This book focuses on a designer who has never been short of ideas. Lucid in concept, elegant in their restraint, Sapper's objects represent the standard against which functional design is held. Over the course of his career, Sapper has designed just about everything, from cars to flatware to televisions. Having studied philosophy, graphic arts, engineering, and economics, he puts a deftly erudite slant on all sorts of domestic objects, from tea kettles that mellifluously trill to brightly colored children's stacking chairs.

An in-depth study of the work of German-born industrial designer Richard Sapper, most famous for designs such as the Tizio lamp and the Brionvega radio. Richard Sapper (1932-2015) a German-born designer who was based in Milan most of his working career, is considered one of the most important designers of his generation. Within his lifetime, he received numerous international design accolades, including ten prestigious Compasso d'Oro awards. Sapper developed and designed a wide variety of products, ranging from ships and cars, to computers and electronics as well as furniture and kitchen appliances. His clients included Alessi, Artemide, B&B Italia, Brionvega, FIAT, Heuer, Kartell, Knoll, IBM, Lenovo, Lorenz Milano, Magis, Molteni, Pirelli and many others. This investigation of Sapper's work, based on over forty hours of interviews with the designer Jonathan Olivares, studies his objects, the circumstances that shaped them and the resulting ideals that emerge. The inter-generational conversation explores themes that reoccur throughout Sapper's oeuvre, and which have a particular importance for a younger generation of designers and those with a desire to understand Sapper's work from a fresh perspective. An illustrated timeline, packed with images from Sapper's personal archives, reveals the incredible variety and technical brilliance of his work. Richard Sapper died in Milan on 31 December 2015. Designed by SM Associati, the agency of Marco Velardi from Apartamento magazine, the book opens with an image essay featuring candid commissioned photography by Ramak Fazel.

Albert John ('Jack') Martin was a thirty-two-year-old clerk at the Admiralty when he was called up to serve in the army in September 1916. These diaries, written in secret, hidden from his colleagues and only discovered by his family after his return home, present the Great War with heartbreaking clarity, written in a voice as compelling and distinctive as Wilfred Owen or Siegfried Sassoon and all the more extraordinary given that it is not an officer's but that of a private. From his arrival in France and his participation in the Somme, through offensives at Ypres and eventual demobilisation after the Armistice, we see wartime life as it really was for the ordinary Tommy. In these journals, introduced and edited by bestselling First World War historian Richard van Emden, we witness the cheerful Albert Martin getting to grips with life in the trenches and, together with his comrades in the Royal Engineers, confronting the ever-present threat of injury and death. We also see the mundane reality of life at the front line - the arguments with superiors, the joy brought by the arrival of packages from loved ones at home and the appalling conditions in which that attritional war was fought.

Del af serien Design Classics.

"The following pages comprise a sourcebook of over 1000 designs since the turn of the century. It is intended as a tool not only for the consumer, but also for those seeking inspiration in their own design work. Each object is presented with a caption providing full technical details, as well as the websites of the manufacturers, or designers where relevant. Commentaries throughout shed light on the work of personalities and on trends, making the book more than just a catalogue of desirable objects."--BOOK JACKET.

Twenty Over Eighty is a collection of insightful, intimate, and often irreverent interviews with twenty architecture and design luminaries over the age of eighty. Revealing conversations with leaders from a variety of fields—including graphic designers Seymour Chwast, Milton Glaser, Lora Lamm, and Deborah Sussman; architects Michael Graves, Denise Scott Brown, and Stanley Tigerman; urbanist Jane Thompson; industrial designer Charles Harrison; furniture designer Jens Risom; and critic Ralph Caplan—spotlight creators, thinkers, and pioneers whose lifelong dedication to experimentation and innovation continues to shape their disciplines well into their ninth decade. Twenty Over Eighty is not only a record of the remarkable histories and experiences of design's most influential figures but also a source of knowledge and inspiration for contemporary creatives and generations to come.

Banjo player Sharp Reeves of West Virginia forms a trio and they hit the road. The novel describes their women, their successes and disappointments, and his descent into alcoholic depression. But the sight of his son, wounded in Vietnam, snaps him out of it.

Encompassing furniture, tableware and exhibition designs, the practice of German designer Stefan Diez (born 1971) is characterized by innovation through technical expertise and a passion for experimentation. Before founding his own design studio in 2003, Diez worked for Richard Sapper and Konstantin Grcic since then, he has worked in various fields of design, from furniture, tableware, bags and accessories to industrial design, as well as exhibition design for companies such as Authentics, Bree, HAY, Moroso, Rosenthal, Thonet, Wilkhahn and others. Full House, a comprehensive compilation of his multifaceted body of work, portrays his studio's methodology and development processes and delivers first-hand insight into the state of industrial design today, complemented by essays and interviews exploring some of the issues in the field.

Refreshingly different perspective on the momentous events of D-Day.