Maria Hadfield Cosway was a beautiful and talented English artist, who accompanied her husband, the miniature portrait painter, Richard Cosway, to Paris, in 1786, where she was introduced to Thomas Jefferson, then American Envoy to the Court of Versailles. The future President of the United States fell in love with the young Mrs. Cosway the day they met. Their impossible love was immortalised in Jefferson's 4000-word letter, a Dialogue between the Head and the Heart, which marked the beginning of a lifelong correspondence, the record of a touching and unrequited affection. But Maria Cosway's life is not only extraordinary because of her relationship with the American ambassador. She was a celebrity artist, an exceptional musician, a Regency hostess who entertained the Prince of Wales, later an intimate of the Bonapartes, and finally a successful founder of schools. For her pioneering work in women's education, this daughter of an innkeeper was given the title of Baroness by the Austrian emperor Franz I.

Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.

Richard Cosway was once a more famous artist than Gainsborough. His portraits of the fashionable were the rage in Regency London. From 1785 he became First Painter to the Prince of Wales - the only artist ever to have been accorded such a title. He and his wife Maria entertained everybody who was anybody. Herself a talented artist in her own right, she was also a composer, musician and authority on girls' education. Thomas Jefferson fell in love with her; Napoleon doted on her. And yet, save for Richard Coswayis pre-eminence as a miniaturist, he and Maria have long been neglected by the public, their reputation tarnished by rumour and misrepresentation. Here, Gerald Barnett seeks to present them in a truer and clearer light, emphasising their achievements as artists and individuals and rehabilitating them as major figures in the artistic history of eighteenth-century England. Richard Cosway was the subject of major exhibitions at the Scottish National Portrait Gallery (Edinburgh) and the National Portrait Gallery (London) from August 1995. Richard and Maria Cosway feature prominently as characters in the Merchant-Ivory film Jefferson in Paris.

From one of America's foremost historians, Inventing America compares Thomas Jefferson's original draft of the Declaration of Independence with the final, accepted version, thereby challenging many long-cherished assumptions about both the man and the document. Although Jefferson has long been idealized as a champion of individual rights, Wills argues that in fact his vision was one in which interdependence, not self-interest, lay at the foundation of society. "No one has offered so drastic a revision or so close or convincing an analysis as Wills has . . . The results are little short of astonishing" —(Edmund S. Morgan, New York Review of Books)

Richard Cosway was one of the most significant multifaceted artistic personalities active in Regency Britain. He was arguably the pre-eminent pupil of William Shipley as well as a versatile oil portraitist and a sophisticated draftsman of subject compositions. He was undoubtedly the most important, influential, and fashionable portrait miniaturist active during the last two decades of the eighteenth century and the beginning of the nineteenth; his delicate style and flattering portrayals have come to epitomize Regency society. Cosway's flamboyant personality, eccentric mysticism, and brilliant marriage to Maria Hadfield during the 1780s brought him celebrity and notoriety. He was the principal recorder of the Prince of Wales's image from 1780 to 1808, as well as having exerted a great influence on his patron's artistic taste and collecting during that period. Perhaps Cosway's greatest achievement, however, was as a connoisseur, virtuoso, and collector - particularly of0914660195