An all-true accidental spiritual adventure, "Roll Around Heaven" is filled with polished prose and travel-writer Maxwell's eye-opening and often humorous experiences. Her work will resonate with seekers and cynics, nature lovers and travel enthusiasts alike.

A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.

Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.

The poetry and prose collected in Plainwater are a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as "the most exciting poet writing in English today." Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions. Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.

A WWII veteran at Northwestern Bible College on the GI Bill is recruited by Billy Graham to be his driver during the 1949 Crusade in Los Angeles. There he witnesses firsthand the outpouring of the Holy Spirit at work in the Canvas Cathedral. The conversion of Stuart Hamblen provides the impetus for the extension of the revival from three to eight weeks. During that time, he courts a young lady who works for William Randolph Hearst, and she encourages Hearst to promote Billy Graham. The young lady’s roommate becomes involved with a member of the Communist Party, USA, and the wire-tapper Jim Vaus, who also makes a decision for Christ. The amazing story of Billy Graham’s rise to international prominence is told through the eyes of this young couple. In spite of their different goals—she wants to be successful in Hollywood, and he wants to enter the ministry—they realize that the Spirit has also worked in their lives to bring them together.

A Century of Contributions to Gifted Education traces the conceptual history of the field of gifted education. Bookended by Sir Francis Galton’s Hereditary Genius published in 1869, and Sidney Marland’s report to the United States Congress in 1972, each chapter represents the life and work of a key figure in the development of the field. While the historical record of gifted education has previously been limited, A Century of Contributions to Gifted Education explores the lives of individuals who made fundamental contributions in the areas of eminence, intelligence, creativity, advocacy, policy, and curriculum. Drawing heavily on archival research and primary source documentation, expert contributors highlight the major philosophical, theoretical, and pedagogical developments in gifted education over the course of a century, providing both lively biography and scholarly analysis.

The Kid and the Keepers: Dream Visions chronicles the fantastic adventures of its young, trumpet-playing protagonist, Jeru “the Kid” Johnstone. The action opens with Jeru petitioning his father for permission to quit his instrument during their weekly trip from his private lessons in Harlem. He struggles sorely to express his dissatisfaction and finds a welcomed diversion in a strange bird that distracts him so completely that he abandons his appeal. Later, the bird visits Jeru’s house, enters his open bedroom window, summons him with a wink, and hops into his trumpet’s bell. Seconds later, Jeru “falls through” his trumpet and comes to a stop at the New York’s A train of the 1940s. This train that inspired a jazz standard (“Take the A Train”) takes the two adventurers to Harlem where Jeru follows the bird and a small group of musicians to Minton’s Playhouse, the place where bebop jazz was created. While there, he befriends Dizzy Gillespie and gains insight and perspective about jazz musicians and their music. In addition, during various dream visions, he learns important things about himself. The most important lessons occur during his dream of a trip to a jazz Camelot, where he confronts and defeats the practice monster, the entity that chokes and feeds on the passion and ambition of jazz musicians until they become uninspired and abandon their art. Later he meets Buddy Bolden (the creator of jazz) and Louis Armstrong, among other prominent jazz musicians. Before his journey home, he recognizes and embraces his role as a keeper of not only jazz music but also of family history, roots music, faith, and other aspects of cultural heritage. His adventures, both those in present day Harlem and in Harlem of the 1940s, enable him to confront various fears and to become a more confident, learned, and ambitious character.

Here's a practical collection of thoughtful material to help you celebrate several special occasions during the fall and winter months: Rally Day, Reformation Sunday, All Saints' Day, Thanksgiving, Advent, and Youth Sunday. Included are: - "The Saga Of Bobby Wildgoose," a service and sermon specifically tailored for the fall kick-off of Sunday school and commissioning of new Sunday school teachers. The message relates the inspirational story of the beginnings of the Sunday school movement, illustrating the difference that one person can make in the lives of young people. - "Facing The 21st Century With A 16th Century Faith," a message and service for Reformation Sunday that examines what motivated Martin Luther in his disagreements with the established church and suggests that Luther's ideas about the authority of the Bible, the priesthood of all believers, and justification by faith alone remain the durable bedrock of our Christian faith today. - "Running With The Cloud," a stirring All Saints' Day sermon and service reminding us that we who are living are only a small segment of the church universal, and noting that we can draw great strength from the lives of the "saints" who have gone before us. - "A Solid Place To Stand," a Thanksgiving message and service that explores how the Bible's promise of God's presence with us gives us a firm foundation to base our lives on. - "The Measure Of A Man," "A Heart Prepared," "Night Watch," and "Tidings," a set of four first-person monologue sermons for Advent that tell the old, old story with a twist. We see the birth of the Christ Child unfold through the eyes of Joseph, the innkeeper's wife, a shepherd, and an angel. Key Advent themes such as watching, preparation, and righteous action are raised as each character struggles to make sense of extraordinary events. - A Youth Sunday worship service with a charming children's story honoring the presence and participation of the church's young people. The service celebrates their fresh vision and courage in risking, praying, and creating the future. Stan Purdum is the pastor of Centenary United Methodist Church in Waynesburg, Ohio. He is also the editor of the preaching journal Emphasis, and has written extensively for both the religious and secular press. Purdum is the author of Roll Around Heaven All Day and Playing In Traffic, both accounts of his long-distance bicycle journeys, as well as New Mercies I See (CSS), a collection of parish stories revealing God's grace. Pamela J. Abbey is a United Methodist minister whose early working years were spent in professional theater. She is currently the pastor of Concord United Methodist Church in Concord, California, and has previously served three other congregations in northern California. Abbey holds degrees in theater from the University of Indianapolis (BA) and the University of Minnesota (MA) as well as an MDiv degree from Pacific School of Religion in Berkeley, California. Elaine M. Ward is a storyteller/writer/preacher who served for nearly twenty years as Minister of Children at University Park United Methodist Church in Dallas, Texas. She is a graduate of Capital University, Union Theological Seminary (New York City) and Lancaster Theological Seminary, where she was writer-in-residence for seven years. Now a resident of Austin, Texas, Ward is the author of Asking For Wonder, And The Sea Lay Down, Alleluia and Story Time At The Altar (CSS), as well as Love In A Lunchbox: Poems And Parables For Children's Worship (Abingdon).

Everything you need to know to put your drawings and paintings into perspective! If the concept of perspective makes you think of confusing angles, fancy measuring gadgets and complicated theories, get ready for a very pleasant surprise. In this comprehensive guide, Phil Metzger demystifies perspective, presenting it simply as a matter of mimicking the way we see--like the way a distant mountain appears blue, or a road seems to narrow in the distance. The Art of Perspective offers simple but powerful techniques for achieving a convincing illusion of depth and distance, whether it's a few inches in a still life or miles in a landscape. • Start simple, with atmospheric perspective and intuitive techniques, and gradually progress to linear perspective and more complex challenges such as stairways, curves and reflections. • Use the engaging, step-by-step demonstrations and exercises to try out each essential concept for yourself, making lessons clearer and more memorable. • Learn theories that apply to all mediums, with specific advice for achieving effects using acrylic, oil, watercolor and pencil. • Get the inside scoop on professional tricks and shortcuts that make perspective easier than ever! Forget everything you think you know (or don't know) about perspective. This book builds an easy-to-follow, ground-up understanding of how to turn a flat painting or drawing surface into a living, breathing, dimensional scene that lures viewers in. No matter how you look at it, it's the ultimate guide to perspective for artists of every medium and skill level.

As a whole this book adds the ‘Keynes’-component (K) to the Goodwinian vision of a ‘MKS-System’. It first provides a reconsideration of prominent past approaches towards the formation of Keynesian macrodynamics. Ultimately it aims to integrate Marx's Distributive Cycle and aspects of Schumpeter's reformulation of socialism and democracy theory, with Keynes' macro-theory of a ‘Tripartite Market Hierarchy’. This regards financial markets as being at the top, followed by goods markets which in turn are followed by the weakest element, the labor markets. It is completed by certain repercussions that influence the central causal nexus of these three fundamental macro-markets in the longer-run.