Communications have always been, and are still a vital part of the Army's fighting power. Only with clear and trusted communications can commanders support, control, and lead their units and soldiers. The evolution of electrical communications in the last 150 years has been one of the most important developments humanity has ever witnessed. As the advantages that from ever more complex equipment became apparent the need for a technical arm of the Army, who specialised in communication systems, became apparent. The Royal Corps of Signals was founded in 1920 and since its founding the Corps has been leading the development of communications; delivering them in a variety of operational theatres.

As Far as I Know is a wonderful new book of poems by Roger McGough, the nation's favourite poet Take comfort from this You have a book in your hand not a loaded gun or a parking fine or an invitation card to the wedding of the one you should have married Roger McGough's new book of poems shows him writing as fluently and inventively as ever. There may be a stronger strain of melancholy than before (the death of a regular in the local pub; the news that a daughter might be moving abroad), as well as a distinct sense of menace, small but insistent, which inhabits many of the poems. But there is plenty of McGough's characteristic wit and wordplay too, including a scintillating series of haiku inspired by a London tube strike and a striking reworking of his famous 1960s poem 'Let Me Die a Youngman's Death', this time entitled 'Not For Me a Youngman's Death'. Who but McGough would characterize the butcher's window as 'the friendly face of the abattoir', or imagine the almost limitless ways in which we might go to bed? A new book of poems by Roger McGough is always an event. Published just ahead of his 75th birthday, As Far As I Know is truly cause for celebration. 'The patron saint of poetry' Carol Ann Duffy Roger McGough was born in Liverpool. During the 1960s he was a member of the group Scaffold which had an international hit with 'Lily the Pink'. He has won two BAFTAs and a Royal Television Award for his broadcasting work, and presents the popular Radio 4 programme Poetry Please. He has published many books of poems for adults and children, and both his Collected Poems (2003) and Selected Poems (2006) are bestselling poetry titles on the Penguin list. He was made a Freeman of the City of Liverpool in 2001, and received a CBE in 2004 for his services to literature.

Now available as a board book, the award-winning They Say Blue is a playful, poetic exploration of color and point of view In captivating paintings full of movement and transformation, we follow a young girl through a year or a day as she examines the colors in the world around her. Egg yolks are sunny orange as expected, yet water cupped in her hands isn’t blue like they say. But maybe a blue whale is blue. She doesn’t know; she hasn’t seen one. Playful and philosophical, They Say Blue is a book about color as well as perspective, about the things we can see and the things we can only wonder at.

From award-winning author Sara Pennypacker comes the long-awaited sequel to Pax; this is a gorgeously crafted, utterly compelling novel about chosen families and the healing power of love. A New York Times bestseller! It’s been a year since Peter and his pet fox, Pax, have seen each other. Once inseparable, they now lead very different lives. Pax and his mate, Bristle, have welcomed a litter of kits they must protect in a dangerous world. Meanwhile Peter—newly orphaned after the war, racked with guilt and loneliness—leaves his adopted home with Vola to join the Water Warriors, a group of people determined to heal the land from the scars of the war. When one of Pax's kits falls desperately ill, he turns to the one human he knows he can trust. And no matter how hard Peter tries to harden his broken heart, love keeps finding a way in. Now both boy and fox find themselves on journeys toward home, healing—and each other, once again. As he did for Pax, Jon Klassen, New York Times bestseller, Caldecott medalist, and two-time Caldecott Honoree, has created stunning jacket and interior illustrations.

Told in diary form by an irresistible heroine, this “heartfelt, bittersweet, and ever-so-clever coming-of-age fantasy” (School Library Journal, starred review) named one of Publishers Weekly’s Best Books of the Year from the New York Times bestselling author of the May Bird trilogy sparkles with science, myth, magic, and the strange beauty of the everyday marvels we sometimes forget to notice. Spirited, restless Gracie Lockwood has lived in Cliffden, Maine, her whole life. She’s a typical girl in an atypical world: one where sasquatches helped to win the Civil War, where dragons glide over Route 1 on their way south for the winter (sometimes burning down a T.J. Maxx or an Applebee’s along the way), where giants hide in caves near LA and mermaids hunt along the beaches, and where Dark Clouds come for people when they die. To Gracie it’s all pretty ho-hum…until a Cloud comes looking for her little brother Sam, turning her small-town life upside down. Determined to protect Sam against all odds, her parents pack the family into a used Winnebago and set out on an epic search for a safe place that most people say doesn’t exist: The Extraordinary World. It’s rumored to lie at the ends of the earth, and no one has ever made it there and lived to tell the tale. To reach it, the Lockwoods will have to learn to believe in each other—and to trust that the world holds more possibilities than they’ve ever imagined.

For a number of years Roger Scruton has contributed a weekly article to the Financial Times on country matters. Always beautifully written, one of these pieces (Vegetables) won the 2002 prize from The Queen's English Society for the best piece of prose writing of the year. These are not sentimental bucolic rambles. Scruton's prose is devoid of sentimentality and soggy nostalgia. Whatever he writes about, he always writes with serious purpose. He speaks up for the country dweller who sees his or her world eroded by the wishy-washy liberal commands of Blairite dogooders who sit on their backsides in North West London pontificating about the needs of country people. Nature being red in tooth and claw is something that these people only know about from sitting in a classroom. Farming issues are equally important in this book. The devastations of the foot and mouth crisis showed graphically how great is the divide between town and country dwellers. And when the fate of people in the countryside is decided by bureaucrats in Brussels and Strasbourg, their feeling of alienation is even greater. These are the causes that Professor Scruton espouses and he has become their most intelligent, articulate and clear-thinking advocate.

For the past hundred years, much has been written about the early editions of Christian texts discovered in the region that was once Roman Egypt. Scholars have cited these papyrus manuscripts--containing the Bible and other Christian works--as evidence of Christianity's presence in that historic area during the first three centuries AD. In Early Christian Books in Egypt, distinguished papyrologist Roger Bagnall shows that a great deal of this discussion and scholarship has been misdirected, biased, and at odds with the realities of the ancient world. Providing a detailed picture of the social, economic, and intellectual climate in which these manuscripts were written and circulated, he reveals that the number of Christian books from this period is likely fewer than previously believed. Bagnall explains why papyrus manuscripts have routinely been dated too early, how the role of Christians in the history of the codex has been misrepresented, and how the place of books in ancient society has been misunderstood. The author offers a realistic reappraisal of the number of Christians in Egypt during early Christianity, and provides a thorough picture of the economics of book production during the period in order to determine the number of Christian papyri likely to have existed. Supporting a more conservative approach to dating surviving papyri, Bagnall examines the dramatic consequences of these findings for the historical understanding of the Christian church in Egypt.

From Nobel prize-winner Roger Penrose, this groundbreaking book is for anyone "who is interested in the world, how it works, and how it got here" (New York Journal of Books). Penrose presents a new perspective on three of cosmology’s essential questions: What came before the Big Bang? What is the source of order in our universe? And what cosmic future awaits us? He shows how the expected fate of our ever-accelerating and expanding universe—heat death or ultimate entropy—can actually be reinterpreted as the conditions that will begin a new “Big Bang.” He details the basic principles beneath our universe, explaining various standard and non-standard cosmological models, the fundamental role of the cosmic microwave background, the paramount significance of black holes, and other basic building blocks of contemporary physics. Intellectually thrilling and widely accessible, Cycles of Time is a welcome new contribution to our understanding of the universe from one of our greatest mathematicians and thinkers.

A child cherishes every second of their grandmother's last week of life in this sensitive portrayal of medical assistance in dying (MAiD). “In this last week, there are seven days.” That's one hundred and sixty-eight hours. Or ten thousand and eighty minutes. Or six hundred four thousand and eight hundred seconds. A child counts every second because this is their grandmother’s last week of life. As friends and family come to call on Flippa—as Gran is fondly known—the child observes the strange mix of grief, humor, awkwardness, anger and nostalgia that attends these farewell visits. Especially precious are the times they have alone, just the two of them. Flippa, the child sees, has made up her mind. Like time, she is unstoppable. So as Sunday approaches, the child must find a way to come to terms with Flippa’s decision. What is the best way to say goodbye? Beautifully illustrated in black and white—with one unexpectedly joyful splash of color—Last Week is a nuanced look at what death with dignity can mean to a whole family, with an afterword and additional resources by MAiD expert Dr. Stefanie Green. Key Text Features illustrations afterword explanation resources Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.