"Louisiana?s Atchafalaya River Basin, the heart and soul of Acadiana, or Cajun country, is the focus of this compelling narrative by Ann McCutchan. A masterful weaving of cultural and environmental history, River Music also tells the life story of Louisiana musician, naturalist, and sound documentarian Earl Robicheaux. With Robicheaux as her guide, McCutchan embarks on a musical, visual, literary, and historical tour of the Atchafalaya, where bayous, swamps, marshes, and river delta country have long sustained nature and culture, even as industry has changed both the landscape and the people. Along the way, she and Robicheaux pay homage to distinctive voices of the region?s singular soundscape, including Acadian and Native American elders, birds, frogs, alligators, wind, water, and weather, which Robicheaux chronicles in archival recordings and musical compositions for museum exhibits, radio programs, and repositories such as the Cornell Lab of Ornithology. A CD of Robicheaux's soundscapes is included with the book"--Dust jacket flap.

River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.

Captivating study of the flowering of Congo music, during the fight to consolidate their hard-won independence.

James Babb imbues his devastating wit, ornery perspective, and musical language within each of the ribald tales in River Music. This is exemplified in the “Prelude,” his opus about “the occasional laugh, the occasional thought, a bit about fly fishing and a bit about Life, and all of it underpinned by the music of rivers.” The pieces are arranged in a harmonious current that carries us through the seasons, and life itself. He recounts a disastrous--and hilarious--spring canoeing trip with a friend in “The Darling Buds of May,” where the snow accumulated so quickly on their hats that they “looked like Conehead voyageurs from Remulak.” In “The Coriolis Effect,” Babb rhapsodizes about the sights, smells, and culture of what he considers to be the last great place on Earth, where pristine Chilean waters and a native way of life relieve him of an obsession about which direction the water flushes. And in “Little Jewels,” he weaves an exquisite, deeply humorous, and haunting nocturne with peccadillo accompaniment that considers the mating habits of trout and men, mortality, and a thirty-nine-year-long unrequited love. Babb is a maverick whose latest offering is a true departure from conventional essays on fly fishing, or on any subject, and will be relished by the growing circle of Babb fanatics everywhere.

Explores American music

DIVA critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita/div

The astonishing story of a singer-songwriter living on the streets of Nashville who met Jesus, got sober, and found international stardom at the age of 62. Doug Seegers left New York for Nashville in search of every songwriter’s dream. When he didn’t find success, he fell into a state of loneliness that fed an addiction he had battled since adolescence. Soon, he was homeless, playing his guitar on the street with a cardboard sign asking for money. But then he cried out to God in repentance and need, and God graciously met him. Doug then found sobriety, regained some footing, and in a miraculous moment was discovered outside a food pantry by a Swedish musician and documentarian who put his story on the air in Stockholm. Within days of the documentary airing--even though he still walked to the public library every day and acquired most of his belongings from nearby Dumpsters--Doug had the number-one selling song in Sweden. Going Down to the River is Doug’s inspirational story of faith, forgiveness, and the power of prayer and belief. It is also the never-give-up tale of a man who played music for 55 years without success only to become a chart-topping artist at the age of 62.

In 1987 photographer Sandra Dyas moved to Iowa City and began documenting the area's vibrant live music scene, with its distinctive combination of folk, blues, roots/Americana, and rock sounds. The sixty photos in Down to the River capture her twenty years of photographing live music venues and shooting portraits of musicians in and around the city, resulting in a collection of images as compassionate and honest as the music itself. Dyas's photographs present both the sweaty intensity of live performances and the more contemplative moments of individual portraits. They are complemented by Chris Offutt's empathetic essay, which also encapsulates the experience of connecting with a new home through its music. A companion CD with eighteen tracks by Iowa's finest singer/songwriters, including Dave Moore, Greg Brown, Bo Ramsey, David Zollo, and Pieta Brown, add up to an unmatched perspective on Iowa music and musicians. CD Tracks 1. Iowa Crawl, Joe Price 2. Poor Back Slider, Greg Brown 3. Parnell, David Zollo 4. #807, Pieta Brown 5. Wheels of Steel, Radoslav Lorkovic 6. Down to the River, Dave Moore 7. Lucy and Andy Drive to Arkansas, Kevin Gordon 8. Chuck Brown, Mike and Amy Finders 9. Nobody But You, Joe Price 10. Earleton, BeJae Fleming 11. Ceremonial Child, High and Lonesome 12. Sidetrack Lounge, Bo Ramsey 13. On the Edge, Pieta Brown 14. One Wrong Turn, Greg Brown 15. Not in Iowa, Kelly Pardekooper 16. Living in a Cornfield, Bo Ramsey 17. '57 Chevy, Tom Jessen's Dimestore Outfit 18. Roll on John, the Pines

View more details of this book at www.walkerbooks.com.au.

Metro Music explores the musical history of Dallas, Fort Worth, and the surrounding area from the nineteenth century to the 1960s and the continuing echoes of that transformative decade. With nearly five hundred images, many previously unpublished, the book moves through genres and eras that include old-time fiddlers and string bands, singing cowboys, the blues, western swing, gospel, country-western, jazz, ragtime, big bands, Tejano and Tex-Mex, rhythm and blues, rockabilly, and rock 'n' roll. The authors visit such legendary venues as Crystal Springs Dance Pavilion and the Longhorn Ballroom, Panther Hall and the Bluebird, and step into historic recording studios where Robert Johnson waxed "Hellhound on My Trail," Willie created Red Headed Stranger, and the Legendary Stardust Cowboy birthed the demented masterpiece "Paralyzed." "We deeply appreciate this musical heritage," the authors declare, "but we didn't realize just how amazing it is!"