Landing an internship at prestigious Hopewell General is a dream come true for Tamara St. John. She struggled hard to get where she is—and isn't about to risk it all because of arrogant Victor Aguilar. Tamara and Victor constantly lock horns, but the sinfully seductive doctor is driving her crazy…with desire. Tamara knows that dating a colleague is a prescription for disaster. Until one stormy, passion-filled night… Victor can have his pick of any woman. But he only has eyes for sweet, sultry Tamara. But when tragedy and trauma in the E.R. hit close to home, one false move could put everything they've ever worked for in jeopardy. It's time to stake his claim on Tamara's heart—with a passionate dose of forever.

The author of the award-winning Matisse: A Life gives us the definitive biography of writer Anthony Powell--and takes us deep into the heart of twentieth-century London's literary life. Insightful, lively, and enthralling, this biography is as much a brilliant tapestry of a seminal era in London’s literary life as it is a revelation of an iconic literary figure. Best known for his twelve-volume comic masterpiece, A Dance to the Music of Time, the prolific writer and critic Anthony Powell (1905–2000) kept company between the two world wars with rowdy, hard-up writers and painters—and painters’ models—in the London where Augustus John and Wyndham Lewis loomed large. He counted Evelyn Waugh and Henry Green among his lifelong friends, and his circle included the Sitwells, Graham Greene, George Orwell, Philip Larkin, and Kingsley Amis. Drawing on letters, diaries, and interviews, Hilary Spurling—herself a longtime friend of Powell’s as well as an award-winning biographer—has produced a fresh and powerful portrait of the man and his times.

A groundbreaking portrait of one of Hollywood’s most successful stars, from critically acclaimed and bestselling biographer Marc Eliot Through determination, inventiveness, and charisma, Michael Douglas emerged from the long shadow cast by his movie-legend father, Kirk Douglas, to become his own man and one of the film industry’s most formi­dable players. Overcoming the curse of failure that haunts the sons and daughters of Hollywood celebrities, Michael became a sensation when he successfully brought One Flew Over the Cuckoo’s Nest, starring his friend Jack Nicholson, to the screen after numerous setbacks, including his father’s own failed attempts to make it happen. This 1975 box-office phenomenon won Michael his first Oscar (the film won five total, including Best Picture), an award Kirk hadn’t won at the time, and solidified the turbulent, competitive father-son relationship that would shape Michael’s career and personal life. In the decades that followed, Michael established a reputation for taking chances on new talent and proj­ects by producing and starring in the hugely successful Romancing the Stone and Jewel of the Nile movies, while cultivating a multifaceted acting persona—edgy, rebel­lious, and a little dark—in such films as Wall Street, Fatal Attraction, Basic Instinct, and Disclosure. Yet as his career thrived, Michael’s personal life floundered, with an unhappy and tumultuous first mar­riage, rumors of infidelity (especially with leading ladies such as Kathleen Turner), and a headline-grabbing stint in rehab. Rocked by a series of tragedies, including Kirk’s strokes, his son Cameron’s incarceration, and his own fight against throat cancer, Michael has emerged trium­phant, healthy, and happy in his marriage to Catherine Zeta-Jones, a Welsh actress twenty-five years his junior, and their new young family. In Michael Douglas, Marc Eliot brings into sharp fo­cus this incredible career, complicated personal life, and legendary Hollywood family. Eliot’s fascinating portrait of the lows and remarkable highs in Michael’s life—in­cluding the thorny yet influential relationship with his father—breaks boundaries in understanding the life and work of a true American film star.

An integrated, holistic model for infrastructure planning and design in developing countries. Many emerging nations, particularly those least developed, lack basic critical infrastructural services—affordable energy, clean drinking water, dependable sanitation, and effective public transportation, along with reliable food systems. Many of these countries cannot afford the complex and resource-intensive systems based on Western, single-sector, industrialized models. In this book, Hillary Brown and Byron Stigge propose an alternate model for planning and designing infrastructural services in the emerging market context. This new model is holistic and integrated, resilient and sustainable, economical and equitable, creating an infrastructural ecology that is more analogous to the functioning of natural ecosystems. Brown and Stigge identify five strategic infrastructure objectives and illustrate each with examples of successful projects from across the developing world. Each chapter also highlights exemplary preindustrial systems, demonstrating the long history of resilient, sustainable infrastructure. The case studies describe the use of single solutions to solve multiple problems, creating hybridized and reciprocal systems; “soft path” models for water management, including water reuse and nutrient recovery; post carbon infrastructures for power, heat, and transportation such as rural microhydro and solar-powered rickshaws; climate adaptation systems, including a multi-purpose tunnel and a “floating city”; and the need for community-based, equitable, and culturally appropriate projects.

A Critical Companion to Robert Zemeckis offers a comprehensive, academic and detailed study of the works of Robert Zemeckis, whose films include successful productions such as the Back to the Future trilogy (1985-90), Forrest Gump (1994), Contact (1997), Cast Away (2000) and The Polar Express (2004), but also lesser known films such as I Wanna Hold Your Hand (1978), Used Cars (1980), and Allied (2015). Most of Zemeckis’ major productions were not only successful when they were first released but continue to enjoy popularity—with critics and fans alike—even today. This volume investigates several distinct areas of Zemeckisʼ works and addresses the different approaches: the philosophical, the artistic, the socio-cultural, and the personal. The methodologies adopted by the contributors differ significantly from each other, thus offering the reader a variegated and compelling picture of Zemeckisʼ oeuvre, which includes nineteen films. Contrary to the few volumes published in the past on the subject, the chapters in this volume offer specific case studies that have been previously ignored (or only partially mentioned) by other scholars. A Critical Companion to Robert Zemeckis offers a great variety of interdisciplinary approaches to Zemeckis’ films, illuminating, re-reading and/or interpreting for the first time the entire career of the director, from his first films to the most recent ones.

This book is a significant contribution to existing research on the themes of race and slavery in the founding literature of the United States. It extends the boundaries of existing research by locating race and slavery within a transnational and 'oceanic' framework. The author applies critical concepts developed within postcolonial theory to American texts written between the national emergence of the United States and the Civil War, in order to uncover metaphors of the colonial and imperial 'unconscious' in America's foundational writing. The book analyses the writings of canonized authors such as Charles Brockden Brown, James Fenimore Cooper, Edgar Allan Poe, and Herman Melville alongside those of lesser known writers like Olaudah Equiano, Royall Tyler, Frederick Douglass, Martin Delany, and Maxwell Philip, and situates them within the colonial, and 'postcolonial', context of the slave-based economic system of the Black Atlantic. While placing the transatlantic slave trade on the map of American Studies and viewing it in conjunction with American imperial ambitions in the Pacific, Fictions of the Black Atlantic in American Foundational Literature also adds a historical dimension to present discussions about the 'ambivalence' of postcoloniality.