This carefully crafted ebook: “Rob Roy + The Heart of Midlothian (2 Unabridged and fully Illustrated Classics with Introductory Essay and Notes by Andrew Lang)” is formatted for your eReader with a functional and detailed table of contents. Rob Roy (1817) is a historical novel by Walter Scott. It is a tale of adventure in the 18th century, set in the Scottish highlands, whose hero is the legendary maverick outlaw Rob Roy Macgregor. Though Rob Roy is not the lead character, his personality and actions are key to the novel's development. The Heart of Midlothian is a novel of Scottish history by Sir Walter Scott, published in four volumes in 1818. It is often considered to be his finest novel. The Old Tolbooth prison in Edinburgh is called “the heart of Midlothian,” and there Effie Deans is held on charges of having murdered her illegitimate son. Her sister, Jeanie Deans, makes a dangerous journey through outlaw-infested regions to London to seek the queen’s pardon for Effie. Justice and Scottish Presbyterianism are discussed at length, and issues of conscience provide the novel’s themes. Sir Walter Scott (1771-1832) was a prolific Scottish novelist, poet, historian, and biographer who is often considered both the inventor and the greatest practitioner of the historical novel.

This carefully crafted ebook: "Rob Roy + The Heart of Midlothian (2 Unabridged and fully Illustrated Classics with Introductory Essay and Notes by Andrew Lang)" is formatted for your eReader with a functional and detailed table of contents. Rob Roy (1817) is a historical novel by Walter Scott. It is a tale of adventure in the 18th century, set in the Scottish highlands, whose hero is the legendary maverick outlaw Rob Roy Macgregor. Though Rob Roy is not the lead character, his personality and actions are key to the novel's development. The Heart of Midlothian is a novel of Scottish history by Sir Walter Scott, published in four volumes in 1818. It is often considered to be his finest novel. The Old Tolbooth prison in Edinburgh is called "the heart of Midlothian," and there Effie Deans is held on charges of having murdered her illegitimate son. Her sister, Jeanie Deans, makes a dangerous journey through outlaw-infested regions to London to seek the queen's pardon for Effie. Justice and Scottish Presbyterianism are discussed at length, and issues of conscience provide the novel's themes. Sir Walter Scott (1771-1832) was a prolific Scottish novelist, poet, historian, and biographer who is often considered both the inventor and the greatest practitioner of the historical novel.

"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.

The legacy of Alexander von Humboldt (1769–1859) looms large over the natural sciences. His 1799–1804 research expedition to Central and South America with botanist Aimé Bonpland set the course for the great scientific surveys of the nineteenth century, and inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Church. The chronicles of the expedition were published in Paris after Humboldt’s return, and first among them was the 1807 “Essay on the Geography of Plants.” Among the most cited writings in natural history, after the works of Darwin and Wallace, this work appears here for the first time in a complete English-language translation. Covering far more than its title implies, it represents the first articulation of an integrative “science of the earth, ” encompassing most of today’s environmental sciences. Ecologist Stephen T. Jackson introduces the treatise and explains its enduring significance two centuries after its publication.

"In addition to providing a much-needed resource for artists, teachers, and collectors, this book will form a bridge between book artists and their audience by providing ready access to information about a much discussed but little known art form."--Book jacket flap.

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.

Before democracy becomes an institutionalised form of political authority, the rupture with authoritarian forms of power causes deep uncertainty about power and outcomes. This book connects the study of democratisation in eastern Europe and Russia to the emergence and crisis of communism. Wydra argues that the communist past is not simply a legacy but needs to be seen as a social organism in gestation, where critical events produce new expectations, memories and symbols that influence meanings of democracy. By examining a series of pivotal historical events, he shows that democratisation is not just a matter of institutional design, but rather a matter of consciousness and leadership under conditions of extreme and traumatic incivility. Rather than adopting the opposition between non-democratic and democratic, Wydra argues that the communist experience must be central to the study of the emergence and nature of democracy in (post-) communist countries.