This book presents a compelling account of atomic development over the last century that demonstrates how humans have repeatedly chosen to ignore the associated impacts for the sake of technological, scientific, military, and economic expediency. In 1945, Albert Einstein said, "The release of atomic power has changed everything except our way of thinking ... the solution to this problem lies in the heart of mankind." This statement seems more valid today than ever. Romancing the Atom: Nuclear Infatuation from the Radium Girls to Fukushima presents compelling moments that clearly depict the folly and shortsightedness of our "atomic mindset" and shed light upon current issues of nuclear power, waste disposal, and weapons development. The book consists of ten nonfiction historical vignettes, including the women radium dial painters of the 1920s, the expulsion of the Bikini Island residents to create a massive "petri dish" for post-World War II bomb and radiation testing, the government-subsidized uranium rush of the 1950s and its effects on Native American communities, and the secret radioactive material development facilities in residential neighborhoods. In addition, the book includes original interviews of prominent historians, writers, and private citizens involved with these poignant stories. More information is available online at www.romancingtheatom.com.

Tracing uranium's past—and how it intersects with our understanding of other radioactive elements—Chain Reactions aims to enlighten readers and refresh our attitudes about the atomic world. Chain Reactions looks at the fascinating, often-forgotten stories that can be found throughout the history of uranium. From glassworks to penny stocks; from medicines to atomic weapons; from something to be feared to a powerful source of energy, this global history explores the scientific narrative of this unique element, but also shines a light on its cultural and social impact. By understanding our nuclear past, we can move beyond the ideological opposition to technologies and encourage a more nuanced dialogue about whether it is feasible—and desirable—to have a genuinely nuclear-powered future.

The mountains, valleys, forests, and sands of 1940s New Mexico served as a picturesque backdrop to the dawn of the Atomic Age, the land’s natural beauty coexisting with secretive, nuclear development. Today, nuclear tourists and nature tourists travel a shared path through the state as the history of the bomb is commemorated at official sites, often alongside monuments to natural preservation: Trinity Site, bordered by the Bosque del Apache National Wildlife Preserve; Los Alamos, wedged between Valles Caldera and Bandelier National Monument; and the Waste Isolation Pilot Plant, across from Carlsbad Caverns. More than just a glimpse into the history of the atomic bomb and the tourism it spawned within New Mexico, Nuclear New Mexico also examines the impact of nuclear testing within the rise of environmentalism. As readers explore New Mexico’s landscape and its history, they will recognize familiar uncertainties and concerns about their own special places on the planet as societies adapt to rapidly altered landscapes.

Nuclear Theory Degree Zero: Essays Against the Nuclear Android investigates the threat conveyed and maintained by the nuclear cycle: mining, research, health, power generation and weaponry. Central to this polyvalent 'report' on the infiltration of our lives and control over them exerted by the industrial-military complex, are critiques of the creation, storage and use of atomic weapons, the exploitation of Australian Aboriginal people and their lands through British atomic testing in the 1950s, and an exposé of a language of denial in the world of nuclear mining/energy/military usages. 'Nuclear' is also parenthetically investigated in its function as extended metaphor and question for poetry and poetics. Key is a consideration of the use of the language of the 'atomic' in cultural spaces, and in 'the arts'. Indigenous land-rights claims in the face of uranium mining, the semantics of waste and of the glib usage by nuclear power companies of the fact of global warming to suit their own corrosive agendas. The triumphalism of scientific and cultural discourse around 'nuclear' and the threats by nuclear fission are by association brought into question. The nuclear cycle throws the whole future of human beings into doubt, and this book seeks to assemble new resources of resistance through creative and critical mediums, including poetry and poetics. The chapters in this book were originally published as a special issue of Angelaki.

On July 16, 1945, just weeks before the atomic bombing of Hiroshima and Nagasaki that brought about the surrender of Japan and the end of World War II, the United States unleashed the world’s first atomic bomb at the Trinity testing site located in the remote Tularosa Valley in south-central New Mexico. Immensely more powerful than any weapon the world had seen, the bomb’s effects on the surrounding and downwind communities of plants, animals, birds, and humans have lasted decades. In The First Atomic Bomb Janet Farrell Brodie explores the history of the Trinity test and those whose contributions have rarely, if ever, been discussed—the men and women who constructed, served, and witnessed the first test—as well as the downwinders who suffered the consequences of the radiation. Concentrating on these ordinary people, laborers, ranchers, and Indigenous peoples who lived in the region and participated in the testing, Brodie corrects the lack of coverage in existing scholarship on the essential details and everyday experiences of this globally significant event. The First Atomic Bomb also covers the environmental preservation of the Trinity test site and compares it with the wide range of atomic sites now preserved independently or as part of the new Manhattan Project National Historical Park. Although the Trinity site became a significant node for testing the new weapons of the postwar United States, it is known today as an officially designated National Historic Landmark. Brodie presents a timely, important, and innovative study of an explosion that carries special historical weight in American memory.

The fascinating, curious, and sometimes macabre history of radium as seen in its uses in everyday life. Of all the radioactive elements discovered at the end of the nineteenth century, it was radium that became the focus of both public fascination and entrepreneurial zeal. Half Lives tells the fascinating, curious, sometimes macabre story of the element through its ascendance as a desirable item – a present for a queen, a prize in a treasure hunt, a glow-in- the-dark dance costume – to its role as a supposed cure-all in everyday twentieth-century life, when medical practitioners and business people (reputable and otherwise) devised ingenious ways of commodifying the new wonder element, and enthusiastic customers welcomed their radioactive wares into their homes. Lucy Jane Santos—herself the proud owner of a formidable collection of radium beauty treatments—delves into the stories of these products and details the gradual downfall and discredit of the radium industry through the eyes of the people who bought, sold and eventually came to fear the once-fetishized substance. Half Lives is a new history of radium as part of a unique examination of the interplay between science and popular culture.

Reflecting the rich interdisciplinarity of contemporary photography studies, The Cultural Work of Photography in Canada is essential reading for anyone interested in Canadian visual culture."--Pub. desc.

Environmental art or ‘ecoart’ is a burgeoning field and includes a wide variety of practices, some of which are exemplified in this collection: from sculptures or installations made from discarded rubbish to intimate ephemeral artworks placed in the natural environment, or from theatrical presentations incorporated into environmental education programs to socially critical paintings. In some cases, the artworks aim to create indignation in the viewer, sometimes to educate, sometimes to create a feeling of empathy for the natural environment, or sometimes they are built into community building projects. This timely book examines various roles of the arts in building ecological sustainability. A wide range of practitioners is represented, including visual and performing artists, scientists, social researchers, environmental educators and research students. They are all united in this text in their belief that the arts are vital in the building of sustainability – in the way that they are practiced, but also the connections they make to ecology, science and indigenous culture.

This book presents a compelling account of atomic development over the last century that demonstrates how humans have repeatedly chosen to ignore the associated impacts for the sake of technological, scientific, military, and economic expediency. In 1945, Albert Einstein said, "The release of atomic power has changed everything except our way of thinking ... the solution to this problem lies in the heart of mankind." This statement seems more valid today than ever. Romancing the Atom: Nuclear Infatuation from the Radium Girls to Fukushima presents compelling moments that clearly depict the folly and shortsightedness of our "atomic mindset" and shed light upon current issues of nuclear power, waste disposal, and weapons development. The book consists of ten nonfiction historical vignettes, including the women radium dial painters of the 1920s, the expulsion of the Bikini Island residents to create a massive "petri dish" for post-World War II bomb and radiation testing, the government-subsidized uranium rush of the 1950s and its effects on Native American communities, and the secret radioactive material development facilities in residential neighborhoods. In addition, the book includes original interviews of prominent historians, writers, and private citizens involved with these poignant stories. More information is available online at www.romancingtheatom.com.