This book explores how festivals of Rome were celebrated in the Greek East and their transformations in the Christian world.

This study explores the development of ancient festival culture in the Greek East of the Roman Empire, paying particular attention to the fundamental religious changes that occurred. After analysing how Greek city festivals developed in the first two Imperial centuries, it concentrates on the major Roman festivals that were adopted in the Eastern cities and traces their history up to the time of Justinian and beyond. It addresses several key questions for the religious history of later antiquity: who were the actors behind these adoptions? How did the closed religious communities, Jews and pre-Constantinian Christians, articulate their resistance? How did these festivals change when the empire converted to Christianity? Why did emperors not yield to the long-standing pressure of the Church to abolish them? And finally, how did these very popular festivals - despite their pagan tradition - influence the form of the newly developed Christian liturgy?

Among the imperial states of the ancient world, the Roman empire stands out for its geographical extent, its longevity and its might. This collective volume investigates how the many peoples inhabiting Rome's vast empire perceived, experienced, and reacted to both the concrete and the ideological aspects of Roman power. More precisely, it explores how they dealt with Roman might through their religious and political rituals; what they regarded as the empire's distinctive features, as well as its particular limitations and weaknesses; what forms of criticism they developed towards the way Romans exercised power; and what kind of impact the encounter with Roman power had upon the ways they defined themselves and reflected about power in general. This volume is unusual in bringing Jewish, and especially rabbinic, sources and perspectives together with Roman, Greek or Christian ones. This is the result of its being part of the research program "Judaism and Rome" (ERC Grant Agreement no. 614 424), dedicated to the study of the impact of the Roman empire upon ancient Judaism.

Greek and Roman Festivals addresses the multi-faceted and complex nature of Greco-Roman festivals and analyses the connections that existed between them, as religious and social phenomena, and the historical dynamics that shaped them. It contains twelve articles which form an interdisciplinary perspective of classical scholarship on the topic.

A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.

The Material Dynamics of Festivals in the Graeco-Roman East explores the various ways in which the experience of civic festivals in the Graeco-Roman East was created and framed by material culture. By the second and third centuries AD, Greek festivals were thriving across the eastern Mediterranean. Much of our knowledge of these festivals, and their associated processions, rituals, banquets, and competitions, comes from material culture-- inscriptions, coins, architecture, and art-works. Yet each of these pieces of material evidence was the result of a conscious act, of what to record, and where and how to record it, with varying patterns discernible across different areas, and in different media. This volume draws attention to the choices made in a variety of different forms of material culture relating to Greek festivals from the Hellenistic to Roman periods, and unpicks the ways in which they encode or forge particular social relationships and power structures, as well as creating senses of community or communication between different groups. These helped to fix ephemeral events into public memory, to present particular views of their significance for the wider community, and to frame the experience of their participants.

Gregory's festal orations are foundational for Byzantine literature. This book shows how besides his priestly role, Gregory plays that of a rhetor performing philosophy for a festival audience, channeling traditions of Classical philosophy and the Second Sophistic into Christian culture.

Greek and Roman Festivals addresses the multi-faceted and complex nature of Greco-Roman festivals and analyses the connections that existed between them, as religious and social phenomena, and the historical dynamics that shaped them. It contains twelve articles which form an interdisciplinary perspective of classical scholarship on the topic.

This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.