First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Valerius Maximus stands alone as an extant prose author of the early principate who devoted specific interest to the Romans' attitude to religion. In eight chapters he presents a variety of material selected from earlier authors, such as Cicero, Livy, and Varro, to illustrate central areas of Roman religious thought and practice: augury, omens, dreams, and miracles. Valerius has not been translated into English since 1678 and there has never been a detailed commentary on his work in any language. With the growing interest in the non-Judaeo-Christian religions of the Mediterranean world and scholars recognizing that Roman religion should not be approached with Judaeo-Christian presuppositions or through the filter of the Christian Fathers, Valerius Maximus gives us an opportunity to see an unexceptional pagan speaking about his religion.

Offers a new reading of the ancient sources in order to find indications for religious deviance practices in the Roman world.

Popular in its day both as a sourcebook for writers and orators and as a guidebook for living a moral life, this remarkably rich document serves as an engaging introduction to the cultural and moral history of ancient Rome. Valerius' "thousand tales" are arranged thematically in ninety-one chapters that cover nearly every aspect of life in the ancient world, including such wide-ranging topics as military discipline, child rearing, and women lawyers. As a whole, the work gives the reader fascinating insights into what it felt like to be an ancient Roman, what the ancient Romans really believed, what their private world was like, how they related to one another, and what they did when nobody was watching.

From footnote-fodder to intellectual: Valerius Maximus, a generally under-appreciated minor author of the early first century AD emerges as a holder of distinct views on Rome's dynasty, their world, on how to behave within that world, and as an influencer of later thought both pagan and Christian.

The Peace of the Gods takes a new approach to the study of Roman elites' religious practices and beliefs, using current theories in psychology, sociology, and anthropology, as well as cultural and literary studies. Craige Champion focuses on what the elites of the Middle Republic (ca. 250–ca. 100 BCE) actually did in the religious sphere, rather than what they merely said or wrote about it, in order to provide a more nuanced and satisfying historical reconstruction of what their religion may have meant to those who commanded the Roman world and its imperial subjects. The book examines the nature and structure of the major priesthoods in Rome itself, Roman military commanders' religious behaviors in dangerous field conditions, and the state religion's acceptance or rejection of new cults and rituals in response to external events that benefited or threatened the Republic. According to a once-dominant but now-outmoded interpretation of Roman religion that goes back to the ancient Greek historian Polybius, the elites didn't believe in their gods but merely used religion to control the masses. Using that interpretation as a counterfactual lens, Champion argues instead that Roman elites sincerely tried to maintain Rome's good fortune through a pax deorum or "peace of the gods." The result offers rich new insights into the role of religion in elite Roman life.

What did the Romans know about their gods? Why did they perform the rituals of their religion, & what motivated them to change those rituals? Clifford Ando explores the answers to these questions, pursuing a variety of themes essential to the study of religion in history.

This book examines the use that Livy made of religious topics, and shows how this fits in with other aspects of his narrative. The author shows how 'Livy's views of religion' depend less on personal belief than on the refinement of his narrative technique. He looks at the history decade by decade, and demonstrates that there are radical differences between different sections: in some Livy uses large-scale religious themes, but in others he deliberately avoids them. By a systematic analysis of Livy's narrative patterns and comparison with other ancient versions, it is proved that this is not simply due to subject-matter, but reflects a development in Livy's handling of his material. This profound difference between decades throws doubt on much of the standard picture of Livy: it also points to a need to revise notions of 'Augustan religious ideology'.

Roman Historiography: An Introduction to its Basic Aspects and Development presents a comprehensive introduction to the development of Roman historical writings in both Greek and Latin, from the early annalists to Orosius and Procopius of Byzantium. Provides an accessible survey of every historical writer of significance in the Roman world Traces the growth of Christian historiography under the influence of its pagan adversaries Offers valuable insight into current scholarly trends on Roman historiography Includes a user-friendly bibliography, catalog of authors and editions, and index Selected by Choice as a 2013 Outstanding Academic Title

A Place at the Altar illuminates a previously underappreciated dimension of religion in ancient Rome: the role of priestesses in civic cult. Demonstrating that priestesses had a central place in public rituals and institutions, Meghan DiLuzio emphasizes the complex, gender-inclusive nature of Roman priesthood. In ancient Rome, priestly service was a cooperative endeavor, requiring men and women, husbands and wives, and elite Romans and slaves to work together to manage the community's relationship with its gods. Like their male colleagues, priestesses offered sacrifices on behalf of the Roman people, and prayed for the community’s well-being. As they carried out their ritual obligations, they were assisted by female cult personnel, many of them slave women. DiLuzio explores the central role of the Vestal Virgins and shows that they occupied just one type of priestly office open to women. Some priestesses, including the flaminica Dialis, the regina sacrorum, and the wives of the curial priests, served as part of priestly couples. Others, such as the priestesses of Ceres and Fortuna Muliebris, were largely autonomous. A Place at the Altar offers a fresh understanding of how the women of ancient Rome played a leading role in public cult.