A Wonderful Retelling Seamlessly Merging History and Legend England, 1154-1194: A kingdom under assault. A conspiracy born of anarchy. A hero standing against tyranny. The Legend of Robin Hood is born when he is outlawed after returning from the Holy Land. Finally reunited, Robin and Marian, along with their band of men, must face both an army led by the mysterious Sheriff of Nottingham and the wrath of a ruthless Queen Eleanor. Confronting betrayal and forging new alliances, they fight against the sheriff's tyranny, determined to uncover his secrets. With King Richard in captivity, Queen Eleanor must collect an unprecedented king's ransom, while an increasingly reckless Prince John pursues the throne at any cost. As opposing forces battle for control of the English throne, the King of France and his sinister advisor, Montlhéry, conspire to end the Plantagenet dynasty forever. Dark secrets and unexpected revelations could destroy the future of England. The course of history hangs in the balance. Robin and Marian must prove their innocence while saving both King Richard and Prince John. But can they prevail in the ultimate battle between the future and the past? A thrilling, fast-paced finale to a unique retelling of the Robin Hood Legend! From the Publisher: Readers with a passion for history will appreciate the authors' historical detail and accuracy. Fans of Sharon Kay Penman, Alison Weir, Elizabeth Chadwick, and Tamara Leigh will enjoy this medieval trilogy.

Don't miss this unique retelling of the Robin Hood legend England, 1154-1194 A kingdom under assault. A conspiracy born of anarchy. A hero standing against tyranny. Falsely convicted of a shocking crime, Robin Fitzooth, the Earl of Huntingdon, finds refuge in Sherwood Forest and becomes Robin Hood. Leading a band of men against the injustices of a malevolent sheriff and his henchmen, Robin begins to unravel a web of treachery threatening the English royal family. As shadowy forces gather to destroy the future of a nation, Robin faces deceit, betrayal, and the ravages of war as he defends his king, his country, his people, and the woman he loves from a conspiracy so diabolical, so unexpected, that the course of history hangs in the balance. From the mists of an ancient woodland, to lavish royal courts teeming with intrigue, to the exotic shores of the Holy Land - Robin Hood leads the fight in a battle between good and evil, justice and tyranny, the future and the past. Part one of an exciting three-part retelling of the Robin Hood legend Although the books in the trilogy are not stand-alone, they do not end in cliffhangers.

*The Fourth Doctor (Tom Baker) returns to Sherwood Forest in this incredible new crossover of Doctor Who and the legend of Robin Hood* Gold had come to the greenwood . . . Robin Hood is disenchanted. Maid Marion has disappeared, and the legend of the Doctor has retreated into the shadows of Sherwood Forest. But the Doctor is back! (Although this is his first visit - time travel does strange things to a story.) And the timing couldn't be better. A new Sheriff of Nottingham is in town, out to get the Outlaws, and behind the scenes, the mythical Mother Maudlin has designs on the realm that are not of this earth . . . With the Kingdom in peril, it's time for the return of the Lionheart.

Guy Longhead. Jasper of the Sinister Hand. Hurst Orricson. Holt, also Orricson, brother of Hurst.To anyone else, just four names. But to Rowan Hood, the gentle healer who has waited two long years to put names to the men who murdered her mother, they are fuel to feed her desire for revenge. And so she leaves the rowan grove that had become her home in Sherwood Forest, and along with her friends, sets off to seek these men. Yet she finds that the closer she draws to them, the farther she feels from the healer she has become.

The legends of Robin Hood are very familiar, but scholarship and criticism dealing with the long and varied tradition of the famous outlaw is as elusive as the identity of Robin himself, and is scattered in a wide range of sources, many difficult of access. This book is the first to bring together major studies of aspects of the tradition. The thirty-one studies take a variety of approaches, from archival exploration in quest of a real Robin Hood, to a political angle seeking the social meaning of the texts across time, to literary scholars concerned with origin, structures and generic variation, or moral and social significance; also included are considerations of theatre and film studies, and folklore and children's literature. Overall, the collection provides a valuable basis for further study. STEPHEN KNIGHT is Professor of English Literature at the University of Wales, Cardiff; he is well-known as an authority on the Robin Hood tradition, and has edited the recently-discovered Robin Hood Forresters Manuscript.

In this engaging and deeply informed book, Knight looks at the different manifestations of Robin Hood at different times and places in a mythic biography with a thematic structure. Illustrations.

The Robin Hood Foundation is a charitable organization focused on alleviating poverty in New York City. Michael M. Weinstein is the foundation's senior vice president. In that role he developed its metrics-based approach, called "relentless monetization," to ensure that the money the foundation receives and grants is used most effectively. Ralph M. Bradburd has served as long-time consultant to Robin Hood on matters of metrics. In this book Weinstein and Bradburd show how to implement the Robin Hood approach and explain how any nonprofit organizations or philanthropic donor can use it to achieve the greatest benefit from every philanthropic dollar. Drawing on their extensive knowledge, the authors devote specific chapters to the difficulties most frequently encountered by donors trying to measure the benefits of their initiatives.. This book provides straightforward, targeted advice for funding "smart" nonprofit programs.

With the success of Gladiator, both critics and scholars enthusiastically announced the return of a genre which had lain dormant for thirty years. However, this return raises important new questions which remain unanswered. Why did the epic come back, and why did it fall out of fashion? Are these the same kinds of epics as the 1950s and 60s, or are there aesthetic differences? Can we treat Kingdom of Heaven, 300 and Thor indiscriminately as one genre? Are non-Western histories like Hero and Mongol epics, too? Finally, what precisely do we mean when we talk about the return of the epic film, and why are they back? The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.

Twelve selected adventures of Robin Hood and his outlaw band who stole from the rich to give to the poor.

A town. A forest. A hero. You can't go far without a quick brain and some rule-bending in a place like Locksley. After its vast car plants shut down, the prosperous town has become a wasteland of empty homes, toxic land and families on the brink. And it doesn't help that the authorities are in the clutches of profit-obsessed Sheriff of Nottingham, in cahoots with underworld boss Guy Gisborne. When his dad is framed for a robbery, Robin and his brother Little John are hounded out of Locksley and must learn to survive in the Sherwood forest, stretching three hundred kilometres and sheltering the free spirits and outlaws. But Robin is determined to do more than survive. Small, fast and deadly with a bow, he hatches a plan to join forces with Marion Maid, harness his inimitable tech skills and strike a blow against Gisborne and the Sheriff.