Nestled on the banks of the Hudson River, Rhinebeck, New York, is a shining example of American architectural history. Lifelong resident and Town Historian Nancy Kelly scrutinizes Rhinebeck's eclectic structures, from modest cabins to Victorian estates, framed colonial homes to elaborate Beaux Arts mansions. Kelly chronicles what life was like for the Rhinebeck citizens residing in these dwellings. Read Rhinebeck's Historic Architecture to discover the vibrant heritage of this colonial village.

An elegant homage to the many deserted buildings along the Hudson River--and a plea for their preservation.

Nestled in the picturesque Hudson Valley town of Rhinebeck, the Beekman Arms began humbly as a stagecoach and mail stop on the Old Albany Post Road at the end of the eighteenth century. Of more than forty stage stops that operated along that path, it is the only one still in existence. Through the tenure of many landlords and several notable renovations, it has evolved into the stately inn it is today. Proclaimed the "oldest hotel in America" since the early 1900s, it stands proudly as a symbol of the area's Dutch and English heritage and a reminder of the history that made this area famous. Join authors Matthew and Brian Plumb to explore the storied past of this historic Rhinebeck institution.

Our Time at Foxhollow Farm is a remarkable pictorial history of an eminent Hudson Valley family in the early decades of the twentieth century. Illustrated with the family's extensive collection of personal albums compiled during the nascent years of photography, it provides a fascinating insight into the regional, social, and architectural history of the era. In 1903 Tracy Dows, the son of a successful grain merchant from Manhattan, married Alice Townsend Olin, whose Livingston forebears had settled in the Rhinebeck, New York, area in the late 1600s. Dows purchased and combined several existing farms to establish his estate, Foxhollow Farm, next to Alice's ancestral home. He commissioned Harrie T. Lindeberg, a sought-after architect trained under Stanford White, to design the family home and other buildings on the property, and the Olmsted Brothers to landscape its rolling hills. The Dowses raised their three children on the estate, and led a busy social life of tennis tournaments, weddings, dinners, and dances with such friends and neighbors as the Roosevelts and the Astors. Tracy Dows devoted himself largely to the pursuit of agricultural and civic affairs at home and in the Rhinebeck community. Olin Dows, Tracy and Alice's son, became a notable painter active in President Roosevelt's Works Progress Administration. Our Time at Foxhollow Farm follows the Dows family from 1903 through the 1930s, documenting their life at home, social activities, and travels in America and Europe. An enthusiastic amateur photographer, Tracy Dows took many of this book's photographs himself, offering a vivid and warmly intimate perspective on privileged early twentieth-century American life.

This gorgeous oversized tome features thirty-six sublime country homes, many overlooking the Hudson River. This scenic stretch of estates along the Hudson offers some of the finest examples of American architecture and landscape design. The edition's thirty-five featured homes were designed in a range of styles by notable architects Stanford White, A. J. Davis, Calvert Vaux, Warren and Wetmore, and more. All pair exquisite interiors with expansive lush lawns and riverfront views. Formerly country homes for eighteenth-century landed gentry and nineteenth-century industrialists--Astors, Chanlers, Chapmans, Delanos, Roosevelts--they include Dutch colonial cottages and grand Gothic Revival, Federal, Georgian, and Beaux-Arts residences. Constructed on land owned by the influential Livingston family, who settled in the area in the late seventeenth century, many have been restored to their former splendor by the original owners' descendants as well as recent leaders of New York City industry and the arts, including Richard Jenrette and Brice Marden.

Architectural style is defined as a definite type of architecture, distinguished by special characteristics of structure and ornament. This revised edition of What Style Is It? includes new sections on Neoclassical, Romanesque and Rustic Styles. It also provides more examples of how pure styles vary by geographic region across the US. * Includes sections on 25 of the most significant architectural styles including Early Colonial, Federal and Second Empire * More than 200 photos and line drawings make this a visually rich resource. 30% of photos and drawings are new to this edition * A glossary offers quick access to architectural terms * Includes an added guide to using the Historical American Buildings Society online catalogue of more than 30,000 historic structures, giving access to more than 51,000 measured drawings, 156,000 photographs and more than 30,000 original historical reports

Today's travelers between New York City and Albany are more familiar with the Thruway than with the old Albany Post Road. But for centuries, this was the main highway between the Big Apple and the capital, and many exciting events occurred along its path in the Lower Hudson Valley. The Dutch Philipse family of Sleepy Hollow engaged in piracy, and tales of such misdeeds from the region inspired Washington Irving to write some of his most beloved stories. Later, prisoners used the road as an escape route from the original Sing Sing prison. During Prohibition, a "beer hose" ran through Yonkers, allegedly placed along the route by beer baron Dutch Schultz. With illustrations by Tatiana Rhinevault, local historian Carney Rhinevault uncovers the stories hidden behind the old mile markers of the Albany Post Road.

Diary entries and letters from Franklin D. Roosevelt and his private secretary Margaret Suckley offer unique insight into the character of the president and his struggles with disability.

In collaboration with Miami’s Vizcaya Museum and Gardens, a rediscovery of a lost figure of American modernism—the early-twentieth-century American painter born into the Astor family, whose imagination and patrician clientele provide a fascinating artistic and biographical saga. American modernism is populated with a cast of extraordinary characters, but few were as exuberant as Robert Winthrop Chanler, who made his artistic reputation with exotic and brilliantly colored lacquered screens and architectural interiors whose compositions feature fantastical avian, jungle, and aquatic creatures, many overlaid with iridescent metallic finishes. Chanler painted what entertained and interested him, while attracting wealthy Gilded Age patrons and earning popular and critical acclaim at numerous exhibitions—including the 1905 Salon d’Automne, the show featuring paintings by “les fauves,” with Henri Matisse as their leader; and the legendary “International Exhibition of Modern Art” in New York City, popularly known as the 1913 Armory Show. But, despite such a prolific career and a fascinating body of work, Chanler quickly became an obscure figure after his death in 1930. Robert Winthrop Chanler: Discovering the Fantastic is the first comprehensive examination in more than eighty years of an artist who straddled the divide between fine and decorative art, defined notions of originality and authorship during the birth of American modernism, and posthumously challenges twenty-first century preservationists through his idiosyncratic techniques and unorthodox material choices. Co-published with Vizcaya Museum and Gardens, which preserves Chanler’s fantastic undersea mural on the swimming pool grotto ceiling of the historic estate, the book includes essays that explore major commissions and conservation issues, all illustrated with new color photography, as well as a chronology and exhibition history, making this the definitive study on an indelible American modernist.