Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.

The Routledge Handbook of Archaeology and Plastics investigates the archaeology of the contemporary world through the lens of its most distinguishing and problematic material. Plastics are ubiquitous and have been so for nearly three generations since they became widely used in the early 1950s. Plastics will persist for millennia, their legacies as toxic heritage being felt deep into the future. In this book – comprising 32 original, at times disturbing, and critically engaged contributions – scholars from archaeology and other cognate disciplines explore plastics from a number of different angles and perspectives. Together these contributions highlight the dilemma that plastics present: their usefulness on the one hand, and the threats they present to environmental health on the other. The volume also explores the lessons that archaeologists can learn from plastics, about episodes of mass production, consumption and toxicity in the past, and also – importantly – about the future. This important and timely collection will therefore be of interest to all archaeologists irrespective of their period of study, or their geographical focus, and to students of archaeology and cultural heritage. It will also be relevant for researchers and students in other fields of study that focus on plastics and their environmental and social impacts. Ultimately, this book concerns the contemporary world and the impact of people upon it, through the archaeological lens.

This Element takes as its remit the production and use of amulets. The focus will be on amulets with no, or minimal, textual content like those comprising found stone, semi-precious gem and/or animal body parts. That is a material form that is unaccompanied by directive textual inscription. The analysis considers this materiality to understand its context of use including ritual and metaphysical operations. Through discussion of selected case studies from British, Celtic, and Scandinavian cultures, it demonstrates the associative range of meaning that enabled the attribution of power/agency to the amuletic object Uniquely, it will consider this material culture from an interdisciplinary perspective, drawing together insights from the disciplines of cultural studies, religious studies, 'folk' studies, archaeology and Scandinavian studies. It develops the concept of 'trans-aniconism' to encapsulates an amulet's temporal relations and develops the proposition of 'landscape amulets.'

If the head is religion, the gut is magic. Taking up this provocation, this Element delves into the digestive system within transnational Afro-Diasporic religions such as Haitian Vodou, Brazilian Candomblé, and Cuban Lucumí (also called Santería). It draws from the ethnographic and archival record to probe the abdomen as a vital zone of sensory perception, amplified in countless divination verses, myths, rituals, and recipes for ethnomedical remedies. Provincializing the brain as only one locus of reason, it seeks to expand the notion of 'mind' and expose the anti-Blackness that still prevents Black Atlantic knowledges from being accepted as such. The Element examines gut feelings, knowledge, and beings in the belly; African precedents for the Afro-Diasporic gut-brain axis; post-sacrificial offerings in racist fantasy and everyday reality; and the strong stomachs and intestinal fortitude of religious ancestors. It concludes with a reflection on kinship and the spilling of guts in kitchenspaces.

How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790–1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.

Purity and Danger is acknowledged as a modern masterpiece of anthropology. It is widely cited in non-anthropological works and gave rise to a body of application, rebuttal and development within anthropology. In 1995 the book was included among the Times Literary Supplement's hundred most influential non-fiction works since WWII. Incorporating the philosophy of religion and science and a generally holistic approach to classification, Douglas demonstrates the relevance of anthropological enquiries to an audience outside her immediate academic circle. She offers an approach to understanding rules of purity by examining what is considered unclean in various cultures. She sheds light on the symbolism of what is considered clean and dirty in relation to order in secular and religious, modern and primitive life.

Angels have been a fascination of mankind’s for over two thousand years. Many books have been written about them and their nature but very few have been written by them! “The Archangelic Book of Ritual and Prayer” is a bold undertaking from the Archangelic Kingdom to present their profound spiritual teachings to mankind. The channelings contained within range from explaining the nature of the Angelic Kingdom, why they were created and their function within the Universe to the nature and duties of very specific Archangelic beings rarely heard from before. Open the pages of this book and be enlightened by: • the Archangel Azrael, the Angel of Death and Transformation. • the Archangel Sandalphon, the Angel of Prayer, and his Divine twin Metatron, the Voice of the Divine. • The Elohim, the Angels of Time, and how we can aid them in healing our universe. • Sophia, the Mother of all Angels and the wisdom of the Divine Feminine. Plus many more! Each chapter contains a channeling from the Angel as well as a simple ritual, which can be used to make a deeper connection with these amazing Spirits and aid them in their heavenly tasks. “The Archangelic Book of Ritual and Prayer” is Edwin Courtenay’s third book and the long awaited companion to “The Ascended Masters‘ Book of Ritual and Prayer”.

Master spies Seregil and Alec are no strangers to peril. Their assignments, nightrunning for wizards and nobles, have led them into many deadly situations. But sometimes the greatest danger can lurk beneath a Traitor's Moon. . . . Wounded heroes of a cataclysmic battle, Seregil and Alec have spent the past two years in self-imposed exile, far from their adopted homeland, Skala, and the bitter memories there. But as the war rages on, their time of peace is shattered by a desperate summons from Queen Idralain, asking them to aid her daughter on a mission to Aurënen, the very land from which Seregil was exiled in his youth. Here, in this fabled realm of magic and honor, he must at last confront the demons of his dark past, even as Alec discovers an unimagined heritage. And caught between Skala's desperate need and the ancient intrigues of the Aurënfaie, they soon find themselves snared in a growing web of treachery and betrayal.

Drawing on two and a half years of field work, Victor Turner offers two thorough ethnographic studies of Ndembu revelatory ritual and divinatory techniques, with running commentaries on symbolism by a variety of Ndembu informants. Although previously published, these essays have not been readily available since their appearance more than a dozen years ago. Striking a personal note in a new introductory chapter, Professor Turner acknowledges his indebtedness to Ndembu ritualists for alerting him to the theoretical relevance of symbolic action in understanding human societies. He believes that ritual symbols, like botanists' stains, enable us to detect and trace the movement of social processes and relationships that often lie below the level of direct observation.