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Naomi Shihab Nye is one of the most beloved poets in America, and the poem "Famous" is literally her most famous poem. It has been used in countless commencement speeches—from elementary school to university graduations. At once simple and profound, this illustrated version of the poem is a charmingly ironic take on what it means to be "famous." It is a perfect gift book for people of all ages—for those who need encouragement, who are at a crossroads, who are graduating, who are nervous about the future, or who want to be more or other than they are.

"Of all my verse, like not a single line; But like my title, for it is not mine." -Robert Louis Stevenson, Underwoods Underwoods (1887), by Robert Louis Stevenson, is a collection of original poetry that Stevenson wrote during one of the most prolific periods of his career. Like his more famous collection, A Child's Garden of Verses, it was inspired by the author's own childhood and is written in both English and his native Scots.

A collection of poems evoking the world and feelings of childhood.

I have a little shadow that goes in and out with me . . . Inside, outside, climbing up the stairs, or jumping into bed, your shadow may be following you! He may even be one step ahead as you run down the street! Complete with a cast of the whole family, a cat, a dog, and a teddy, this story is for everyone. Little ones who are just discovering their shadows for the first time will find inspiration between these pages, while older, more experienced kids are sure to learn new ways to play with their shadows. Get ready to laugh and giggle and then find the nearest light source and try out some shadows of your own! Sara Sanchez has created soft and inviting illustrations to creatively interpret Robert Louis Stevenson’s original lines from the poem “My Shadow,” which was originally published in his classic for children, A Child’s Garden of Verses. Sanchez’s pictures are filled with humor and help propel this timeless poem into the twenty-first century. My Shadow is sure to become a bedtime favorite for the whole family. Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

In "Kidnapped" (1886) and later fiction such as "The Master of Ballantrae" (1888), Stevenson examined some of the extreme and contrary currents of Scotland's past, often projecting a dualism of both personality and belief. This dualism is most famous in "Kidnapped", whose two central characters are David Balfour, a Lowland Whig, and Alan Breck Stewart, a Highland Jacobite. The novel revolves around their friendship and their differences, suggesting a metaphor for Scotland itself. Stevenson wrote the sequel "Catriona" with the title David Balfour, but during serialisation in England the public became confused, thinking it might be a reprint of "Kidnapped". At publisher Cassell's request, the title was changed to "Catriona", after Balfour's daughter.

How do you like to go up in a swing? Beautiful illustrations by Julie Morstad bring new delight to this classic poem.

Robert Louis Stevenson (1850 - 1894) was a Scottish novelist, poet, and essayist, best known for his classicn ovels, such as Treasure Island. This volume includes "The Dynamiter," a collection of connected short stories by Stevenson, including: Prologue of the Cigar Divan, Zero's Tale of the Explosive Bomb, and Story of the Fair Cuban.

Robert Louis Stevenson and theories of reading is both an exceptionally well researched study of the novelist, and well as an intriguing exploration of 'literary consumption'. Glenda Norquay presents fresh interpretations of Stevenson’s literary essays, of major works including The Master of Ballantrae, and some of his more neglected fiction such as St Ives and The Wrecker, as well as illuminating our understanding of his role within debates over popular fiction, romance and reading pleasure. She offers an unusual combination of literary history and reception theory and argues that Stevenson both exemplified tensions within the literary market of his time and anticipated later developments in reading theory. By combining the study of nineteenth-century cultural politics with detailed analysis of his Scottish Calvinism, Stevenson is reassessed as both a Victorian and Scottish writer. The book is aimed at scholars, postgraduates and undergraduates with an interest in the nineteenth-century literary marketplace, in Scottish culture, and in reading /reception theory as well as Stevenson enthusiasts.