David Bourbon faces challenges as a kid growing in the 1960s. He learns about life and death at age five, and again as a teenager. David grows up like other baby boomers in an era of changeThe Cuban Missile Crisis, school integration, Sputnik, The Beatles, The Pill, and an emerging war in Vietnam. Childhood experiences forge his views on a range of issues from nature to war. He feels the pain of a traumatic event that forever changes how he treats other people. His grandparents and WWII parents provide an anchor for lifes challenges. On the first day of football practice in August 1962, a line of black football players faces stare at a row of white faces. David and his teammates are standing in the line of white faces. An all-black Dunbar High School is integrating with an all-white Hopewell High School. We wonder how this experiment will work out. Who will start and who will quit? Are we stronger as one team or separate? Can we win the state high school football championship? And how will we get along off the football field? At sixteen, Davids life changes when his dad drives home in a new 1963 Rambler. This event triggers several high school romances1960s style. Davids romances include a few fumbles along the way as he tries to reconcile life forces like love, sex, and luck. The Rambler becomes a high school legend with the help of a beautiful auburn hair young woman named Anna. An Ann Margret lookalike, Anna propels David to manhood. The quest to win a state high school football championship endures several twists of fate. David confronts the randomness of life on and off the football field. He tries to cope with several heartbreaking events that define peoples lack of control. Meanwhile, national and international events seem to intrude on his small town and its people. David enters his senior year with one last chance to fulfill his quest for a state football championship. At an after-Prom party, classmates reflect on their young lives and futures. Davids family and classmates were the only ones who really knew him. What it was like to grow up in Hopewell amidst the upheavals of the 1950s and hostile 1960s. These experiences bound the Class of 1965 together for life. We are protected by unyielding time and space constraints. Like so many high school graduates, we were happy and sad at the same time. Graduation was a marker in life, and a ceremony that simultaneously defined an end and a beginning. Even at a young age, David knew that life is about renewal, and he sort of had a premonition that he would go through many renewals. The Class of 1965 had come of age, and David was a very proud part of it. Davids story begins and ends with the embrace of his mom. Possible Target Market(s): USA baby boomers who would read the book and reminisce about their high school days. Baby boomer children might want to read what their parents experienced in the 1960s. Also, romance novels, adventure novels, and coming of age novels fit this book. Keywords: adult, baby boomers, romance, sex, adventure, coming of age, 1960s, and American high school football

-- Lisa Moore, Albion

DigiCat offers you this warm and meticulously edited collection for these stressful times: Romeo & Juliet by William Shakespeare (Play) Romeo & Juliet (Prose Version) Evelina (Fanny Burney) Camilla (Fanny Burney) Pride and Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Mansfield Park (Jane Austen) Emma (Jane Austen) Persuasion (Jane Austen) The Sorrows of Young Werther (Goethe) Jane Eyre (Charlotte Brontë) Villette (Charlotte Brontë) Wuthering Heights (Emily Brontë) The Tenant of Wildfell Hall (Anne Brontë) The Red and the Black (Stendhal) Lorna Doone (R.D. Blackmore) Dangerous Liaisons (Pierre Choderlos de Laclos) The Portrait of a Lady (Henry James) The Wings of the Dove (Henry James) Scarlet Letter (Nathaniel Hawthorne) Adam Bede (George Eliot) Anna Karenina (Leo Tolstoy) Far from the Madding Crowd (Thomas Hardy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) Wives and Daughters (Elizabeth Gaskell) The Age of Innocence (Edith Wharton) Little Women (Louisa May Alcott) An Old-Fashioned Girl (Louisa May Alcott) The Lady of the Camellias (Alexandre Dumas) The House of a Thousand Candles (Meredith Nicholson) Great Expectations (Charles Dickens) The Phantom of the Opera (Gaston Leroux) A Room with a View (E. M. Forster) The Beautiful and Damned (F. Scott Fitzgerald) Jennie Gerhardt (Theodore Dreiser) Ann Veronica (H. G. Wells) The Enchanted Barn (Grace Livingston Hill) The Girl from Montana (Grace Livingston Hill) The Miranda Trilogy (Grace Livingston Hill) Marcia Schuyler Phoebe Deane Miranda The Agony Column (Earl DerrBiggers) The Bride of Lammermoor (Walter Scott) Night and Day (Virginia Woolf) Affairs of State (Burton Egbert Stevenson) Jill the Reckless (P.G. Wodehouse) The Black Moth (Georgette Heyer) The Transformation of Philip Jettan (Georgette Heyer) And Both Were Young (Madeleine L'Engle) Penny Plain (O. Douglas) The Awakening (Kate Chopin)

A steamy strangers to friends to lovers romance from Ana Huang, the New York Times bestselling author of the Kings of Sin and Twisted series One year, two opposites, and a love that will blindside and, ultimately, shatter them. She's an aspiring interior designer who dreams of falling in love. He's an ex-football star who thinks love is a con. She's a virgin, and he doesn't do virgins. He's cocky, infuriating, and not her type. She wants the fairytale. He wants freedom. Blake and Farrah shouldn't have fallen for each other the way they did: totally, completely, and irrevocably. Because they're studying abroad in Shanghai, and they only have one year. Because forces at home threaten to rip them apart, even if they don't know it yet. And because, eventually, they must face the most heart-breaking lesson they'll ever learn: sometimes, even the greatest love can't conquer all . . . This is the first book in a duet. It's a full-length novel with no sudden cliffhangers, but Blake and Farrah's story concludes in book two, If the Sun Never Sets. Recommended for 18+.

The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.

This volume collects together a wealth of material ranging from verse parodies originally published in pamphlet form, to longer works such as P.G. Patmore's parodies of the works of Byron, Lamb and Hazlitt.

First published in 1969. This study of literary reviewing in the early nineteenth century is concerned with contemporary criticism of the works of the major Romantic poets – Wordsworth, Coleridge, Byron, Shelley and Keats – and of seven other notable Romantic writers including Hazlitt, Lamb and Scott. The criticism of all works in prose and verse, excluding novels, published by these writers between 1802 and 1824 is described and analysed. This study also considers the policies and practices of the reviews, and their political, religious and moral attitudes in literary matters. This title will be of interest to students of literature.

This text explores the reception of the royal family during the late eighteenth and early nineteenth centuries, and its representation in fiction, poetry, and the popular press. Samuelian finds that popular response to the royal family has reflected the public's belief in their right of access to the private life of royalty.