“To understand the immediate cultural and societal background of the cities to which John wrote in Revelation 1 and 2, we must first understand the broader background of Roman civilization and its impact upon Asian province,” writes Roland H. Worth in the introduction to this fascinating, information-packed work. It is an in-depth study of the history, culture, society, economics, and environment of early Christians living in Roman Asia. Drawing on a multitude of resources from diverse disciplines, Worth surveys Roman life and attitudes in general, and demonstrates how Roman power developed and was exercised in Asia. He describes life in Roman Asia: what it was like to live in that province, how the imperial cult grew and prospered there, as well as the nature of official governmental persecution in the first century. A second book, The Seven Cities of the Apocalypse and Greco-Asian Culture, will fill in the details of the local background of the Christians for whom the “mini-epistles” in the book of Revelation were written.

Shortly after the death in 161 of Antoninus Pius, his sons dedicated a column to him as a funerary monument. The form of the column in general and the reliefs on the pedestal in particular raise problems central to the understanding of Roman art. In this first thorough study, illustrated with nearly 100 photographs, Lise Vogel restores the column to its rightful place as one of the major monuments of Roman art. In addition, she re-evaluates the meaning of the column of Antoninus Pius in the context of the development of second century Roman imperial sculpture.

A comprehensive look at ancient sculptures, wall paintings, vases, and more depicting the elderly in Greek and Roman society Some of the most vivid portraits in ancient art depict older members of society. In marble and bronze sculptures, on coins and painted vases, and in wall paintings and mosaics, elderly men and women are shown with the telltale signs of old age: wrinkles, white hair, sagging jowls, and stooped postures. This publication examines more than 300 of these vivid images to reveal perceptions--both positive and negative--about aging and the aged in Greek and Roman society. Seven chapters explore medium and form--including Greek grave reliefs, marble grave monuments in Roman Africa, and Roman sarcophagi--as well as subjects, from priests and priestesses to ancient kings of Athens, old gods, and satyrs. Grounded in the analysis of art, contemporary literature, and the archaeological record, this comprehensive volume is the first in English to explore how old age was presented in art from antiquity. Distributed for the Yale University Art Gallery

After more than a century of debate about the significance of imperial cults for the interpretation of Revelation, this is the first study to examine both the archaeological evidence and the Biblical text in depth. Friesen argues that a detailed analysis of imperial cults as they were practiced in the first century CE in the region where John was active allows us to understand John's criticism of his society's dominant values. He demonstrates the importance of imperial cults for society at the time when Revelation was written, and shows the ways in which John refuted imperial cosmology through his use of vision, myth, and eschatological expectation.

Twice Neokoros is a case study of the Cult of the Sebastoi that was established in the city of Ephesus by the province of Asia during the late first century C.E. Epigraphic and numismatic data indicate that the Cult of the Sebastoi was dedicated in 89/90 to the Flavian imperial family. The architecture, sculpture, municipal titles, and urban setting of the cult all reflect Asian religious traditions. The image of Ephesus was significantly altered by the use of these traditions in the institutions related to the Cult of the Sebastoi. Within the context of the history of provincial cults in the Roman Empire, the Cult of the Sebastoi became a turning point in the rhetoric of social order. Thus, the Cult of the Sebastoi served as a prototypical manifestation of socio-religious developments during the late first and early second century in the Eastern Mediterranean.

Sir Thomas Fairfax, not Oliver Cromwell, was creator and commander of Parliament's New Model Army from 1645 to1650. Although Fairfax emerged as England's most successful commander of the 1640s, this book challenges the orthodoxy that he was purely a military figure, showing how he was not apolitical or disinterested in politics. The book combines narrative and thematic approaches to explore the wider issues of popular allegiance, puritan religion, concepts of honour, image, reputation, memory, gender, literature, and Fairfax's relationship with Cromwell. 'Black Tom' delivers a groundbreaking examination of the transformative experience of the English revolution from the viewpoint of one of its leading, yet most neglected, participants. It is the first modern academic study of Fairfax, making it essential reading for university students as well as historians of the seventeenth century. Its accessible style will appeal to a wider audience of those interested in the civil wars and interregnum more generally.

From the end of the Roman Republic to the death of the last Julio-Claudian emperor, portraits of women - on coins, public monuments, and private luxury objects - became an increasingly familiar sight throughout the empire. These women usually represented the distinguished bloodlines of the head of the state, or his hopes for succession, but in every case, their images were freighted with political significance. These objects also communicated social messages about the appropriate roles, behavior, and self-presentation of women. This volume traces the emergence and development of the public female portrait, from Octavia, the first Roman woman to be represented in propria persona on coinage, to the formidable and ambitious Agrippina the Younger, whose assassination demonstrated to later women the limits of official power they could demand.