Romancing Treason addresses the scope and significance of the secular literary culture of the Wars of the Roses, and especially of the Middle English romances that were distinctively written in prose during this period. Megan Leitch argues that the pervasive textual presence of treason during the decades c.1437-c.1497 suggests a way of conceptualising the understudied space between the Lancastrian literary culture of the early fifteenth century and the Tudor literary cultures of the early and mid-sixteenth century. Drawing upon theories of political discourse and interpellation, and of the power of language to shape social identities, this book explores the ways in which, in this textual culture, treason is both a source of anxieties about community and identity, and a way of responding to those concerns. Despite the context of decades of civil war, treason is an understudied theme even with regards to Thomas Malory's celebrated prose romance, the Morte Darthur. Leitch accordingly provides a double contribution to Malory criticism by addressing the Morte Darthur's engagement with treason, and by reading the Morte in the hitherto neglected context of the prose romances and other secular literature written by Malory's English contemporaries. This book also offers new insights into the nature and possibilities of the medieval romance genre and sheds light on understudied texts such as the prose Siege of Thebes and Siege of Troy, and the romances William Caxton translated from French. More broadly, this book contributes to reconsiderations of the relationship between medieval and early modern culture by focusing on a comparatively neglected sixty-year interval — the interval that is customarily the dividing line, the 'no man's land' between well—but separately-studied periods in English literary studies.

Shakespeare in Love meets Mr. and Mrs. Smith in this witty and thrilling story of star-crossed assassins in Elizabeth England, perfect for fans of My Lady Jane and TheGentleman's Guide to Vice and Virtue! When Lady Katherine's father is killed for being an illegally practicing Catholic, she discovers treason wasn't the only secret he's been hiding: he was also involved in a murder plot against the reigning Queen Elizabeth I. With nothing left to lose, Katherine disguises herself as a boy and travels to London to fulfill her father's mission, and to take it one step further -- kill the queen herself. Katherine's opportunity comes in the form of William Shakespeare's newest play, which is to be performed in front of Her Majesty. But what she doesn't know is that the play is not just a play. It's a plot to root out insurrectionists and destroy the rebellion once and for all. The mastermind behind this ruse is Toby Ellis, a young spy for the queen with secrets of his own. When Toby and Katherine are cast opposite each other as the play's leads, they find themselves inexplicably drawn to one another. But the closer they grow, the more precarious their positions become. And soon they learn that star-crossed love, mistaken identity, and betrayal are far more dangerous off the stage than on.

After seven years of exile, Violet has returns to her beloved Burleigh House–one of the six great magical houses of England. But, since her father’s death, the house’s magic has gone wild. Vi must decide whether her destiny is set in stone, before Burleigh destroys everything she loves.

Romancing Treason examines English literature written during the Wars of the Roses. Focusing on the the theme of treason, Megan Leitch suggests that the idea of a literature of the Wars of the Roses offers a way of understanding an understudied period.

Set against the framework of modern political concerns, Treason: Medieval and Early Modern Adultery, Betrayal, and Shame considers the various forms of treachery in a variety of sources, including literature, historical chronicles, and material culture creating a complex portrait of the development of this high crime.

When Muslim terrorists infiltrate the Navy Chaplain Corps, Lieutenant Zack Brewer, just three years out of law school, is pitted against the world's greatest defense attorney in the court-martial of the century.

Groundbreaking new approach to the idea of treason in medieval England, showing the profound effect played by gender.

In 1728 a stranger handed a letter to Governor Yue calling on him to lead a rebellion against the Manchu rulers of China. Feigning agreement, he learnt the details of the plot and immediately informed the Emperor, Yongzheng. The ringleaders were captured with ease, forced to recant and, to the confusion and outrage of the public, spared. Drawing on an enormous wealth of documentary evidence - over a hundred and fifty secret documents between the Emperor and his agents are stored in Chinese archives - Jonathan Spence has recreated this revolt of the scholars in fascinating and chilling detail. It is a story of unwordly dreams of a better world and the facts of bureaucratic power, of the mind of an Emperor and of the uses of his mercy.

A TALE OF LOVE, ROMANCE, TREACHERY AND TREASON Alicia Elizabeth McAllister. Pretty but not beautiful, a freshly minted honors graduate of Township College. Alicia moves from rural Connecticut to Washington, D.C., to join James, her boyfriend of three years. Cruelly abandoned by him on the day she arrives, a chance encounter with a mysterious stranger changes her life forever. Thirteen years her senior, Alexander Michael de Vris is handsome, charming, rich and brilliant - and maddeningly enigmatic. A war hero, a former CIA officer, and the head of Washington's most prestigious "think tank," he's also the President's most trusted advisor. Sympathetic - and impressed by her ability - Alex helps her win a position at the Center for Strategic Studies. But not all is well in Washington. Little by little, she slowly awakens to the fact that she's stumbled into the midst of a sinister conspiracy to assassinate the President, and that she'll join the growing list of victims if anyone realizes she's uncovered the plot. Who can she turn to? Who can she trust? Most importantly, is the mysterious Alexander de Vris loyal to the President? Or is he too a traitor?

"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--