A retrospective of the artist's work.

This book chronicles the creative period of the 1950s and 1960s, a high point in American art. In his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Robert Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Rauschenberg's vitally important and productive career spans this revolution, reaching beyond it to the present day. The book features the artists and the art world surrounding Rauschenberg--from Jackson Pollock, and Willem de Kooning to Jasper Johns, Frank Stella, and Andy Warhol, together with dealers Betty Parsons, and Leo Castelli, and the patron Peggy Guggenheim.

Text by Lewis Kachur. Foreword by Jonathan O'Hara.

A revised edition of a retrospective on the Venice Biennale grand prize-winning artist incorporates the last ten years of his career including his retrospective exhibition at the Guggenheim in 1997, in a lavishly illustrated portrait that traces his early years, the creation of his famous combines, his work with new technologies, and the establishment of ROCI. 15,000 first printing.

The first US artist to win the Golden Lion at the Venice Biennale in 1963, Robert Rauschenberg (1925?2008) blazed a new trail for art in the second half of the twentieth century. Bringing together a selection of key works from different periods, the book will provide a long overdue opportunity to discover a remarkably consistent artistic trajectory which steadfastly refused to be straight-jacketed0by rules and conventions. 0Each chapter of Rauschenberg?s six-decade career will be represented by major works. Introduced by Leah Dickerman, this book collects fourteen essays focusing on key moments in Rauschenberg?s oeuvre. With personal and touching contributions by those who knew him, this richly illustrated publication is an essential reference to one of the most compelling and unique voices in twentieth-century art, as well as a significant contribution to the field of international modernism.00Exhibition: Tate Modern, London, UK (01.12.2016 - 02.04.2017) / MoMA, New York, USA (16.05. - 04.09.2017) / San Francisco Museum of Modern Art, San Francisco, USA (04.11.2017 - 25.03.2018)

Edited by Susan Davidson. Text by Trisha Brown, Mimi Thompson. Preface by Philip Rylands.

This publication offers an unparalleled opportunity to appreciate the development of the artist's work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s.

Critical essays on the artist Robert Rauschenberg, focusing on the important period of his development in the 1950s and 1960s. From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance.This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television.

Paintings by the American pop artist are accompanied by discussions of his life and artistic techniques