A South African woman struggles to convince the police that she has murdered her black cook.

Why riot? Against whom? For what? Riotous Assemblies is an account of Irish riots, urban and rural, across Ireland from the sixteenth to the twenty-first century.

Riotous Assemblies examines eighteenth- and early nineteenth-century England through the lens of popular disorder. Tackling both the more closely-studied forms of protest, such as food riots, industrial disorders, and political disturbances, and much less well understood occasions of popular disorder, such as tax riots, turnpike riots, riots against the establishment of the militia, and religious riot, Adrian Randall re-engages the study of riot within a wider interpretation of the forces - social, economic and political - which were transforming society. He pays particular attention to disturbances in the years between 1795 and 1812, critically examining how far they indicated the major discontinuities discerned by earlier histories of protest, or whether they retained much of the character of earlier upheaval. Based upon detailed case studies and drawing upon the most recent research, the book extends the focus of earlier studies of protest. It locates the origins of disorder within the concepts of constitutionalism and the free-born Englishman, and argues that older attitudes proved far more tenacious than many have allowed.

In Piemburgem, the deceptively peaceful-looking capital of Zululand, Kommandant van Heerden, Konstabel Els and Luitenant Verkramp continue to terrorise true Englishman and even truer Zulus in their relentless search for a perfect South Africa. Kommandant van Heerden, that great Anglophile, gropes his way towards attaining true 'Englishness' in the company of the eccentric Dornford Yates Club. But Luitenant Verkramp, whose hatred of all things English is surpassed only by his fear of sex, sets in motion an experiment in mass chastity (with the help of a lady psychiatrist), which has remarkable and quite unforeseen results.

______________________________ The 'endlessly funny' novel widely regarded as a classic of comic English literature Porterhouse College is world renowned for its gastronomic excellence, the arrogance of its Fellows, its academic mediocrity and the social cache it confers on the athletic sons of country families. Sir Godber Evans, ex-Cabinet Minister and the new Master, is determined to change all this. Spurred on by his politically angular wife, Lady Mary, he challenges the established order and provokes the wrath of the Dean, the Senior Tutor, the Bursar and, most intransigent of all, Skullion the Head Porter - with hilarious and catastrophic results.

When Lockhart Flawse is catapulted out of his upper-class and rapunzel-esque life with the curmudgeonly Flawse Senior, he must enter the world of suburbia, and marriage. Rendered an absolute twit in modern society by his medieval upbringing, Lockhart must resort to drastic tactics in his attempt to return to Flawse House. Faced with the horrors of suburbia, he must either terrorise, blackmail and potentially kill an entire street of his tenants, or attempt to find his unknown and elusive father in order to inherit the estate. However, with the belief that he was dropped into his mother's arms by a stork, killing a street of people may be the wiser option for the socially inept young man. He is also under mounting pressure, as it may all be in vain if his gold-digging mother-in-law has her way. Now the wife of Flawse Senior, she has decided that if Lockhart's wealthy grandfather can't have the decency to die on his own, she will take matters into her own hands.

With his only friend a computer, Walden Yapp has lived a singular life. Professor of Demotic History at the University of Kloone, Yapp spends his days highlighting the corrupt capitalistic nature of the upper-classes, and his nights feeding Doris his computer the information he has gathered So when capitalist Lord Petrefact hires him to write a damaging family history, Yapp seizes the chance to chronicle the corrupt life of the Petrefact family. Spurred on by his expectations of dishonesty and depravity Yapp heads of the town of Buscott, where nobody is what they at first appear to be. Now a pawn in Lord Petrefact’s vindictive family game, Yapp’s presence is as welcome as the plague. From provoking dwarfish marital problems to uncovering an erotic toy factory Yapp’s presence sparks a chain of events that ends in death, destruction and a murder trial. Going through a car wash will never feel the same again.

A dark, thought-provoking adventure that “artfully evokes the blood-soaked reality of 17th-century pirates” (Entertainment Weekly). This “wryly humorous, satiric, and often macabre novel” (Library Journal) follows Jean Smeeks, a Flemish thirteen-year-old who signs up as an indentured servant with the French West Indies Company, but instead winds up a slave on the notorious island of Tortuga. Over time, he learns the arts of herbal medicine and surgery—a skill that allows him to join a band of Caribbean pirates. Contrasting Jean’s romantic pull toward the “Brethren of the Coast”—an all-male society pursuing socialist, anti-colonialist ideals—with the brutal reality of their lawless existence, They’re Cows, We’re Pigs is a “unique and memorable” novel whose “pirate world leaves you as a good book should: thinking” (The Boston Herald).

The landscape is flawless, the trees majestic, the flora and the fauna are right and proper. All is picturesquely typical of rural England at its best. Sir Giles, an MP of few principles and curious tastes, plots to destroy all this by building a motorway smack through it, to line his own pocket and at the same time to dispose of his wife, the capacious Lady Maude. But Lady Maude enlists a surprising ally in her enigmatic gardener Blott, a naturalised Englishman in whom adopted patriotism burns bright. Lady Maude's dynamism and Blott's concealed talents enable them to meet pressure with mimicry, loaded tribunals with publicity and chilli powder, and requisition orders with wickedly spiked beer. This explosively comic novel will gladden the heart of everyone who has ever confronted a bureaucrat, and spells out in riotous detail how the forces of virtue play an exceedingly dirty game when the issue is close to home.

A totally filthy novel to put the literary world in spasms - but sure to make a shameful pile of money in America. Frensic, a literary agent with a 'nose for a bestseller' (as well as port and snuff), places this hot property with Hutchmeyer - who is the