The author, a well-known danseuse, provides a glimpse of the lesser-known facts about Kathak, the classical dance form of the Indo-Gangetic belt.

Susan Schwartz illuminates the central role of religion in Indian arts, & how Indian aesthetics are founded in religious belief & practice.

An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts. A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.

Author Bennie Patridge has released the first of a 3 part volume of Poetry and Music Lyrics entitled "Reflections." His books are decorated throughout with graphics opposite each poem/lyric with a personal comment to describe the emotion, inspiration, and message for each work. Each poetry and lyrical collection draws the reader in by painting a three dimensional picture of Ben's life through the eyes of one man's journey through love, loss, pain, passion and perseverance.

For Nearly A Century, Nautanki Reigned As North India'S Most Popular Form Of Entertainment, And Gulab Bai Shone As Its Brightest Star. Fusing Dance And Dialogue, Music And Romance, Humour And Melodrama, This Travelling Folk Theatre Was A Precursor To Bollywood. In Cities And Villages, People Watched All Night, Drawn Into A World Of Fantasy And Make-Believe. Gulab, A 12-Year-Old Girl From The Bedia Caste, Joined Nautanki In 1931. Reputed To Be The First Female Actor In Nautanki, She Rose To Dizzy Heights As The Heroine Of Countless Dramas And Later Started The Great Gulab Theatre Company. Gulab Bai Was Awarded The Padmashree, A Mark Of National Honour&Mdash;Yet She Died Sad And Bewildered, For The Form To Which She Had Devoted Her Life Was Languishing. To Tell Gulab Bai'S Story&Mdash;And Reconstruct The Social History Of A Genre&Mdash;The Author Travelled To Gulab'S Village And Kanpur'S Rail Bazaar, Met Family Members And Co-Artistes, Gathered Oral Narratives, Traced Drama Scripts And Song Recordings. The Tale That Emerges Is A Wonderfully Intimate Portrayal Of A Dying Art And Its Uncrowned Queen.

This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India. A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.

This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of various frameworks: global, national, and local/indigenous for studying these diverse performance contexts, using dance as a critical lens to analyse current debates on nationalism, transnationalism, gender and sexuality, and postcolonial politics. At the performace level, some articles question the accepted divisions of Indian dance (‘classical’, ‘folk’, and ‘popular’) and critique the dominant values associated with classical dance forms. Finally, the book brings together both experiential and objective dimensions of bodily knowledge through dance.

In this book, all static Gk is covered which are asked in latest examination conducted by TCS. . It is usefule for SSC , Railway, BANKING and other competitive Examinations. This book is UPDATED TILL JULY 2023. INDEX 1. FESTIVALS OF INDIA 2. DANCES OF INDIA 3. BOOKS AND AUTHORS 4. FAMOUS PERSONALITY RELATED TO MUSICAL INSTRUMENTS 5. NATIONAL PARKS OF INDIA 6. WILDLIFE SANCTUARIES OF INDIA 7. MOUNTAIN PASSES OF INDIA 8. TEMPLES OF INDIA 9. PORTS OF INDIA 10. LAKES OF INDIA 11. DAMS OF INDIA 12. THERMAL POWER PLANTS OF INDIA 13. SOLAR POWER PLANTS OF INDIA 14. NUCLEAR POWER PLANTS OF INDIA 15. STADIUMS OF INDIA 16. RIVERS OF INDIA 17. INDIAN CITIES ON RIVER BANKS 18. INTERNATIONAL ORGANIZATION AND HEADQUARTERS 19. INTERNATIONAL BORDERS 20. INTERNATIONAL & DOMESTIC AIRPORTS 21. JOINT MILITARY EXERCISES OF INDIA 22. INDIAN NATIONAL TROPHIES 23. IMPORTANT DAYS AND DATES OF THE YEAR 24. All State CM And GOVERNOR List 25. COUNTRIES, CAPITAL AND CURRENCY

This analytical history traces representations of flamenco dance in Spain and abroad from the twentieth century to the present, using histories, film, accounts of live performances, and practitioner interviews. Beginning with an analysis of flamenco historiography, the text examines images of the female dancer in films by Luis Bunuel, Carlos Saura, and Antonio Gades; stereotypes of flamenco bodies and Andalusian culture in Prosper Merimee's Carmen; and the ways in which contemporary flamenco dancers like Belen Maya and Rocio Molina negotiate the stereotype of Carmen and an idealized Spanish feminine that pervades "traditional" flamenco. Instructors considering this book for use in a course may request an examination copy here.

Musical sound contains multiple frequencies in harmonic and inharmonic ratios. Verification of Raman's model, effect of different parts of tabla on its tonal qualities and effect of sound and rhythm of tabla on human nature and behaviour have been studied in this book on the basis of results obtained by the experiments.