Roman Sex provides a fresh and provocative account of ancient Roman sexual practices. Featuring 114 illustrations, including 95 full-color plates, Roman Sex explains for the first time a wealth of newly discovered sexual art including many paintings, sculptures, and vases hidden away in the world's "secret museums."John R. Clarke, one of the world's foremost authorities on ancient Rome, puts these works of art back into their original context--whether in the home, brothel, or banquet table--and reveals ancient Roman attitudes on sex and sexuality.The first Women's Liberation movement also took place in this period, and Clarke explains how and when it came about. He shows how and why the Roman man was a bisexual creature, alternating his affections between women and men, and how society treated the entrenched homosexual. Lesbian sex, illustrated by startling new discoveries at Pompeii, also gets full treatment.Romans, both rich and poor, proudly displayed images in their homes that today we would hide away. Clarke takes the reader into a society markedly different from ours in its attitudes toward sex. With all its quirks, it was a sexually tolerant society that encouraged the creation and open display of erotic art. Roman Sex will appeal to any reader who wants to understand this culture, which was in many ways the forerunner of our own.

A fascinating and often-funny look into Romans’ private (or not-so-private) lives, exploring the truth behind the empire’s salacious reputation. From emperors to empresses, poets to prostitutes, slaves to plebs, ancient Rome was a wealth of different experiences and expectations—nowhere more so than around the subject of sex and sexuality. The image of ancient Rome that has come down to us is one of sexual excess: emperors gripped by perversion partaking in pleasure with whomever and whatever they fancied during weeklong orgies. But how true are these tales of depravity? Was it really a sexual free-for-all? What were the laws surrounding sexual engagement? How did these vary according to gender and class? And what happened to those who transgressed the rules? We invite you to climb into bed with the Romans to discover some very odd contraceptive devices, gather top tips on how to attract a partner, and learn why you should avoid poets as lovers at all costs. Along the way we’ll stumble across potions and spells, emperors and their favorites, and some truly eye-popping interior decor choices.

The Romans were known to be a particular depraved when it came to sex, in fact, their sex lives are notorious. And is it any wonder? In Italy, they succeeded the Etruscans who enjoyed public nudity and generally preferred sex with boys. In the Mediterranean, the Roman Empire succeeded that of the Greeks who also had a very relaxed attitude to nudity, prostitution, homosexuality, promiscuity and the depiction of sex in the arts and religion. With no power to restrain them, the Roman emperors would indulge themselves in any way they fancied - often in the most degenerate way possible. Sex Lives of the Roman Emperors is a light-hearted yet meticulously researched look at the Ancient leaders and their sexual excesses. It will give a genuine insight into the characters of those people who have shaped our history and culture.

This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted--in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened. In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B. Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love.

A New Testament scholar challenges the belief that American family values are based on “Judeo-Christian” norms by drawing unexpected comparisons between ancient Christian theories and modern discourses Challenging the long-held assumption that American values—be they Christian or secular—are based on “Judeo-Christian” norms, this provocative study compares ancient Christian discourses on marriage and sexuality with contemporary ones, maintaining that modern family values owe more to Roman Imperial beliefs than to the bible. Engaging with Foucault’s ideas, Wheeler-Reed examines how conservative organizations and the Supreme Court have misunderstood Christian beliefs on marriage and the family. Taking on modern cultural debates on marriage and sexuality, with implications for historians, political thinkers, and jurists, this book undermines the conservative ideology of the family, starting from the position that early Christianity, in its emphasis on celibacy and denunciation of marriage, was in opposition to procreation, the ideological norm in the Greco-Roman world.

Un-Roman Sex explores how gender and sex were perceived and represented outside the Mediterranean core of the Roman Empire. The volume critically explores the gender constructs and sexual behaviours in the provinces and frontiers in light of recent studies of Roman erotic experience and flux gender identities. At its core, it challenges the unproblematised extension of the traditional Romano-Hellenistic model to the provinces and frontiers. Did sexual relations and gender identities undergo processes of "provincialisation" or "barbarisation" similar to other well-known aspects of cultural negotiation and syncretism in provincial and border regions, for example in art and religion? The 11 chapters that make up the volume explore these issues from a variety of angles, providing a balanced and rounded view through use of literary, epigraphic, and archaeological evidence. Accordingly, the contributions represent new and emerging ideas on the subject of sex, gender, and sexuality in the Roman provinces. As such, Un-Roman Sex will be of interest to higher-level undergraduates and graduates/academics studying the Roman empire, gender, and sexuality in the ancient world and at the Roman frontiers.

First published in 2001. The psychological basis of the Roman Empire was a ruthless, frequently sadistic 'will to power'. This impulse is highly manifest in Ancient Roman attitudes towards sex. After describing women’s position in Roman society, Keifer skilfully surveys the crypto-sexual satisfaction derived by Romans from a range of activities.

Offers an in-depth exploration of the only assured brothel from the Greco-Roman world, illuminating the lives of both prostitutes and clients.

What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question—and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works—many newly discovered and previously unpublished—in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence. Roman artists pictured a great range of human sexual activities—far beyond those mentioned in classical literature—including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.

This Sourcebook contains numerous original translations of ancient poetry, inscriptions and documents, all of which illuminate the multifaceted nature of sexuality in antiquity. The detailed introduction provides full social and historical context for the sources, and guides students on how to use the material most effectively. Themes such as marriage, prostitution and same-sex attraction are presented comparatively, with material from the Greek and Roman worlds shown side by side. This approach allows readers to interpret the written records with a full awareness of the different context of these separate but related societies. Commentaries are provided throughout, focusing on vocabulary and social and historical context. This is the first major sourcebook on ancient sexuality; it will be of particular use on related courses in classics, ancient history and gender studies.