Roman Society from Nero to Marcus Aurelius is an overview of society and religion in the Roman Empire.

Excerpt from Roman Society From: Nero to Marcus Aurelius There must always be something arbitrary in the choice and isolation of a period of social history for special study. No period can, from one point of view, be broken off and isolated from the immemorial influences which have moulded it, from the succession of coming ages which it will help to fashion. And this is specially true of the history of a race at once so aggressive, yet so tenacious of the past, as the Roman. The national fibre was so tough, and its tone and sentiment so conservative under all external changes, that when a man knows any considerable period of Roman social history, he may almost, without paradox, be said to know a great deal of it from Romulus to Honorius. Yet, as in the artistic drama there must be a beginning and an end, although the action can only be ideally severed from what has preceded and what is to follow in actual life, so a limited space in the collective history of a people may be legitimately set apart for concentrated study. But as in the case of the drama, such a period should possess a certain unity and intensity of moral interest. It should be a crisis and turning-point in the life of humanity, a period pregnant with momentous issues, a period in which the old order and the new are contending for mastery, or in which the old is melting into the new. Above all, it should be one in which the great social and spiritual movements are incarnate in some striking personalities, who may give a human interest to dim forces of spiritual evolution. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A dramatic reconstruction of the social intellectual, artistic and religious life of the Roman Empire from the terrorism of Nero and Caligula to the rule of the philosophers that was achieved under Marcus Aurelius.

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Excerpt from Roman Society From Nero to Marcus Aurelius Yet, as in the artistic drama there must be a beginning and an end, although the action can only be ideally severed from what has preceded and What is to follow in actual life, so a limited Space in the collective history of a people may be legitimately set apart for concentrated study. But as in the case of the drama, such a period should possess a certain unity and intensity of moral interest. It should be a crisis and turning-point in the life of humanity, a period pregnant with momentous issues, a period in which the old order and the new are contending for mastery, or in which the old is melting into the new. Above all, it should be one in which the great social and spiritual movements are incarnate in some striking personalities, who may give a human interest to dim forces of Spiritual evolution. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

There must always be something arbitrary in the choice and isolation of a period of social history for special study. No period can, from one point of view, be broken off and isolated from the immemorial influences which have moulded it, from the succession of coming ages which it will help to fashion. And this is specially true of the history of a race at once so aggressive, yet so tenacious of the past, as the Roman. The national fibre was so tough, and its tone and sentiment so conservative under all external changes, that when a man knows any considerable period of Roman social history, he may almost, without paradox, be said to know a great deal of it from Romulus to Honorius.Yet, as in the artistic drama there must be a beginning and an end, although the action can only be ideally severed from what has preceded and what is to follow in actual life, so a limited space in the collective history of a people may be legitimately set apart for concentrated study. But as in the case of the drama, such a period should possess a certain unity and intensity of moral interest. It should be a crisis and turning-point in the life of humanity, a period pregnant with momentous issues, a period in which the old order and the new are contending for mastery, or in which the old is melting into the new. Above all, it should be one in which the great social and spiritual movements are incarnate in some striking personalities, who may give a human interest to dim forces of spiritual evolution.Such a period, it seems to the writer of this book, is that which he now presents to the reader. It opens with the self-destruction of lawless and intoxicated power; it closes with the realisation of Plato's dream of a reign of the philosophers. The revolution in the ideal of the principate, which gave the world a Trajan, a Hadrian, and a Marcus Aurelius in place of a Caligula and a Nero, may not have been accompanied by any change of corresponding depth in the moral condition of the masses. But the world enjoyed for nearly a century an almost unexampled peace and prosperity, under skilful and humane government. The civic splendour and social charities of the Antonine age can be revived by the imagination from the abundant remains and records of the period. Its materialism and social vices will also sadden the thoughtful student of its literature and inscriptions. But if that age had the faults of a luxurious and highly organised civilisation, it was also dignified and elevated by a great effort for reform of conduct, and a passion, often, it is true, sadly misguided, to rise to a higher spiritual life and to win the succour of unseen Powers. To the writer of this book, this seems to give the Antonine age its great distinction and its deepest interest for the student of the life of humanity. The influence of philosophy on the legislation of the Antonines is a commonplace of history. But its practical effort to give support and guidance to moral life, and to refashion the old paganism, so as to make it a real spiritual force, has perhaps hardly yet attracted the notice which it deserves. It is one great object of this book to show how the later Stoicism and the new Platonism, working in eclectic harmony, strove to supply a rule of conduct and a higher vision of the Divine world.

Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today.