Stand on your head with Sally Murphy, explode some dynamite with Cristy Burne or shoot some hoops with Cheryl Kickett-Tucker. Grow a poettree with Meg McKinlay or curl up next to your cat with Amber Moffat and watch a bit of Stink-o-Vision with James Foley. These and loads more poems by Australian poets are there to discover in Right Way Down. With striking illustrations by Briony Stewart, these poems will have you laughing, thinking, and playing with words &– whichever way you read them.

The face of the pedestrian safety crisis looks a lot like Ignacio Duarte-Rodriguez. The 77-year old grandfather was struck in a hit-and-run crash while trying to cross a high-speed, six-lane road without crosswalks near his son’s home in Phoenix, Arizona. He was one of the more than 6,000 people killed while walking in America in 2018. In the last ten years, there has been a 50 percent increase in pedestrian deaths. The tragedy of traffic violence has barely registered with the media and wider culture. Disproportionately the victims are like Duarte-Rodriguez—immigrants, the poor, and people of color. They have largely been blamed and forgotten. In Right of Way, journalist Angie Schmitt shows us that deaths like Duarte-Rodriguez’s are not unavoidable “accidents.” They don’t happen because of jaywalking or distracted walking. They are predictable, occurring in stark geographic patterns that tell a story about systemic inequality. These deaths are the forgotten faces of an increasingly urgent public-health crisis that we have the tools, but not the will, to solve. Schmitt examines the possible causes of the increase in pedestrian deaths as well as programs and movements that are beginning to respond to the epidemic. Her investigation unveils why pedestrians are dying—and she demands action. Right of Way is a call to reframe the problem, acknowledge the role of racism and classism in the public response to these deaths, and energize advocacy around road safety. Ultimately, Schmitt argues that we need improvements in infrastructure and changes to policy to save lives. Right of Way unveils a crisis that is rooted in both inequality and the undeterred reign of the automobile in our cities. It challenges us to imagine and demand safer and more equitable cities, where no one is expendable.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

An erotic romance...told entirely through text messages. The words he typed were never meant to be read, yet they found their way to her. Two wounded strangers, prisoners of their own lives, brought together by a wayward text. Without ever hearing each other's voices, a friendship blooms between them. Without ever seeing each other's faces, an attraction grows. Without ever touching, the two become lovers. But when words suddenly aren't enough, will this bond be able to tear down the walls that keep them apart...or was it only ever fantasy?

Although Ruby seemed to just appear out of thin air on the steps of the courthouse on the first day of summer in 1944, no one in Way Down Deep, West Virginia, ever worried too much about where the toddler came from. They figured that if Ruby's people were dumb enough to lose something as valuable as a child, then that was their problem. So even though Ruby can't help but wonder where she came from, she has led a joyful and carefree life in Way Down Deep, loved and watched over by Miss Arbutus – proprietor of The Roost, the local boardinghouse – the residents of The Roost, and the rest of the town. But when Ruby is twelve, a new family moves to Way Down Deep, and they inadvertently provide enough clues about Ruby's past that she is able to find her own people. Ruby travels from Way Down Deep to the top of Yonder Mountain to learn who she really is – only to find that she is bound to Way Down Deep by something even stronger than family ties: love. With a touch of fairy-tale magic and a lot of heart, Ruth White explores just what it is that makes a place truly home. Way Down Deep is a 2008 Bank Street - Best Children's Book of the Year.

With a touch of magic and a lot of heart, award winning author Ruth White tells the tale of Ruby, an orphan in the South in the 1940s, who discovers something stronger than family ties: love.

A wise, affecting novel from the beloved, award-winning author of Dickens and Prince, High Fidelity, and About A Boy. New York Times-bestselling author Nick Hornby mines the hearts and psyches of four lost souls who connect just when they've reached the end of the line. A Long Way Down is now a major motion picture from Magnolia Pictures starring Pierce Brosnan, Toni Collette, Aaron Paul, and Imogen Poots. Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life.

Even though they are very different, Henry and Amy are good friends.

Roark Miller protects people for a fee. A substantial one. It’s a fair exchange. His expertise in security for their money. Socialites. Diplomats. Famous athletes. He doesn’t ask questions once the check clears. No matter how screwed up the job gets, it’s still less stressful than his days as a homicide detective in Detroit. Roark had blurred the lines between right and wrong too many times to pick up his badge again. But his past won’t stay buried for long. Demi Kay finds herself choking on a cloud of body spray in a bar crawling with college-aged kids. It was meant as a night of celebration but turns quickly to a nightmare she can’t wait to escape. The only silver lining is the attractive bodyguard who looks equally disappointed with the establishment. Roark and Demi find they have far more in common than their mutual distain for the party scene. When Roark realizes Demi is a victim from a case he’d consulted on a decade ago, he knows trouble is just around the corner. Mysterious threats turn to violence and Roark is the only thing standing between Demi and danger. But will he be enough?

For writer, professor, and activist Marlena Graves, formation and justice always intertwine on the path to a balanced life of both action and contemplation. Drawing on the rich traditions of Eastern and Western Christian saints, she describes the process of emptying herself that allows her to move upward toward God and become the true self that God calls her to.