Over one hundred presentations from the 36th annual Charleston Library Conference (held November 1-5, 2016) are included in this annual proceedings volume. Major themes of the meeting included data visualization, streaming video, analysis and assessment, demand-driven acquisition, and open access publishing. While the Charleston meeting remains a core one for acquisitions librarians in dialog with publishers and vendors, the breadth of coverage of this volume reflects the fact that this conference is now one of the major venues for leaders in the publishing and library communities to shape strategy and prepare for the future. Almost 2,000 delegates attended the 2016 meeting, ranging from the staff of small public library systems to the CEOs of major corporations. This fully indexed, copyedited volume provides a rich source for the latest evidence-based research and lessons from practice in a range of information science fields. Contributors comprise leaders in the library, publishing, and vendor communities.

Higher education institutions in the United States and across the globe, are realizing the importance of enabling internal and external collaborative work, e.g., interdisciplinary research and community partnerships. In recent years, researchers have documented the benefits of organizational collaboration for research including greater efficiency, effectiveness, and enhanced research reputation. In addition, accreditors, foundations, business, and government agencies have been espousing the value of collaboration for knowledge creation and research and improved organizational functioning. As a result of both the external pressures and the known benefits, many forms of internal and external research collaborations have begun to emerge in higher education. At the heart of this change, academic libraries, who have long been models for collaborative work, are increasingly participating in the research process by providing a widening range of research services beyond traditional reference services. Innovative library services, in areas such as bibliometric analysis, research data management, and data repositories, are evolving in response to changes in education funding and policies. These funding and policy changes have also coincided with technological developments to create opportunities for academic librarians to find new roles within their institutions and the research community. There is a growing body of literature examining these changing academic library roles, but few volumes have concentrated on how the nature of collaborative work in libraries is helping to reshape institutional research practices. Academic Libraries and Collaborative Research Services fills that void by providing academic librarians and administrators with case studies and guidance on how academic libraries are establishing their place in this new collaborative research arena in the areas of emerging liaison roles, research data services, open access and scholarly publishing, and professional development programming. The book will also be useful to higher education administrators and institutional research officers looking for information on how to partner with libraries to increase the effectiveness of collaborative research.

Over one hundred presentations from the 35th annual Charleston Library Conference (held November 4–7, 2015) are included in this annual proceedings volume. Major themes of the meeting included streaming video, analysis and assessment, demand-driven acquisition, the future of university presses, and open access publishing. While the Charleston meeting remains a core one for acquisitions librarians in dialog with publishers and vendors, the breadth of coverage of this volume reflects the fact that this conference is now one of the major venues for leaders in the publishing and library communities to shape strategy and prepare for the future. Almost 1,800 delegates attended the 2015 meeting, ranging from the staff of small public library systems to the CEOs of major corporations. This fully indexed, copyedited volume provides a rich source for the latest evidence-based research and lessons from practice in a range of information science fields. The contributors are leaders in the library, publishing, and vendor communities.

Guidance for Librarians Transitioning to a New Environment offers practical advice for those hoping to transition into a different type or size of institution. Written by librarians who have successfully navigated such changes, the book encourages consideration of unexplored opportunities. Drawing on the authors’ own experiences, as well as surveys and interviews conducted with those working in different types of libraries, the book will provide librarians with a fi eld guide for surviving and thriving in their new environment. It will do so by making suggestions for how librarians can orient themselves to their new library, add context to their CV or résumé, get started with presenting and publishing, and manage culture shock and emotions. Each chapter will also provide the opportunity for the librarian to refl ect on relevant aspects of their own situation and move forward with the help of action items. Guidance for Librarians Transitioning to a New Environment is essential reading for librarians who are considering or in the process of making a career move, as well as those working on career planning. The book will also be helpful for library science school faculty and career counselors who are advising current students and library managers who want to help their new hires transition in the most effective way.

Charlie Gracie's hit song "Butterfly" topped the American and British music charts in 1957, selling over three million copies. His hits in the late '50s propelled him to appearances on Dick Clark's American Bandstand, The Ed Sullivan Show, and some of the largest venues in the U. S. and abroad. Charlie was part of the birth of rock & roll, and his unique style influenced some of the most important artists in rock history, including The Beatles, Cliff Richard, Van Morrison, Graham Nash, Chubby Checker, and countless others. Rock & Roll's Hidden Giant uncovers Charlie's inspiring story, tracing his rise to the top of the charts through to his fall from fame. From his upbringing on the streets of Philadelphia to the tragic death of his friend Eddie Cochran to experiencing the dark side of Dick Clark and the early days of the music industry, we learn that Charlie's unfaltering integrity and talent were the constant guides in his life. Rock history would not be the same without Charlie Gracie, and this remarkable, uplifting account is essential for all fans of rock & roll. "When we were starting out with The Beatles, the music coming over from America was magical to us---and one of the artists who epitomized this magic was Charlie Gracie." ---Sir Paul McCartney "Charlie Gracie was FIRST in Rock & Roll---and the FIRST Rock & Roller to come out of Philadelphia! He started it and made it possible for all the rest of us!" ---Chubby Checker "His concerts in the late '50s in Manchester, England helped me to become who I am today." ---Graham Nash "This book will allow you to see that nothing comes 'easy.' Success comes with hard work, disappointments, and some artists suffer betrayal by those they trust." ---Sir Cliff Richard "His guitar sound was brilliant!" ---George Harrison

The long-awaited memoir of the legendary drummer's life and times in the bands Small Faces, Faces, and The Who. From the Mod revolution and the British Invasion of the 1960s, through the psychedelic era of the 1970s, and into the exuberance and excesses of stadium rock in the 1980s, Kenney Jones helped to build rock and roll as we know it. He was the beat behind three of the world's most enduring and significant bands. He wasn't just in the right place at the right time. Along with Keith Moon, John Bonham, and Charlie Watts, Jones is regarded as one of the greatest drummers of all time, sought after by a wide variety of the best-known and best-selling artists to bring his unique skill into the studio for the recording of classic albums and songs—including, of course, the Rolling Stones's "It's Only Rock 'n' Roll (But I Like It)." And Jones is no shallow rock star. He may play polo with royalty from across the globe now, but this is the story of a ragamuffin from the East End of London, a boy who watched his bandmates, friends since his teens, die early, combated dyslexia to find a medium in which he could uniquely excel, and later found a way through the wilderness years when the good times seemed to have gone and he had little to fall back on. Kenney Jones has seen it all, played with everyone, and partied with all of them. He's enjoyed the highs, battled the lows, and emerged in one piece. Let the Good Times Roll is a breathtaking immersion into music past that leaves readers feeling as if they lived it too.

Volume contains: 105 NY 171 (Bagley v. Bowe) 105 NY 264 (McIntyre v. McIntyre Coal Co.) 105 NY 278 (Wood v. Amory) 105 NY 283 (Smith v. Clews) 105 NY 289 (Jarvis v. Schaefer) 105 NY 294 (Roche v. Bklyn City & N. R.R. Co.) 105 NY 461 (Mittnacht v. Kellermann) 105 NY 573 (Remsen v. Wheeler) 105 NY 626 (Day v. Hill) 105 NY 627 (Carpenter v. Boston & Albany R.R. Co.) 105 NY 627 (Cornell v. Cornell) 105 NY 641 (Jones v. McCaddin) 105 NY 641 (Harris v. Taylor)

Every December, Chloe and Gabe meet at a mutual friend’s Christmas party. Every year, the holiday sparks fly. Chloe returned to a ravaged New Orleans to help rebuild a first-class Neonatal ICU in the city she’d loved during her residency. Energized and fulfilled by her job, her only personal desire is for casual good times in the Big Easy. Gabe’s marriage ended when his wife’s disdain for his artistic ambitions sapped both his professional confidence and his trust in love. Having thrown his heart into his career, he’s not interested in putting anyone but himself first. The year they finally arrive at the party with no dates in tow, will the collision of her brusque nature and his creative soul put a permanent damper on their Christmas cheer? Or will the spark between them ignite into a flame as blazing as a sax solo on Bourbon Street? Featuring characters from Melanie Greene’s EYE OF THE TIGER, standalone novella LET THE GOOD TIMES ROLL will make your holiday spicier than a big bowl of Cajun gumbo.

The Encyclopedia of Library and Information Sciences, comprising of seven volumes, now in its fourth edition, compiles the contributions of major researchers and practitioners and explores the cultural institutions of more than 30 countries. This major reference presents over 550 entries extensively reviewed for accuracy in seven print volumes or online. The new fourth edition, which includes 55 new entires and 60 revised entries, continues to reflect the growing convergence among the disciplines that influence information and the cultural record, with coverage of the latest topics as well as classic articles of historical and theoretical importance.

The Olympic runner, actress, filmmaker and writer Alexi Pappas shares what she’s learned about confidence, self-reliance, mental health, embracing pain, and achieving your dreams. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE • “Heartbreaking and hilarious.”—Mindy Kaling • “A beautiful read.”—Ruth Reichl • “Essential guidance to anyone dreaming big dreams.”—Shalane Flanagan • “I couldn’t put it down.”—Adam Grant run like a bravey sleep like a baby dream like a crazy replace can’t with maybe When “Renaissance runner” (New York Times) Alexi Pappas—Olympic athlete, actress, filmmaker, and writer—was four years old, her mother died by suicide, drastically altering the course of Pappas’s life and setting her on a search for female role models. When her father signed his bereaved daughter up for sports teams as a way to keep her busy, female athletes became the first women Pappas looked up to, and her Olympic dream was born. At the same time, Pappas had big creative dreams, too: She wanted to make movies, write, and act. Despite setbacks and hardships, Pappas refused to pick just one lane. She put in a tremendous amount of hard work and wouldn’t let anything stand in her way until she achieved all of her dreams, however unrelated they may seem to outsiders. In a single year, 2016, she made her Olympic debut as a distance runner and wrote, directed, and starred in her first feature film. But great highs are often accompanied by deep lows; with joy comes sorrow. In Bravey, Pappas fearlessly and honestly shares her battle with post-Olympic depression and describes how she emerged on the other side as a thriving and self-actualized woman. Unflinching, exuberant, and always entertaining, Bravey showcases Pappas’s signature, charming voice as she reflects upon the touchstone moments in her life and the lessons that have powered her career as both an athlete and an artist—foremost among them, how to be brave. Pappas’s experiences reveal how we can all overcome hardship, befriend pain, celebrate victory, relish the loyalty found in teammates, and claim joy. In short: how every one of us can become a bravey.