In the first book-length publication of Rocky Shenck's photography, the images range from human spaces--hotel rooms, store windows, lobbies--to natural places--oceans, lakes, forests, fields--that Shenck encountered on trips through North America, Europe, and Mexico. 84 color photographs.

Emotionally evocative and painterly in execution, Rocky Schenck’s photographs invite viewers to enter an otherworldly realm where reality becomes a dream landscape haunted by paranoia, isolation, longing, beauty, betrayal, fear, humor, and death. The author John Berendt describes Schenck’s photographs as stills “taken from a movie that exists not on film but rather in one’s memory, with all the fuzziness typical of remembered impressions.” Photo District News proclaims, “It is a measure of the curious strength and unity of vision of the photographs that after you’ve examined all of them, you feel that there is no other way of seeing the world than his, that there is no other photography you’d rather be looking at.” The Recurring Dream presents new work by Rocky Schenck. In addition to his signature black-and-white dreamscapes, the book introduces color images that Schenck creates by hand tinting black-and-white prints with color oil paint—a practice dating back to the Victorian era that makes each individual print unique. Schenck explores psychological, metaphysical, and pictorial worlds, ranging from suggestive landscapes to scenes of people dwelling in various “found realities” and the occasional manufactured reality. Inspired by his rich dream life, the images insinuate subtle narratives that entice viewers to create stories in their own imaginations. A foreword by the director William Friedkin, who has used Schenck’s photographs as sets for several operas, and an afterword in which Schenck describes his creative process complete the volume.

Two Jewish sister leave Austria during WWII/Holocaust and find refuge in Sweden. It's the summer of 1939. Two Jewish sisters from Vienna—12-year-old Stephie Steiner and seven-year-old Nellie—are sent to Sweden to escape the Nazis. They expect to stay there six months, until their parents can flee to Amsterdam; then all four will go to America. But as the world war intensifies, the girls remain, each with her own host family, on a rugged island off the western coast of Sweden. Nellie quickly settles in to her new surroundings. Not so for Stephie, who finds it hard to adapt; she feels stranded at the end of the world, with a foster mother who's as unforgiving as the island itself. It's no wonder Stephie doesn't let on that the most popular girl at school becomes her bitter enemy, or that she endures the wounding slights of certain villagers. Her main worry, though, is her parents—and whether she will ever see them again.

A celebration of the transversal community from the iconic magazine. The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve issues, with photography by icons such as Nan Goldin, Ryan McGinley, Jack Pierson, and Ellen von Unwerth; such muses as Hari Nef, Divine, and Laverne Cox; and thoughtful and insightful writing by influential cultural trans figures such as Amos Mac and Geena Rocero. Founded a decade ago by Luis Venegas, C*NDY is the first and only style magazine to focus on the transversal community, or transgender and gender-nonconforming/nonbinary people, transvestism, cross-dressing, drag, and androgyny. C*NDY has a devoted fan base and respect from industry leaders for showcasing the most creative and important names and talent in transversal fashion, art, and culture. This book brings together for readers the most timeless, inspirational, and aspirational pages of fashion, art, culture, makeup, glamour, icons, amazing transformations, and fun. This is an inspiring celebration of the many levels of transversal creativity and people, all facing an exciting future.

This public domain book is an open and compatible implementation of the Uniform System of Citation.

This enchanting companion to Robert Beatty's instant #1 New York Times bestseller Willa of the Wood is perfect for any reader who cares deeply about the natural world. Willa and her clan are the last of the Faeran, an ancient race of forest people who have lived in the Great Smoky Mountains for as long as the trees have grown there. But as crews of newly arrived humans start cutting down great swaths of the forest she loves, she is helpless to stop them. How can she fight the destroyers of the forest and their powerful machines?When Willa discovers a mysterious dark hollow filled with strange and beautiful creatures, she comes to realize that it contains a terrifying force that seems to be hunting humans. Is unleashing these dangerous spirits the key to stopping the loggers? Willa must find a way to save the people and animals she loves and take a stand against a consuming darkness that threatens to destroy her world.Filled with a compelling mixture of history, mystery, and magic, Robert Beatty's books are loved by readers from 8 to 108.Grow your middle grade fantasy collection with these best-selling fan favorites:Serafina and the Black Cloak by Robert BeattyWilla of the Wood by Robert BeattyIf We Were Giants by Dave Matthews and Clete Barrett SmithThe Percy Jackson and the Olympians series by Rick RiordanThe Fowl Twins by Eoin Colfer

In addition to featuring stunning photography documenting the sleek mid-century design of Super 8 cameras and projectors, this edition also offers a detailed history of the beloved medium--one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture.ture.