectory in topographical, architectural, and archaeological terms, Hendrik folds aspects of ecclesiastical, political, social, military, economic, and intellectual history into the narrative in order to illustrate how and why the cityscape evolved as it did during the thousand years between the end of the Roman Empire and the start of the Renaissance. A wide-ranging synthesis of decades' worth of specialized research and remarkable archaeological discoveries, this book is essential reading for anyone interested in how and why the ancient imperial capital transformed into the spiritual heart of Western Christendom.

The annual Lenten pilgrimage to dozens of Rome’s most striking churches is a sacred tradition dating back almost two millennia, to the earliest days of Christianity. Along this historic spiritual pathway, today’s pilgrims confront the mysteries of the Christian faith through a program of biblical and early Christian readings amplified by some of the greatest art and architecture of western civilization. In Roman Pilgrimage, bestselling theologian and papal biographer George Weigel, art historian Elizabeth Lev, and photographer Stephen Weigel lead readers through this unique religious and aesthetic journey with magnificent photographs and revealing commentaries on the pilgrimage’s liturgies, art, and architecture. Through reflections on each day’s readings about faith and doubt, heroism and weakness, self-examination and conversion, sin and grace, Rome’s familiar sites take on a new resonance. And along that same historical path, typically unexplored treasures—artifacts of ancient history and hidden artistic wonders—appear in their original luster, revealing new dimensions of one of the world’s most intriguing and multi-layered cities. A compelling guide to the Eternal City, the Lenten Season, and the itinerary of conversion that is Christian life throughout the year, Roman Pilgrimage reminds readers that the imitation of Christ through faith, hope, and love is the template of all true discipleship, as the exquisite beauty of the Roman station churches invites reflection on the deepest truths of Christianity.

An exploration of the significance of medieval Rome, both as a physical city and an idea with immense cultural capital.

As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.

In 1420, after more than one hundred years of the Avignon Exile and the Western Schism, the papal court returned to Rome, which had become depopulated, dangerous, and impoverished in the papacy's absence. Reviving the Eternal City examines the culture of Rome and the papal court during the first half of the fifteenth century. As Elizabeth McCahill explains, during these decades Rome and the Curia were caught between conflicting realities--between the Middle Ages and the Renaissance, between conciliarism and papalism, between an image of Rome as a restored republic and a dream of the city as a papal capital. Through the testimony of humanists' rhetorical texts and surviving archival materials, McCahill reconstructs the niche that scholars carved for themselves as they penned vivid descriptions of Rome and offered remedies for contemporary social, economic, religious, and political problems. In addition to analyzing the humanists' intellectual and professional program, McCahill investigates the different agendas that popes Martin V (1417-1431) and Eugenius IV (1431-1447) and their cardinals had for the post-Schism pontificate. Reviving the Eternal City illuminates an urban environment in transition and explores the ways in which curialists collaborated and competed to develop Rome's ancient legacy into a potent cultural myth.

Provence owes its name to Julius Caesar who described the region as “the Province of Rome.” Edwin Mullins seeks out hidden traces of that ancient world along with the many spectacular monuments that today adorn the cities of Nîmes, Arles, Vienne, and Orange. He tells the story of how the Romans came to invade Provence, how they stayed to colonize it, and how they transformed Provençal cities into imitations of Rome. His narrative also tells how the Emperor Constantine brought about the conversion of the Roman Empire to Christianity from his favorite city of Arles—and how the Romans were eventually driven out by the Visigoths. Roman Provence is also a guide to the principal sites in the region as well as those rarely visited, with separate chapters on various Roman achievements: triumphal arches, aqueducts, farming, city life, bridges and road-building, temples and shrines, theaters and amphitheaters.