In the summer of 2002, Timothy K. Beal loaded his family into a twenty-nine-foot-long motor home and hit the rural highways of America in search of roadside religious attractions-sites like the World's Largest Ten Commandments and Precious Moments Chapel. Roadside Religion tells of his attempts to understand the meaning of these places as expressions of religious imagination and experience, and to encounter faith in all its awesome absurdity.

This work is a study of roadside crosses in which the author presents the history of these unique commemoratives and their relationship to contemporary memorial culture.

“Written with a style and humor that haven’t been seen since Mark Twain.”—Los Angeles Times What if the Second Coming didn’t quite come off as advertised? What if “the Corpse” on display in that funky roadside zoo is really who they say it is—what does that portend for the future of western civilization? And what if a young clairvoyant named Amanda reestablishes the flea circus as popular entertainment and fertility worship as the principal religious form of our high-tech age? Another Roadside Attraction answers those questions and a lot more. It tell us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. In the process, this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind. “Hard to put down because of the sheer brilliance and fun of the writing. The sentiments of Brautigan and the joyously compassionate omniscience of Fielding dance through the pages garbed colorfully in the language of Joyce.”—Rolling Stone

Emily Curtis is used to dealing with her problems while under the hood of an old Chevy, but when her mom dies, Emily’s world seems shaken beyond repair. Driven from home by hospital bills they can’t pay, Emily and her dad move in with his wealthy sister, who intends to make her niece more feminine—in other words, just like Whitney, Emily’s perfect cousin. But when Emily hears the engine of a 1970 Dodge Challenger, and sees the cute gearhead, Zander, next door, things seem to be looking up. But even working alongside Zander can’t completely fix the hole in Emily’s life. Ever since her mom died, Emily hasn’t been able to pray, and no one—not even Zander—seems to understand. But sometimes the help you need can come from the person you least expect.

In the summer of 2002, Timothy K. Beal loaded his family into a twenty-nine-foot-long motor home and hit the rural highways of America in search of roadside religious attractions-sites like the World's Largest Ten Commandments and Precious Moments Chapel. Roadside Religion tells of his attempts to understand the meaning of these places as expressions of religious imagination and experience, and to encounter faith in all its awesome absurdity.

Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films. Religion and Its Monsters is essential reading for students of religion and popular culture, as well as any readers with an interest in horror.

From hand-rendered folk signs to high-dollar church marquees, religious messages and imagery saturate the landscape of the American South. In With Signs Following, photographer and southern studies scholar Joe York introduces readers to the role of artistic, witty advertising in southern churches. In seventy black-and-white images of religious signs and other ephemera, he simultaneously presents the factual while encouraging reflection and introspection. Though York's pictures speak volumes, With Signs Following features an equally compelling essay by York. This piece seeks the stories of the sign makers through informal interviews. The combination of images and text offers an insightful, humorous, historically grounded perspective on one of the South's most familiar scenes. In collecting images of religious roadside signs from across the region and interviews with the evangelicals who put them there, Joe York shows us the "Christ-haunted" South as it has never before been considered. Joe York is a freelance photographer and a producer and director of documentary films for the Center for Documentary Projects and the Southern Foodways Alliance at the University of Mississippi. Charles Reagan Wilson is director of the Center for the Study of Southern Culture at the University of Mississippi.

Tackling challenging questions head-on, this book is a remarkable treatment of the religious themes threading through one of America's science fiction icons.

This worldwide study examines how religion gets into theme parks – as mission, as an aspect of culture, as fable, and by chance. Gods and Rollercoasters analyses religion in theme parks, looking at how it relates to modernism, popular culture, right-wing politics, nationalism, and the rise of the global middle class. Crispin Paine argues that religion has discovered a major new means of expression through theme parks. From the reconstruction of Biblical Jerusalem at the Holy Land Experience in Orlando, through the world of Chinese mythology at Haw Par Villa in Singapore, to the great temple/theme park Akshardham in New Delhi, this book shows how people are encountering and experiencing religion in the context of fun, thrills and leisure time. Drawing on examples from six of the seven continents, and exploring religious traditions including Christianity, Daoism, Buddhism, Hinduism and Islam, Gods and Rollercoasters provides a significant contribution to the study of religion, sociology, anthropology, and popular culture.

A revelatory critique of public display in the United States. In Religion in Plain View, Sally M. Promey analyzes religion’s visible saturation of American public space and the histories that shaped this exhibitionary aesthetics. In street art, vehicle décor, signs, monuments, architecture, zoning policy, and more, Promey exposes American display’s merger of evangelicalism, capitalism, and imperialism. From this convergence, display materializes a distinctly American drive to advertise, claim territory, invalidate competitors, and fabricate a tractable national heritage. Charting this aesthetics’ strategic work as a Protestant technology of White nation formation, Religion in Plain View offers a dynamic critique of the ways public display perpetuates deeply ingrained assumptions about the proper shape of life and land in the United States.