Famous for her works of "flash fiction" which capture life, love, and contradiction in a single page, Diane Williams continues to forge her own innovative tradition in this new collection. Including over three dozen short stories along with three novellas, Romancer Erector is her boldest collection to date. Here she once again astonishes us with her distinctive voice, detached yet fiercely intimate. As one critic writes: "the effect is original, as if a strange little memory has insinuated itself into the reader's own memory, to remain there...incapable of assimilation." Like intricately wrapped gifts, these tales deliver the hidden, the haunted, the charms, the bell, the mansions inside of the human heart.

"The thirteen short stories that make up Amanda Michalopoulou's I'd Like read like versions of an unwritten novel: each riveting tale resonates with the others, and yet a sense of their connectedness remains tantalizingly out of grasp. Instead, we are presented with a kaleidoscope of characters and events, signs and emotions, linked by the uncanny repetition of certain details: blossoming almond trees, red berets, bleeding feet, accidents small and large. Michalopoulou's characters are both patently fictitious and profoundly real, as they move through a world in which even the smallest of everyday occurrences can take on enormous significance. Engagingly fresh in its approach, I'd Like offers a touching, utterly unique reading experience from one of Greece's most innovative young storytellers."--BOOK JACKET.

The Inquisitory consists entirely of the interrogation of an old, deaf servant regarding unspecified crimes that may or may not have taken place at his master's French chateau. The servant's replies - which are by turns comic, straightforward, angry, nostalgic, and disingenuous - hint at a variety of seedy events, including murder, orgies, tax fraud, and drug deals. Of course, the servant wasn't involved with any of these activities - if the reader chooses to believe him. In trying to convince the inquisitor of his innocence, the servant creates a web of half-truths, vague references, and glaring inconsistencies amid "forgotten" details, indicating that he may know more than he's letting on.

Considered by many to be his greatest book, Michel Butor's "Mobile" is the result of the six months the author spent traveling across America. The text is composed from a wide range of materials, including city names, road signs, advertising slogans, catalog listings, newspaper accounts of the 1893 World's Fair, Native American writings, and the history of the Freedomland theme park. Butor weaves bits and pieces from these diverse sources into a collage resembling an abstract painting (the book is dedicated to Jackson Pollock) or a patchwork quilt that by turns is both humorous and quite disturbing. This travelogue captures--in both a textual and visual way--the energy and contradictions of American life and history.

A noir set in the seediest backwaters of the French publishing industry, The Collaborators tells the story of a hapless drifter who, after years of not particularly heroic effort, finally manages to write a book. A good book? A bad book? Well, it's complicated-and soon the complications he's set in motion spiral entirely out of control. Praised by Pierre Bayard in How to Talk About Books You Haven't Read, and finally available in English by one of our greatest translators, The Collaborators is both a sinister thriller and a comedy of outrageous proportions. Under the title Ferdinaud Celine, The Collaborators was published in French in 1997 to great acclaim.

A Kind of Testament is part autobiography and part justification of the life's work of one of Poland's most important novelists and playwrights. Written in France in 1968, this personal testimony is more than just a life history or a critique of his work. A Kind of Testament stands as a testament to how Gombrowicz came to be the person and writer that he was and overlap between the two.

"An unnamed man travels to Shanghai, ostensibly on vacation, but finds himself increasingly unmoored from his life and identity. Caught in a jet-lag reality, he stumbles from adventure to adventure, allowing himself to be led not by sense or instinct but by the onrush of experience, until a call from home jars him back into his life, with all of its own confusions." "In Running Away, the Chaplinesque slapstick of Jean-Philippe Toussaint's acclaimed early works The Bathroom and Camera is replaced by an ever-unfolding fabric of coincidences and misapprehensions, both particularly modern and utterly real. The mature Toussaint shows himself to be no less ingenious an inventor of existential dilemmas, but with a new, surprising tenderness, and a deepened concern for the inexpressible immediacy and sensuality of human experience." --Book Jacket.

In the early morning of March 31, 1970 in Belo Horizonte, Brazil, the annual birthday celebration of a prominent and wealthy young artist is taking place; and a train docked in Plaza Station filled with starving, drought-stricken migrant workers seeking relief gets turned away by the authorities, sparking a riot. From these seemingly unrelated events, Ivan Angelo's remarkable debut novel connects and implicates the lives of a complex of characters spanning three decades of tumultuous social and political history in twentieth-century Brazil. But with the central event - the celebration - missing, the reader is thrust into the middle of an intricate puzzle, left to construct the story from the evidence that accrues in a range of comic, unnverving, misleading and tragic episodes.

Sakai works for a construction company that builds high rise buildings in Tokyo, but gets introduced to parts of the city he's never seen after meeting a mysterious young woman.

A Scathing Satire On Psychology, Identity Theory And Class Prejudice; Cards of Identity is a scathing satire of psychology, identity theory, and class prejudice. The plot centers on an annual meeting of the Identity Club, a group of psychologists who come together to present "case histories" promoting their chosen theory of identity. These case studies (three of which are presented in the novel) are not scientific treatises, but fictional representations of characters in line with the author's biases. In fact, members of the Club aren't allowed to interact with actual patients when creating their stories. Surrounding this meeting is the equally bizarre story of the local townspeople, who are brainwashed and transformed into servants for the convention, and who end the book with a show-stopping Shakespearian play.