In Ribstones history is mud and bone. The poems represent a quest for the spirit of the forgotten ones of history and prehistory, their paths traced in grass bent by the wind and in the unseen stones underfoot.

Stone by Stone takes readers on a fascinating journey across the short-grass prairie of southern Alberta and Saskatchewan in search of tangible evidence of the region’s ancient past—a civilization dating back at least twelve thousand years. In this revised and updated edition of her one-of-a-kind guidebook, author Liz Bryan explores archaeological sites that are accessible to today’s inquisitive travellers and provides enough detailed information, striking photographs, maps, and illustrations to satisfy any armchair archaeologist. With riveting insight and clarity, Bryan presents the stone effigies, cairns, medicine wheels, buffalo jumps, rock art, and remains of settlements scattered across this vast prairie, creating an invaluable resource for anyone who wishes to navigate these ancient sites and understand their significance.

Experience Alberta's heritage and the outdoors in Country Roads of Alberta, an intriguing photographic guidebook that takes you to places off the beaten track. Alberta's scenery is as diverse as its topography. Fringed along its western edge by high mountains, the land descends through foothills to stretch into undulating plains sculpted by ancient ice into ridges, hills and deep coulees. Under the changing light of the prairie sky, the rolling landscape reveals tipi rings and medicine wheels—remnants of the first people to call this land home—as well as marks of later civilization: homesteads, old barns, churches and the graveyards of the first immigrants. Antelope, wild goats, moose, beaver, prairie dogs and birds are among the bountiful wildlife that flourishes here. In i>Country Roads of Alberta, Liz Bryan guides readers along the back roads of this beautiful landscape. In addition to driving directions and maps, Bryan includes snippets of archaeology, history, geology and other interesting information. Her magnificent, full-colour photos celebrate Alberta's many landscapes—some still wild, and all most beautiful.

This volume is the first summary and synthesis of the rock art of the American High Plains, from Archaic times to the historic period, linked to holistic archaeological research in the region.

Annotation The Native people of the Canadian prairies have been living on the land for at least 12,000 years, finding sustainable lifestyles from the grasslands and the aspen parklands. Our knowledge of these people is limited: they had no writing, no large settlements, and very little in the way of lasting material things. Before the arrival of Europeans, they had no guns, no horses, and no hard metals. What clues we have come primarily from the work of archaeologists sifting through the buried evidence-little bits of stone, bone, and pottery, refuse heaps and firepits, ancients villages and burial sites, fingerprints, and prehistoric blood. Liz Bryan takes the clues from decades of archaeological research and presents an immensely entertaining and informative account of these ancient people. First published by University of Alberta Press in 1991, this revised and updated edition of the book features photographs, maps, and line drawings to help illustrate this amazing story.

Walking surveys the proliferation of pedestrian practices across contemporary art, taking an avowedly political stance on where and how the three practices of art, walking, and writing intersect. Across the world, walking is a vital way to assert one’s presence in public space and discourse. Walking maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology contends that, as a relational practice, walking inevitably touches upon questions of access, public space, land ownership, and use. Walking is, therefore, always a political act. Artists surveyed include Stanley Brouwn, Laura Grace Ford, Regina Jose Galindo, Emily Hesse, Tehching Hsieh, Kongo Astronauts, Myriam Lefkowitz, Sharon Kivland, Andre Komatsu, Steve McQueen, Jade Montserrat, Sara Morawetz, Paulo Nazareth, Carmen Papalia, Ingrid Pollard, Issa Samb, Sop, Iman Tajik, Tentative Collective, Anna Zvyagintseva. Writers include Jason Allen-Paisant, Tanya Barson, André Brasil, Amanda Cachia, Sarah Jane Cervenak, Annie Dillard, Jacques Derrida, Dwayne Donald, Darby English, Édouard Glissant, Steve Graby, Antje von Graevenitz, Stefano Harney and Fred Moten, Elise Misao Hunchuck, Kathleen Jamie, Carl Lavery, JeeYeun Lee, Michael Marder, Gabriella Nugent, Isobel Parker Philip, Rebecca Solnit.

Caves have been used in various ways across human society but despite the persistence within popular culture of the iconic caveman, deep caves were never used primarily as habitation sites for early humans. Rather, in both ancient and contemporary contexts, caves have served primarily as ritual spaces. In Sacred Darkness, contributors use archaeological evidence as well as ethnographic studies of modern ritual practices to envision the cave as place of spiritual and ideological power and a potent venue for ritual practice. Covering the ritual use of caves in Europe, Asia, Australia, Africa, Mesoamerica, and the US Southwest and Eastern woodlands, this book brings together case studies by prominent scholars whose research spans from the Paleolithic period to the present day. These contributions demonstrate that cave sites are as fruitful as surface contexts in promoting the understanding of both ancient and modern religious beliefs and practices. This state-of-the-art survey of ritual cave use will be one of the most valuable resources for understanding the role of caves in studies of religion, sacred landscape, or cosmology and a must-read for any archaeologist interested in caves.