Pak Tu-jin is one of Korea?s most revered and influential modern poets. This Pak Tu-jin helped free modern Korean literature in the 1940s from its preoccupation with decadence and fashionable literary trends, finding a new voice rooted in nature and Korean traditions. Pak also represents Christian faith and original philosophical reflection in the development of modern Korean culture and he writes poignantly of his own spiritual struggles. He stood courageously, and at great cost, for freedom and human rights during the long years of military dictatorship in recent Korean history, and the strength of his convictions brings vitality and power to his works.Pak?s aesthetic is distinctly Korean while his voice echoes legends and traditions from aspects of many Western and other Asian cultures. His poems of social comment and protest draw the reader into a turmoil of malevolent political and cultural conflict ? contraposed by his love poems and lyric verses where his great heart exults in the sheer joy of life. His poetry illuminates the themes forming modern Korean consciousness and the hearts of the ordinary people engaged in the extraordinary struggles and relationships of Korean life.

In River of Hope, Omar S. Valerio-Jiménez examines state formation, cultural change, and the construction of identity in the lower Rio Grande region during the eighteenth and nineteenth centuries. He chronicles a history of violence resulting from multiple conquests, of resistance and accommodation to state power, and of changing ethnic and political identities. The redrawing of borders neither began nor ended the region's long history of unequal power relations. Nor did it lead residents to adopt singular colonial or national identities. Instead, their regionalism, transnational cultural practices, and kinship ties subverted state attempts to control and divide the population. Diverse influences transformed the borderlands as Spain, Mexico, and the United States competed for control of the region. Indian slaves joined Spanish society; Mexicans allied with Indians to defend river communities; Anglo Americans and Mexicans intermarried and collaborated; and women sued to confront spousal abuse and to secure divorces. Drawn into multiple conflicts along the border, Mexican nationals and Mexican Texans (tejanos) took advantage of their transnational social relations and ambiguous citizenship to escape criminal prosecution, secure political refuge, and obtain economic opportunities. To confront the racialization of their cultural practices and their increasing criminalization, tejanos claimed citizenship rights within the United States and, in the process, created a new identity. Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

As the seasons change, a river in Alaska reveals its remarkable biodiversity. A great web of life is presented--the river and its shores sustain an astonishing variety of plants and animals. The river is home: salmon fry and rainbow trout live in it, plankton drifts in its current. The river is food: bears and bald eagles catch salmon, big fish chase little fish, tree roots absorb the river water. This evocative nonfiction picture book follows a year in the life of this Alaskan river. The lyrical text and lush paintings introduce young readers to the sights and sounds of the river and its inhabitants and are rich in details certain to fascinate ecologists of all ages.

A global pandemic, a leaky raft, and a captain completely unqualified to navigate the Mighty Mississippi - What could possibly go wrong? Afraid of the dark, scared of wild animals, and with no actual mariner skills, Erich Mische traveled nearly 1,700 miles through ten states for two months on a leaky pontoon with a garden shed on top to save the nonprofit organization he leads, Spare Key, in the middle of the Covid-19 global pandemic. Mische quickly learned he was even less qualified for the trip than he imagined, or others had correctly discerned. Braving brutal waves and wakes, navigating behemoth barges the size of office buildings, encountering a hurricane - plus flying carp (!) - all while keeping in touch with folks via live interviews, livestreaming, and blogging, Erich persevered in his quest to discover, and contribute to, Hope on the River at a time when hope was needed in our world more than ever. The questionable decision to undertake the journey on one of the most powerful, legendary, and dangerous rivers in the world nearly cost Mische his life but never his belief that America remains the most indispensable nation filled with the most remarkable people on Earth. 100% of all profits from the sale of this book will be donated to Spare Key, a non-profit organization dedicated to helping families facing a medical crisis avoid adding a financial crisis to their lives through its Help Me Bounce program. Learn more at: www.HelpMeBounce.org

Naomi Judd's life as a country music superstar has been nonstop success. But offstage, she has battled incredible adversity. Struggling through a childhood of harsh family secrets, the death of a young sibling, and absent emotional support, Naomi found herself reluctantly married and an expectant mother at age seventeen. Four years later, she was a single mom of two, who survived being beaten and raped, and was abandoned without any financial support and nowhere to turn in Hollywood, CA. Naomi has always been a survivor: She put herself through nursing school to support her young daughters, then took a courageous chance by moving to Nashville to pursue their fantastic dream of careers in country music. Her leap of faith paid off, and Naomi and her daughter Wynonna became The Judds, soon ranking with country music's biggest stars, selling more than 20 million records and winning six Grammys. At the height of the singing duo's popularity, Naomi was given three years to live after being diagnosed with the previously incurable Hepatitis C. Miraculously, she overcame that too and was pronounced completely cured five years later. But Naomi was still to face her most desperate fight yet. After finishing a tour with Wynonna in 2011, she began a three-year battle with Severe Treatment Resistant Depression and anxiety. She suffered through frustrating and dangerous roller-coaster effects with antidepressants and other drugs, often terrifying therapies and, at her absolute lowest points, thoughts of suicide. But Naomi persevered once again. RIVER OF TIME is her poignant message of hope to anyone whose life has been scarred by trauma.

India is killing the Ganges, and the Ganges in turn is killing India. Victor Mallet traces the holy river from source to mouth, and from ancient times to the present day, to find that the battle to rescue what is arguably the world's most important river is far from lost.

Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection. Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants. “What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems. The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento. With the River on Our Face drips deep like water, turning into amistad—an inquisition into human relationships with planet and self.

Poet and writer Alison Deming once noted, ÒIn the desert, one finds the way by tracing the aftermath of water . . . Ó Here, Ken Lamberton finds his way through a lifetime of exploring southern ArizonaÕs Santa Cruz River. This riverÑdry, still, and silent one moment, a thundering torrent of mud the nextÑserves as a reflection of the desert around it: a hint of water on parched sand, a path to redemption across a thirsty landscape. With his latest book, Lamberton takes us on a trek across the land of three nationsÑthe United States, Mexico, and the Tohono OÕodham NationÑas he hikes the riverÕs path from its source and introduces us to people who draw identity from the riverÑdedicated professionals, hardworking locals, and the authorÕs own family. These people each have their own stories of the river and its effect on their lives, and their narratives add immeasurable richness and depth to LambertonÕs own astute observations and picturesque descriptions. Unlike books that detail only the Santa CruzÕs decline, Dry River offers a more balanced, at times even optimistic, view of the river that ignites hope for reclamation and offers a call to action rather than indulging in despair and resignation. At once a fascinating cultural history lesson and an important reminder that learning from the past can help us fix what we have damaged, Dry River is both a story about the amazing complexity of this troubled desert waterway and a celebration of one manÕs lifelong journey with the people and places touched by it.

From a "born storyteller" (Seattle Times), this playful and moving bestselling book of essays invites us into the miraculous and transcendent moments of everyday life. When Brian Doyle passed away at the age of sixty after a bout with brain cancer, he left behind a cult-like following of devoted readers who regard his writing as one of the best-kept secrets of the twenty-first century. Doyle writes with a delightful sense of wonder about the sanctity of everyday things, and about love and connection in all their forms: spiritual love, brotherly love, romantic love, and even the love of a nine-foot sturgeon. At a moment when the world can sometimes feel darker than ever, Doyle's writing, which constantly evokes the humor and even bliss that life affords, is a balm. His essays manage to find, again and again, exquisite beauty in the quotidian, whether it's the awe of a child the first time she hears a river, or a husband's whiskers that a grieving widow misses seeing in her sink every morning. Through Doyle's eyes, nothing is dull. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to quiet glories hidden in people, places and creatures of little or no size, renown, or commercial value, and he brought inimitably playful or soaring or aching or heartfelt language to his tellings." A life's work, One Long River of Song invites readers to experience joy and wonder in ordinary moments that become, under Doyle's rapturous and exuberant gaze, extraordinary.