During Rolph Scarlett's remarkable seventy-five year career he was an avant-garde abstract painter, an innovative set designer, an industrial designer, and the creator of unique sculptural jewellery in the American modernist tradition. In this beautifully illustrated book Judith Nasby presents a retrospective of his life and work. Scarlett was born in Guelph, Ontario, in 1889. By the time he moved to the United States in 1918 he had already had some experience with the techniques of painting, jewellery, and designing for the stage which he put to good use in his career in New York. During the 1930s and 1940s Scarlett was a leading practitioner of geometric abstraction, with sixty of his paintings in the collection of the Museum of Non-Objective Painting (later the Solomon R. Guggenheim Museum). A geometric sensibility also inspired the innovative, constructionist stage designs that he created for plays such as George Bernard Shaw's "Man and Superman" (1929). As an industrial designer during the 1930s, Scarlett produced a remarkable body of design drawings for everything from household objects to New York World's Fair amusement rides and guided missiles. His streamlined modern designs emphasized efficiency, science, and progress. Throughout his life he had made unique sculptural jewellery and after his retirement in the 1960s jewellery increasingly became his focus. He actively made jewellery until a few years before his death at age ninety-five.

Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray’s book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.

The cool designs, sleek lines and fashion-forward forms of the open and optimistic feel of the modernism furniture and design is as reflective of attitude as it is ingenuity. The enthusiasm and boundless hope of post-War 1950s America, not unlike our country’s current eagerness for a shot of optimism, is represented in the pages of this beautifully illustrated, inspiring, and informative book. Warman’s Modernism Furniture & Accessories features the furniture and designs that emerged during the prime of the movement, between 1945 and 1985. The collection of 1,000 rich and robust color photos, real-world auction prices and extensive descriptions make this a fundamental reference for anyone with an interest in modernism furniture.

Galley proofs with manuscript notes in the hands of the author and the proofreader, Florence Keene. With a letter to N. Van Patten. Illustrated by Rolph Scarlett, et al. With photographs.

Preface and Acknowledgments / Thomas Krens -- The Genesis of a Museum: A History of the Guggenheim / Thomas Krens -- Frank Lloyd Wright and the Solomon R. Guggenheim Museum / Bruce Brooks Pfeiffer -- Paintings of Modern Life and Modern Myths: Late-Nineteenth- and Early Twentieth-Century Representations of Gender, Class, and Race in the Thannhauser Collection / Andrea Feeser -- 1912 / Lisa Dennison -- Technology and the Spirit: The Invention of Non-Objective Art / Michael Govan -- Peggy's Surreal Playground / Jennifer Blessing -- Art of This Century and the New York School / Diane Waldman -- Against the Grain: A History of Contemporary Art at the Guggenheim / Nancy Spector -- The Institution as Frame: Installations at the Guggenheim / Clare Bell.