Rising Gangwon is a bimonthly publication by Spokesperson Office of Gangwon Province, Republic of Korea.

Rising Gangwon is a bimonthly publication by Spokesperson Office of Gangwon Province, Republic of Korea.

The Saemaul Undong movement was a community-driven development program of the Republic of Korea in the 1970s. The movement contributed to improved community well-being in rural communities through agricultural production, household income, village life, communal empowerment and regeneration, and women's participation.This report examines the strengths and weaknesses of the movement along with contributing factors, including institutional arrangements, leadership influence, gender consideration, ideological guidance, and financing. It also reviews existing studies and government data on the movement, and presents excerpts from interviews with key persons engaged in the movement and useful lessons for implementing community-driven development initiatives in developing countries.

This work presents the evolution of the traditional concept of "national security" as military security to additionally embrace "environmental security" and then necessarily also "social (societal) security", thence to be termed "comprehensive human security". It accomplishes this primarily by presenting 11 of the author's own benchmark papers published between 1983 and 2010 (additionally providing bibliographic citations to a further 36 of the author's related publications during that period). The work stresses the importance of transfrontier (regional) cooperation, and also recognizes global overpopulation as a key impediment to achieving comprehensive human security.

This book provides an authoritative insight on the Loss and Damage discourse by highlighting state-of-the-art research and policy linked to this discourse and articulating its multiple concepts, principles and methods. Written by leading researchers and practitioners, it identifies practical and evidence-based policy options to inform the discourse and climate negotiations. With climate-related risks on the rise and impacts being felt around the globe has come the recognition that climate mitigation and adaptation may not be enough to manage the effects from anthropogenic climate change. This recognition led to the creation of the Warsaw International Mechanism on Loss and Damage in 2013, a climate policy mechanism dedicated to dealing with climate-related effects in highly vulnerable countries that face severe constraints and limits to adaptation. Endorsed in 2015 by the Paris Agreement and effectively considered a third pillar of international climate policy, debate and research on Loss and Damage continues to gain enormous traction. Yet, concepts, methods and tools as well as directions for policy and implementation have remained contested and vague. Suitable for researchers, policy-advisors, practitioners and the interested public, the book furthermore: • discusses the political, legal, economic and institutional dimensions of the issue• highlights normative questions central to the discourse • provides a focus on climate risks and climate risk management. • presents salient case studies from around the world.

Bold, sophisticated, engaging, and startlingly modern, Buncheong ceramics emerged as a distinct Korean art form in the 15th and 16th centuries, only to be eclipsed on its native ground for more than 400 years by the overwhelming demand for porcelain. Elements from the Buncheong idiom were later revived in Japan, where its spare yet sensual aesthetic was much admired and where descendants of Korean potters lived and worked. This innovative study features 60 masterpieces from the renowned Leeum, Samsung Museum of Art in Seoul, as well as objects from The Metropolitan Museum of Art, and presents current scholarship on Buncheong's history, manufacture, use, and overall significance. The book illustrates why this historical art form continues to resonate with Korean and Japanese ceramists working today and with contemporary viewers worldwide.

Interest of historical geography is not limited to the locations of historical importance or places with many historical sites. On the contrary, areas of less historic importance often emerge as places of geographical interest. In other words, from a geographical perspective, wherever human beings reside is worth studies and fieldworks. Human beings are living on the earth often oblivious to the grace in nature. It is considered natural that regional studies focus on intangibles such as history, politics and economy rather than nature or land. Regional studies revolve around specific historical events or leading persons while ignoring the life of everyday people. How our forefathers expanded agricultural lands and conducted farming, what kind of houses they built and how they established settlements were considered matters of no consequence. This point of view stems from the ruling class which lacked the interest to keep records of the lives outside their class. The lives of ordinary people, being unable to write and keep records of themselves, are hardly documented. While written historical references are deficient, vestiges of the common people's lives remain in the cultural landscape, in the minds of people and their way of living. It is not impossible to review regional characteristics based on various aspects of everyday lives of the people. This book is one such study within the Korean context.

The water resources of the Mekong river catchment area, from China, through Thailand, Cambodia and Laos to Vietnam, are increasingly contested. Governments, companies and banks are driving new investment in roads, dams, diversions, irrigation schemes, navigation facilities, power plants and other emblems of conventional "development." Their plans and interventions pose multiple burdens and risks to the livelihoods of millions of people dependent on wetlands, floodplains, fisheries and aquatic resources.

South Korea in the 1950s was home to a burgeoning film culture, one of the many “Golden Age cinemas” that flourished in Asia during the postwar years. Cold War Cosmopolitanism offers a transnational cultural history of South Korean film style in this period, focusing on the works of Han Hyung-mo, director of the era’s most glamorous and popular women’s pictures, including the blockbuster Madame Freedom (1956). Christina Klein provides a unique approach to the study of film style, illuminating how Han’s films took shape within a “free world” network of aesthetic and material ties created by the legacies of Japanese colonialism, the construction of US military bases, the waging of the cultural Cold War by the CIA, the forging of regional political alliances, and the import of popular cultures from around the world. Klein combines nuanced readings of Han’s sophisticated style with careful attention to key issues of modernity—such as feminism, cosmopolitanism, and consumerism—in the first monograph devoted to this major Korean director. A free open access ebook is available upon publication. Learn more at www.luminosoa.org.