The year 2018 marks a century since the murders of the last imperial family of Russia: Tsar Nicholas II, his wife Alexandra, four daughters: Olga, Tatiana, Maria and Anastasia, and son Alexei. This family of seven was brutally killed in July of 1918, but continues to fascinate even a hundred years later. Helen Azar, author of several books based on her original translations of their diaries and letters, brings you "THE ROMANOV FAMILY YEARBOOK" - a unique edition which commemorates them through a collection of personal documents that recount their daily lives, ranging over a decade. This book contains 365 diary entries, letters, and photographs--one for each day of the year-including some previously unpublished material. It is essential reading for Russian imperial history enthusiasts and excellent introduction for those new to the letters and diaries of Russia's last Romanovs.

In August 1914, Russia entered World War I, and with it, the imperial family of Tsar Nicholas II was thrust into a conflict they would not survive. His eldest child, Olga Nikolaevna, great-granddaughter of Queen Victoria, had begun a diary in 1905 when she was ten years old and kept writing her thoughts and impressions of day-to-day life as a grand duchess until abruptly ending her entries when her father abdicated his throne in March 1917. Held at the State Archives of the Russian Federation in Moscow, Olga's diaries during the wartime period have never been translated into English until this volume. At the outset of the war, Olga and her sister Tatiana worked as nurses in a military hospital along with their mother, Tsarina Alexandra. Olga's younger sisters, Maria and Anastasia, visited the infirmaries to help raise the morale of the wounded and sick soldiers. The strain was indeed great, as Olga records her impressions of tending to the officers who had been injured and maimed in the fighting on the Russian front. Concerns about her sickly brother, Aleksei, abound, as well those for her father, who is seen attempting to manage the ongoing war. Gregori Rasputin appears in entries, too, in an affectionate manner as one would expect of a family friend. While the diaries reflect the interests of a young woman, her tone grows increasingly serious as the Russian army suffers setbacks, Rasputin is ultimately murdered, and a popular movement against her family begins to grow.

Maria Romanov was canonized by the Eastern Orthodox Church for her service as a nurse tending wounded soldiers during World War I. Her diary reveals she felt she was the 'black sheep' of the family despite being known as the most beautiful of the four sisters. Her letters and diaries include intimate details about Rasputin and the royal family as well as the family's concern over the war with Germany and the subsequent rise of the Bolsheviks. She was eighteen-years-old when she was murdered by the Bolsheviks.

Translated for the First Time in English with Annotations by a Leading Expert, the Romanov Family's Final Years Through the Writings of the Second Oldest Daughter Grand Duchess Tatiana Nikolaevna of Russia was the second of the four daughters of Tsar Nicholas II and his wife, the Empress Alexandra Feodorovna. Long recognized by historians as the undisputed "beauty" of the family, Tatiana was acknowledged for her poise, her elegance, and her innate dignity within her own family. Helen Azar, translator of the diaries of Olga Romanov, and Nicholas B. A. Nicholson, Russian Imperial historian, have joined together to present a truly comprehensive picture of this extraordinarily gifted, complex, and intelligent woman in her own words. Tatiana Romanov, Daughter of the Last Tsar: Diaries and Letters, 1913-1918, presents translations of material never before published in Russian or in English, as well as materials never published in their entirety in the West. The brisk, modern prose of Tatiana's diary entries reveals the character of a young woman who was far more than the sheltered imperial beauty as she previously has been portrayed. While many historians and writers describe her as a cold, haughty, and distant aristocrat, this book shows instead a remarkably down-to-earth and humorous young woman, full of life and compassion. A detail-oriented and observant participant in some of the most important historical events of the early twentieth century, she left firsthand descriptions of the tercentenary celebrations of the House of Romanov, the early years of Russia's involvement in World War I, and the road to her family's final days in Siberian exile. Her writings reveal extraordinary details previously unknown or unacknowledged. Lavishly annotated for the benefit of the nonspecialist reader, this book is not only a reevaluation of Tatiana's role as more than just one of four sisters, but also a valuable reference on Russia, the First World War, the Russian Revolution, and the people closest to the Grand Duchess and her family.

Ten years in the works, a masterpiece of reportage, this is the definitive account of the Columbine massacre, its aftermath, and its significance, from the acclaimed journalist who followed the story from the outset. "The tragedies keep coming. As we reel from the latest horror . . ." So begins a new epilogue, illustrating how Columbine became the template for nearly two decades of "spectacle murders." It is a false script, seized upon by a generation of new killers. In the wake of Newtown, Aurora, and Virginia Tech, the imperative to understand the crime that sparked this plague grows more urgent every year. What really happened April 20, 1999? The horror left an indelible stamp on the American psyche, but most of what we "know" is wrong. It wasn't about jocks, Goths, or the Trench Coat Mafia. Dave Cullen was one of the first reporters on scene, and spent ten years on this book-widely recognized as the definitive account. With a keen investigative eye and psychological acumen, he draws on mountains of evidence, insight from the world's leading forensic psychologists, and the killers' own words and drawings-several reproduced in a new appendix. Cullen paints raw portraits of two polar opposite killers. They contrast starkly with the flashes of resilience and redemption among the survivors. Expanded with a New Epilogue

For almost eight decades, the world has been fascinated by the tragic fate of the Romanovs -- the last Tsar and Tsarina who were murdered, with their five children, by the Bolsheviks in 1918. With the advent of perestroika and the crumbling of Soviet rule, the opportunity arose to delve into hitherto forbidden archives buried deep within the crypt of secrecy that was the Soviet system. This book is the product of years of work to shed more light on the tragic deaths in Yekaterinburg all those years ago. As well as unearthing material which sheds more light on their deaths, it provides an enthralling description of the last Romanovs as people. With hundreds of unique and historic photographs from the personal albums of Tsar Nikolai -- an early camera enthusiast -- and the whole family, here at last it's possible to put flesh on the bones of those tragic, historic skeletons unearthed from their resting place in the Russian soil.

Featuring art and writing from the students of the Parkland tragedy, this is a raw look at the events of February 14, and a poignant representation of grief, healing, and hope. The students of Marjory Stoneman Douglas High School share their emotional journeys that began on February 14, 2018, and continue today. This revealing and unfiltered look at teens living in the wake of tragedy is a poignant representation of grief, anger, determination, healing, and hope. The intimate collection includes poetry, eyewitness accounts, letters, speeches, journal entries, drawings, and photographs from the events of February 14 and its aftermath. Full of heartbreaking loss, a rally cry for change, and hope for a safe future, these artistic pieces will inspire readers to reflect on their own lives and the importance of valuing and protecting the ones you love.

Explores European civilisation as a concept of twentieth-century political practice and the project of a transnational network of European elites. This title is available as Open Access.

Perfect for anyone fascinated by the Royal Wedding, Netflix's The Crown, or Wolf Hall, this is a pitch-perfect reimagining of the romance and tragedy of Henry VIII and his six wives, told from multiple points of view by some of your favorite authors. If you were one of King Henry VIII's six wives, who would you be? Would you be Anne Boleyn, who literally lost her head? Would you be the subject of rumor and scandal like Catherine Howard? Or would you get away and survive like Anna of Cleves? Meet them and Henry's other queens--each bound for divorce or death--in this epic and thrilling novel that reads like fantasy but really happened. Watch spellbound as each of these women attempts to survive their unpredictable king as he grows more and more obsessed with producing a male heir. And discover how the power-hungry court fanned the flames of Henry's passions . . . and his most horrible impulses. Whether you're a huge fan of all things Tudor or new to this jaw-dropping saga, you won't be able to get the unique voices of Henry and his wives--all brought to life by seven award-winning and bestselling authors--out of your head. This is an intimate look at the royals during one of the most treacherous times in history. Who will you root for and who will you love to hate? ONE OF THE NYPL TOP TEN BEST BOOKS OF THE YEAR "Ambitious and exciting." --Bustle "A clever, feminist reimagining of one of English history's most fascinating moments." --Refinery29 "These stories of love, lust, power and intrigue never fail to fascinate." --Shelf Awareness, Starred Review Who's Who: M. T. Anderson - Henry VIII Candace Fleming - Katharine of Aragon, wife #1 Stephanie Hemphill - Anne Boleyn, wife #2 Lisa Ann Sandell - Jane Seymour, wife #3 Jennifer Donnelly - Anna of Cleves, wife #4 Linda Sue Park - Catherine Howard, wife #5 Deborah Hopkinson - Kateryn Parr, wife #6

This book looks at the different ways in which governments support families.