The volume brings together the papers read at the international conference on Romance Objects organized by the Linguistics Department of the Roma Tre University. It is characterized by a striking uniformity of approach, which is functional, and of methodology. The various case studies regarding the object focus on the syntax/semantics and syntax/pragmatics interfaces. The common denominator of the ten enquiries is the identification of the object category, the DO in particular, in Romance languages; at the same time some of the contributors relate the specific topic to more general questions of linguistic typology. Some of the essays are based on the analysis of data from a corpus and present a diachronic picture of the evolution of the specific topic investigated. Thus this volume is addressed not only to scholars interested in the Romance languages but also all those who study the object category in a cross-linguistic perspective. Michela Cennamo: (In)transitivity and object marking: some current issues.

Love Objects is the first anthology on the concept of 'love' to interrogate across a range of contexts its design and other material manifestations.

What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.

This book offers an empirical and theoretical exploration of the development of object clitic pronouns in the Romance languages, drawing on data from Latin, medieval vernaculars, modern Romance languages, and lesser-known dialects. Diego Pescarini examines phonological, morphological, and especially syntactic aspects of Romance object clitics, using the findings to reconstruct their evolution from Latin to Romance and to model clitic placement in modern Romance languages. On the theoretical side, the volume engages with previous accounts of clitics, particularly in generative theory. It challenges the received idea that cliticization resulted from a form of syntactic deficiency; instead, it proposes that clitics resulted from the feature endowment of discourse features, which initially caused freezing of certain pronominal forms and then - through reanalysis - their successive incorporation to verbal hosts. This approach leads to a revision of earlier analyses of well-known phenomena such as interpolation, climbing, and enclisis/proclisis alternations, and to new approaches to issues including V2 syntax, scrambling, and stylistic fronting, among many others.

Differential marking as applied to direct objects has long been discussed as one of the characterizing traits of many Romance languages. There is, however, wide consensus that a detailed investigation into the nature of this phenomenon raises numerous challenges both at the empirical and theoretical level. Many questions are still being raised regarding which precise morpho-syntactic strategies count as differential object marking, whether the data can be unified, and, subsequently, how they are to be unified formally and theoretically. Additionally, a thorough investigation of this phenomenon is still needed for many Romance languages and especially at the micro-variation level. This volume brings together original papers addressing various aspects of differential object marking in Romance languages, focusing on micro-variation, from both a descriptive and formal perspective, touching on diachrony, language contact, synchrony, and using a large set of methodologies.

Die im Jahre 1905 von Gustav Gröber ins Leben gerufene Reihe der Beihefte zur Zeitschrift für romanische Philologie zählt zu den renommiertesten Fachpublikationen der Romanistik. Die Beihefte pflegen ein gesamtromanisches Profil, das neben den Nationalsprachen auch die weniger im Fokus stehenden romanischen Sprachen mit einschließt. Zur Begutachtung können eingereicht werden: Monographien und Sammelbände zur Sprachwissenschaft in ihrer ganzen Breite, zur mediävistischen Literaturwissenschaft und zur Editionsphilologie. Mögliche Publikationssprachen sind Französisch, Spanisch, Portugiesisch, Italienisch und Rumänisch sowie Deutsch und Englisch. Sammelbände sollten thematisch und sprachlich in sich möglichst einheitlich gehalten sein.

Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.

The second the test-the-sexy-scenes offer landed in my lap, I said yes.After all, I've been damn curious about a few things I've read in romance novels. Do buttons truly go flying across the floor when you rip off a guy's shirt? Is staircase nookie hella hot or does it leave you with a big old bruise mark on your back? And don't even get me started on all that panty shredding, and whether it even works.Time to find out as I embark on Project Sexy Scenes Research, at the request of my hotshot book editor bestie.All I need is a willing scene partner. Enter Tristan, my best guy friend. The witty, tell-it-like-it-is, bearded hottie volunteers for the experiment.He's also the guy who gave me the most devastating, toe-curling kiss of my life ten years ago. But nothing has happened since then.And nothing will come between my panties and our friendship now since we have a plan to keep it PG.But once the buttons start flying, all bets are off..

"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--

This collection of twenty articles, selected from the 33rd annual Linguistic Symposium on Romance Languages held at Indiana University in 2003, presents current theoretical approaches to a variety of issues in Romance linguistics. Invited speakers Luigi Burzio and José Ignacio Hualde contribute papers on the paradigmatics and syntagmatics of Italian verbal inflection and comparative/diachronic Romance intonation, respectively. The other papers, whose authors include both well-known researchers and younger scholars, represent such areas as French syntax (both synchronic and diachronic), second language acquisition (Spanish & English), Spanish intonation, phonology, syntax, and semantics, Italian semantics, Romanian morphology and syntax, Catalan phonology and morphology, and Galician phonology (two papers). The volume is rounded out by three explicitly comparative studies, one on proto-Romance phonology, one on microvariation in Romance syntax, and a third addressing syntactic microvariation among varieties of French and French-based creoles. Frameworks represented include Optimality Theory, Minimalism, and Construction Grammar.