Traces the life and career of actor Robert Mitchum in a biography of one of Hollywood's biggest and most colorful stars.

Robert Mitchum was--and still is--one of Hollywood's defining stars of Western film. For more than 30 years, the actor played the weary and cynical cowboy, and his rough-and-tough presence on-screen was no different than his one off-screen. With a personality fit for western-noir, Robert Mitchum dominated the genre during the mid-20th century, and returned as the anti-hero again during the 1990s before his death. This book lays down the life of Mitchum and the films that established him as one of Hollywood's strongest and smartest horsemen. Going through early classics like Pursued (1947) and Blood on the Moon (1948) to more recent cult favorites like Tombstone (1993) and Dead Man (1995), Freese shows how Mitchum's nuanced portrayals of the iconic anti-hero of the West earned him his spot in the Cowboy Hall of Fame.

One of the movies' greatest actors and most colorful characters, a real-life tough guy with the prison record to prove it, Robert Mitchum was a movie icon for an almost unprecedented half-century, the cool, sleepy-eyed star of such classics as The Night of the Hunter; Heaven Knows, Mr. Allison; Cape Fear; The Longest Day; Farewell, My Lovely; and The Winds of War. Mitchum's powerful presence and simmering violence combined with hard-boiled humor and existential detachment to create a new style in movie acting: the screen's first hipster antihero-before Brando, James Dean, Elvis, or Eastwood-the inventor of big-screen cool. Robert Mitchum: "Baby, I Don't Care" is the first complete biography of Mitchum, and a book as big, colorful, and controversial as the star himself. Exhaustively researched, it makes use of thousands of rare documents from around the world and nearly two hundred in-depth interviews with Mitchum's family, friends, and associates (many going on record for the first time ever) ranging over his seventy-nine years of hard living. Written with great style, and vividly detailed, this is an intimate, comprehensive portrait of an amazing life, comic, tragic, daring, and outrageous.

Robert Mitchum's bad boy reputation that colors his public profile has been both earned and undeserved. Jerry Roberts discusses the actor's career, his cult status, his under-appreciated talent, his forgotten films, and his nonchalance.This book catalogues previously published information on Mitchum, taking a full measure of the actor and describing the events that occasionally brought him more notoriety than his movies. The book's biographical essay and annotated filmography scrutinize his performing style. Many yarns about Mitchum have been repeated and modified into legend. But much of the Mitchum myth has been just that: myth. The final word here on various rumors and stories comes from the confirmations, clarifications and corrections made by Robert Mitchum during an interview with the author and in correspondence with several members of the Mitchum family. As with the other Bio-Bibliographies in the Performing Arts, this biographical essay is followed by a chronology, annotated filmography, television, stage, recording and writing credits, list of awards, annotated bibliography listing 1,300 entries and a comprehensive index.

Powerful novel about a young doctor who lives for medicine and sacrifices everything for his career. Describes his years at medical school, his practice in a small town and his devoted self-sacrificing wife who works to make their marriage a success.

"Mitchum's tales include beatings, hanging producers by their shoelaces, killings in Mexican bars and slapping Teutonic helmer Otto Preminger. And there are classic observations, such as his quip to Variety that 'the best producer is an absent one.' Mitchum editor Jerry Roberts...conducted one of the interviews, and has done a terrific job piecing together vintage conversations with David Frost, Dick Lochte, Richard Schickel and Charles Champlin, as well as collecting a wonderful array of prize quotes by and about Mitchum." -Steven Gaydos, Variety

The horses that captured the moviegoers’ hearts are the common denominator in Hollywood Hoofbeats. As author Petrine Day Mitchum writes, “the movies as we know them would be vastly different without horses. There would be no Westerns—no cowboy named John Wayne—no Gone with the Wind, no Ben Hur, no Dances with Wolves…” no War Horse, no True Grit, no Avatar! Those last three 21st-century Hollywood creations are among the new films covered in this expanded second edition of Hollywood Hoofbeats written by the daughter of movie star Robert Mitchum, who himself appeared on the silver screen atop a handsome chestnut gelding. Having grown up around movie stars and horses, Petrine Day Mitchum is the ideal author to pay tribute to the thousands of equine actors that have entertained the world since the inception of the film medium. From the early days of D.W. Griffith’s The Great Train Robbery to Quentin Tarantino’s Django Unchained, this celebration of movies promises something for every Hollywood fan… the raucous comedy of Abbot and Costello (and “Teabiscuit”) in It Ain’t Hay, a classic sports films like National Velvet starring Elizabeth Taylor, a timeless epic with Errol Flynn, and films featuring guitar-strumming cowboys like Gene Autry and Roy Rogers. INSIDE HOLLYWOOD HOOFBEATS Movie trivia and fascinating anecdotes about the stars of yesterday and today An inside look at the stunts horses performed in motion pictures and the lingering controversies Hundreds of illustrations, including rare movie posters, movie stills, and film clips Updated, expanded text including coverage of new movies and photographs Chapters devoted to action films, Westerns, comedies, musicals, child stars, and more Famous TV programs and their horses including Mr. Ed and Silver (Lone Ranger)

A 1978 biography of film actor Robert Mitchum.

“IN THIS THIRD ACT OF MY LIFE, MUCH HAS BECOME CLEARER. SO MUCH IS OVER, AND I AM OVER SO MUCH . . .” At a certain time in life, we all come to realize what is truly important to us and what just doesn’t matter. For Shirley MacLaine, that time is now. In this wise, witty, and fearless collection of small observations and big-picture questions, she shares with readers all those things that she is over dealing with in life, in love, at home, and in the larger world . . . as well as the things she will never get over, no matter how long she lives. Among the things that Shirley is over: people who repeat themselves (“when you didn’t care what they said the first time”); conservatives and liberals; ill-mannered young people; the poison of celebrity (“Why do so many people want to be famous when they see how it can destroy your life?”); being polite to boring people (“If they won’t stop talking, I go into a trance and meditate”); getting older in Hollywood (“How peaceful it is not to have to look particularly pretty anymore or to wear a size 6”). In the opposite camp, there are some things Shirley will never get over: good lighting (“Marlene Dietrich taught me how to light myself”); gorgeous costars (“The vanity of male actors is an impossible wall to scale”); performing live (“Yes, it is better than sex”); and above all, brave people with curious minds (“Fear is the most powerful weapon of mass destruction”). Along the way, she recalls stories of some of the true greats she has known—Alfred Hitchcock, Elizabeth Taylor, Frank Sinatra, the two Jacks (Lemmon and Nicholson)—and ruminates on the state of Hollywood past and present. She recollects her relationships and romances with politicians (including two prime ministers), scientists, journalists, and costars. An unabashed seeker of truth and unrepentant free spirit, Shirley looks squarely at a world that can irritate, confuse, and provoke her, but that can also delight her with its beauty, humor, and future promise. Reading I’m Over All That will make you feel you have been reunited with an old friend who tells it like it is but never takes herself too seriously. Shirley MacLaine may be over all that, but this irresistible book ensures that we will never get over her.