The music world exploded into Technicolor on February 9, 1964, when the Beatles appeared on the Ed Sullivan Show and ignited the music phenomenon dubbed “The British Invasion”. In the weeks and months to come, hundreds, perhaps thousands, of Ottawa teenagers put away their hockey sticks and picked up guitars, starting up bands in basements and garages, with visions of screaming girls and stardom dancing in their heads. For some, that dream came true, in packed High School Gymnasiums, Church basements, bowling alleys and every other venue they could find. Groups were working three or four nights a week on both sides of the Ottawa River. The Esquires, The Staccatos, The Townsmen, Don Norman and the Other Four and many others cut records that were as good as anything coming out of Britain or the States. DJ's Gord Atkinson, Nelson Davis and Al "Pussycat" Pascal make them stars by playing their records. Sandy Gardiner followed their exploits in his weekly "teen" column in the Ottawa Journal, and we checked out the weekly "Swing Set" to get the lowdown on the newest groups. From the day Elvis Presley came to town in 1957, to the release of The Five Man Electrical Band’s mega-hit “Signs”, we relive those memories with the bands, the clubs, the concerts and the colorful cast of characters who made it happen. Pull back the curtain on the magic of "Ottawa’s Golden Age of Rock and Roll”,

In his first book “Rockin’ on the Rideau: Ottawa’s Golden Age of Rock and Roll”, veteran Ottawa broadcaster and musicologist Jim Hurcomb pulled back the curtain on the first 15 years of Rock and Roll in Ottawa, from 1955-1970. That fascinating story continues in “Rockin’ on the Rideau 2: The 70’s”. It was the decade when Ottawa welcomed some of the biggest bands in the world to town, including Led Zeppelin, Genesis, Queen, Kiss, David Bowie and many, many others. Rock FM radio arrived in Ottawa, and Geoff Winter, Brian Murphy, Shelly Hartman and Delmer and Cecil on CHEZ 106 became household names. We lined up to get into Barrymore’s and the Black Swan, and travelled across the river to enjoy Red Hot and Larkspur at The Ottawa House or the legendary Chaud, run by the mighty Gerry Barber. Midnight showings of the Rocky Horror Picture Show at the Towne Cinema were wild, boisterous parties, and Punk Rock burst on the scene when The Rotter’s Club opened on Bank Street. And, of course, we had the great local bands: Octavian, The Cooper Brothers, Heaven’s Radio, Avalon, The Action, Tokyo Rose and Bolt Upright and the Erections, to name a few. Relive the best days and nights of your lives, with “Rockin’ On The Rideau 2: The 70’s".

Puerto Rico is often depicted as a "racial democracy" in which a history of race mixture has produced a racially harmonious society. In Remixing Reggaetón, Petra R. Rivera-Rideau shows how reggaetón musicians critique racial democracy's privileging of whiteness and concealment of racism by expressing identities that center blackness and African diasporic belonging. Stars such as Tego Calderón criticize the Puerto Rican mainstream's tendency to praise black culture but neglecting and marginalizing the island's black population, while Ivy Queen, the genre's most visible woman, disrupts the associations between whiteness and respectability that support official discourses of racial democracy. From censorship campaigns on the island that sought to devalue reggaetón, to its subsequent mass marketing to U.S. Latino listeners, Rivera-Rideau traces reggaetón's origins and its transformation from the music of San Juan's slums into a global pop phenomenon. Reggaetón, she demonstrates, provides a language to speak about the black presence in Puerto Rico and a way to build links between the island and the African diaspora.

All that remains is a note: "Gone to get pancakes." Her 30th birthday party's over, yet it's the happiest Emma Watters has ever been. Life couldn't be more perfect. She's an emergency room doctor and shares a home in Toronto with the love of her life, Adam Davison. The next morning, Adam is gone. Emma's shocked. At first, she decides that Adam's having an affair and scavenges through photos on Facebook, trying to identify "the other woman." But as the days pass, Emma seeks out help from the Toronto Police and floods social media with pleas for assistance. Where's Adam? Has her life become an episode of Breaking Bad? Has she been dating Walter White all along? Wild, beautiful, and terrifying, See What Flowers is a thrilling depiction of love's attempts to survive in the face of undiagnosed mental illness. Set in the hectic, cosmopolitan cities of Toronto and Vancouver, as well as against the harsh, rugged landscape of the Canadian Arctic, it's a raw and compelling journey towards understanding, forgiveness, and, ultimately, escape.

Rome, 1600. In the shadowed cellars of Cardinal Del Monte’s palazzo, a shaft of light illuminates the face of Luca Passarelli. Across the room, behind an enormous canvas, the brilliant, mercurial artist Michelangelo Merisi da Caravaggio paints with sure brushstrokes Luca’s likeness into a new masterpiece. Caravaggio is both revered and reviled by his patrons as well as his fellow artists. His innovative paintings and his blazing temper have made him powerful friends, but also powerful enemies—enemies who are determined to quench the flame of his talent. What Caravaggio does not know is that Luca is a professional assassin, a bitter and spiteful man who, in his dark past, has ‘breathed in death’ and has committed murder on multiple occasions. What the artist does not know is that when next they meet it will not be a canvas that brings them together, but rather revenge ... and death.

By the spring of 1964, Toronto had the largest and most organized Beatles fan base in North America. The Beatles in Canada: The Origins of Beatlemania! finally tells the true story of how The Beatles’ music and popularity began in Canada a full year before they landed in the U.S.A. Piers Hemmingsen provides a concise look at how radio stations, newspapers and television networks in Canada covered the phenomenon that was Beatlemania, and this digital edition is packed with full-colour images of the band, their travels, those they inspired, and an immense hoard of memorabilia gathered along the way. ’After all these years, I still cannot comprehend where Piers gets his energy supply from. He has written four previous books about The Beatles and discovered an appreciative readership for all of them. However, to me this book, the one you are holding, is his breakthrough. Where it could have been an easy exercise with new information about the Fab Four, Piers has taken one large step forward. He is also able to incorporate the beginnings of the Canadian music industry. Through mainly focusing on one record company he has been able to capture the excitement of a young industry finding its way, competing with the giants in the United States.' – Paul White, Capitol Records of Canada, 1957-1978