This is the first book to explore the full range and import of Lacan's theory of poetry and its relationship to his understanding of the subject and historicity. Gilbert Chaitin's lucid and accessible study of this famously complex thinker shows how Lacan moves beyond the traditionally hostile polarities of mythos and logos, poetics and philosophy, to conceive of the subject as a complex interplay between psychoanalysis, rationality and history. Lacan's incorporation of historical necessity into the formation of subjectivity enables him to illuminate the role literature plays in the creation of selfhood. Lacan's metaphor of the subject, Chaitin argues, draws not only on Saussure, Jakobson, Freud, Heidegger and Hegel but on hitherto unacknowledged sources such as Bertrand Russell and I.A. Richards. Chaitin explores the ambiguities, contradictions and singularities of Lacan's immensely influential work to provide a definitive account of the theoretical development across his entire career.

Lacan in Public argues that Lacan’s contributions to the theory of rhetoric are substantial and revolutionary and that rhetoric is, in fact, the central concern of Lacan’s entire body of work. Scholars typically cite Jacques Lacan as a thinker primarily concerned with issues of desire, affect, politics, and pleasure. And though Lacan explicitly contends with some of the pivotal thinkers in the field of rhetoric, rhetoricians have been hesitant to embrace the French thinker both because his writing is difficult and because Lacan’s conception of rhetoric runs counter to the American traditions of rhetoric in composition and communication studies. Lacan’s conception of rhetoric, Christian Lundberg argues in Lacan in Public, upsets and extends the received wisdom of American rhetorical studies—that rhetoric is a science, rather than an art; that rhetoric is predicated not on the reciprocal exchange of meanings, but rather on the impossibility of such an exchange; and that rhetoric never achieves a correspondence with the real-world circumstances it attempts to describe. As Lundberg shows, Lacan’s work speaks directly to conversations at the center of current rhetorical scholarship, including debates regarding the nature of the public and public discourses, the materiality of rhetoric and agency, and the contours of a theory of persuasion.

. Metzger points out that contemporary researchers in rhetoric often assume a definition of rhetoric for the purpose of classification; distinguishing, for instance, among a medieval rhetoric, a feminist rhetoric, or a phenomenological rhetoric. This kind of research, he believes, examines rhetoric in terms of what it was or might be, but not in terms of what it actually is.

Convinced that cultural criticism need not merely be an academic exercise but can help improve people's lives, Mark Bracher proposes a method of cultural criticism which is based on the principles of psychoanalytic treatment and which aims to alter subjectivity and behavior.In this forceful and engagingly written book, Bracher first accounts for the failure of contemporary cultural criticism to achieve significant social impact. He then offers a model of analysis that draws on Lacan's theoretical insights into the structure of subjectivity and the psychological functions of discourse, asserting that the use of this model can promote collective psychological change. While cultural criticism has generally focused on texts, Bracher instead analyzes audiences' actual responses—to a variety of discourses from "high" as well as popular culture: the political speeches of Ronald Reagan and Jesse Jackson, anti-abortion propaganda, pornography, Keats's "To Autumn," and Conrad's Heart of Darkness. Through analyzing these responses, Bracher is able to uncover the unconscious identifications and fantasies of the respondents—an intervention that, he argues, has the potential for altering subjectivity. In his view, such a method of cultural criticism is both unusually powerful and ethnically defensible, since instead of attacking or upholding a group's values, it reveals the psychological conflicts manifest in responses to particular texts.Lacan, Discourse, and Social Change will be essential reading for students as well as specialists in such fields as cultural criticism, feminist theory, literary theory, psychoanalytic criticism, reader-response criticism, reader-response criticism, and Lacanian theory.

This groundbreaking book challenges the disciplinary boundaries that have traditionally separated scientific inquiry from literary inquiry. It explores scientific knowledge in three subject areas—the natural history of aging, literary narrative, and psychoanalysis. In the authors' view, the different perspectives on cognition afforded by Anglo-American cognitive science, Greimassian semiotics, and Lacanian psychoanalysis help us to redefine our very notion of culture. Part I historically situates the concepts of meaning and truth in twentieth-century semiotic theory and cognitive science. Part II contrasts the modes of Freudian case history to the general instance of Einstein's relativity theory and then sets forth a rhetoric of narrative based on the discourse of the aged. Part III examines in the context of literary studies an interdisciplinary concept of cultural cognition. Culture and Cognition will be essential reading for literary theorists, historians and philosophers of science; semioticians; and scholars and students of cultural studies, the sociology of literature, and science and literature.

Lacan Today: Psychoanalysis, Science, Religion offers a lucid overview of the French psychoanalyst's work. In five sections--"The Structure of the Subject," "Epistemology," "Four Discourses," "There is No Sexual Rapport," and "God is Real,"--the book maps out Lacan's thought for the lay reader with unmatched clarity. It does this by building from Lacan's graph and formulas, which are often misunderstood. This formalization acts as a pedagogical tool of wonderful economy, offering a broad overview without neglecting the essential details. The chapters are summarized by a general graph that visually demonstrates Lacan's rigor and coherence. The book examines often-neglected aspects of Lacan's work, like problems in the history of science, epistemology, and religion, in order to show Lacan's relevance to today's world. It makes the case for Lacan as one of the most important thinkers of the twentieth century, whose reach extends beyond the discipline of psychoanalysis. Indeed, Lacan's thought should lead readers into a reexamination of philosophy, literature, art, politics, economy, and desire. In his introduction, Alexandre Leupin writes: "If the unconscious exists, then Lacan is the only twentieth-century thinker who has drawn the consequences of Freud's discovery to their ultimate limits. I propose here what some will take as bombastic hyperbole: Lacan's radical reevaluation of human thinking is comparable to Einstein's." Though Lacan's thought is making tremendous inroads in countries of Latin culture, it has been slowly fading from public awareness in the English-speaking world. Often Lacan has been nothing more than a pawn in the bundling of contradictory doctrines labeled as "French thought"; or he has been reduced to a means of exchange between psychoanalysts or specialists in the humanities. Leupin's contention is that what Lacan said or wrote is of interest to the general public and that his consignment to oblivion is reversible. This book demonstrates that Lacan's thinking has vast implications, not only for college professors or practicing psychoanalysts, but also for scientists, epistemologists, and every man and woman.

In this exciting new collection, leading and emerging Lacanian scholars seek to understand what psychoanalysis brings to debates about the environment and the climate crisis. They argue that we cannot understand climate change and all of its multifarious ramifications without first understanding how our terrifying proximity to the real undergirds our relation to the environment, how we mistake lack for loss and mourning for melancholy, and how we seek to destroy the same world we seek to protect. The book traces Lacan’s contribution through a consideration of topics including doomsday preppers, forest suicides, Indigenous resistance, post-apocalyptic films, the mathematics of climate science, and the relevance of Kant. They ask: What can you do if your neighbour is a climate change denier? What would Bartleby do? Does the animal desire? Who is cleaning up all the garbage on the internet? Why is the sudden greening of the planet under COVID-19 no help whatsoever? It offers a timely intervention into Lacanian theory, environmental studies, geography, philosophy, and literary studies that illustrates the relevance of psychoanalysis to current social and environmental concerns.

In these essays, collected here for the first time, renowned critic Catherine Belsey puts theory to work in order to register Shakespeare's powers of seduction, together with his moment in history. Teasing out the meanings of the narrative poems, as well as some of the more familiar plays, she demonstrates the possibilities of an attention to textuality that also draws on the archive. A reading of the Sonnets, written specially for this book, analyses their intricate and ambivalent inscription of desire. Between them, these essays trace the progress of theory in the course of three decades, while a new introduction offers a narrative and analytical overview, from a participant's perspective, of some of its key implications. Written with verve and conviction, this book shows how texts can offer access to the dissonances of the past when theory finds an outcome in practice.

Draws attention to the enigmatic missed encounter between Emmanuel Levinas and Jacques Lacan, and articulates the theoretical stakes and practical consequences of such a disjunctive encounter for ethics.

A timely interdisciplinary study that applies psychoanalysis and the rhetorical tradition of the sublime to examine the cultural aftermath of the Atomic Age Every culture throughout history has obsessed over various “end of the world” scenarios. The dawn of the Atomic Age marked a new twist in this tale. For the first time, our species became aware of its capacity to deliberately destroy itself. Since that time the Bomb has served as an organizing metaphor, a symbol of human annihilation, a stand-in for the unspeakable void of extinction, and a discursive construct that challenges the limits of communication itself. The parallel fascination with and abhorrence of nuclear weapons has metastasized into a host of other end-of-the-world scenarios, from global pandemics and climate change to zombie uprisings and asteroid collisions. Desiring the Bomb: Communication, Psychoanalysis, and the Atomic Age explores these world-ending fantasies through the lens of psychoanalysis to reveal their implications for both contemporary apocalyptic culture and the operations of language itself. What accounts for the enduring power of the Bomb as a symbol? What does the prospect of annihilation suggest about language and its limits? Thoroughly researched and accessibly written, this study expands on the theories of Kenneth Burke, Jacques Lacan, Sigmund Freud, and many others from a variety of disciplines to arrive at some answers to these questions. Calum L. Matheson undertakes a series of case studies—including the Trinity test site, nuclear war games, urban shelter schemes, and contemporary survivalism—and argues that contending with the anxieties (individual, social, cultural, and political) born of the Atomic Age depends on rhetorical conceptions of the “real,” an order of experience that cannot be easily negotiated in language. Using aspects of media studies, rhetorical theory, and psychoanalysis, the author deftly engages the topics of Atomic Age survival, extinction, religion, and fantasy, along with their enduring cultural legacies, to develop an account of the Bomb as a signifier and to explore why some Americans have become fascinated with fantasies of nuclear warfare and narratives of postapocalyptic rebirth.