Crime reporter Harper McClain is back on the beat when a troubled musician vanishes in Christi Daugherty’s Revolver Road. Even in the chill of February, no place touches Harper McClain’s heart like Savannah. She should be walking beneath the historic city’s towering oaks, surrounded by graceful mansions. Instead, she’s hiding miles away on Tybee Island after a mysterious voice on the phone warned her that someone wanted her dead. The call was too specific to ignore. The caller knew everything about her. But that was months ago, and she’s getting tired of being scared. Her only escape is her work at the newspaper, where the hottest story in town is the disappearance of Xavier Rayne. The singer had a hit album on his hands, and was about to go on tour, but then he walked out of his beachfront home and vanished. The police believe he drowned, but Harper suspects his disappearance may be more ominous than that. Something doesn’t feel right about it. His bandmates and actress girlfriend say he’s run away before. They expect him to come home. Until a body washes up with two bullet holes in it. Now everyone in Rayne’s life is a suspect. As Harper digs deeper into the case, though, the threats against her own life return. The phone call she received was very real. A killer from her past is coming for her. Now she must solve two murders, or end up dying on Revolver Road...

The contests of human life mixed with the times of our lives to accomplish mental focus and reveal our minds, our environments and our inner power.

When a murder echoing a fifteen-year-old cold case rocks the Southern town of Savannah, crime reporter Harper McClain risks everything to find the identity of this calculated killer in Christi Daugherty's new novel The Echo Killing. A city of antebellum architecture, picturesque parks, and cobblestone streets, Savannah moves at a graceful pace. But for Harper McClain, the timeless beauty and culture that distinguishes her home’s Southern heritage vanishes during the dark and dangerous nights. She wouldn’t have it any other way. Not even finding her mother brutally murdered in their home when she was twelve has made her love Savannah any less. Her mother’s killer was never found, and that unsolved murder left Harper with an obsession that drove her to become one of the best crime reporters in the state of Georgia. She spends her nights with the police, searching for criminals. Her latest investigation takes her to the scene of a homicide where the details are hauntingly familiar: a young girl being led from the scene by a detective, a female victim naked and stabbed multiple times in the kitchen, and no traces of any evidence pointing towards a suspect. Harper has seen all of this before in her own life. The similarities between the murder of Marie Whitney and her own mother’s death lead her to believe they’re both victims of the same killer. At last, she has the chance to find the murderer who’s eluded justice for fifteen years and make sure another little girl isn’t forever haunted by a senseless act of violence—even if it puts Harper in the killer’s cross-hairs...

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

From Christi Daugherty, author of The Echo Killing, comes another pulse-pounding suspenseful thriller featuring crime reporter Harper McClain. For a woman, being killed by someone who claims to love her is the most ordinary murder of all. With its antebellum houses and ancient oak trees draped in a veil of Spanish moss, Savannah’s graceful downtown is famous around the world. When a woman is killed in the heart of that affluent district, the shock is felt throughout the city. But for crime reporter Harper McClain, this story is personal. The corpse has a familiar face. Only twenty-four years old, Naomi Scott was just getting started. A law student, tending bar to make ends meet, she wanted to change the world. Instead, her life ended in the dead of night at the hands of an unseen gunman. There are no witnesses to the crime. The police have three suspects: Scott’s boyfriend, who has a criminal past he claims he’s put behind him, her boss, who stalked another young bartender two years ago, and the district attorney’s son, who Naomi dated until their relationship ended in acrimony. All three men claim to love her. Could one of them be her killer? With the whole city demanding answers, Harper unravels a tangled story of obsession and jealousy. But the pressures on her go beyond the murder. The newspaper is facing more layoffs. Her boss fears both their jobs are on the line. And Harper begins to realize that someone is watching her every move. Someone familiar and very dangerous. Someone who told her to run before it’s too late...

Supplements contain abstracts of House of Assembly and Legislative Council debates.

Acquired wisdom has always put Sgt. Pepper at the head of the class, but it was Revolver that truly signaled The Beatles' sea change from a functional band to a studio-based ensemble. These changes began before Rubber Soul but came to fruition on Revolver, which took an astonishing 300 hours to produce, far more than any rock record before it. The making of Revolver – hunkered down in Abbey Road with George Martin – is in itself a great Beatles story, but would be nothing if the results weren't so impactful. More than even Sgt. Pepper and Pet Sounds, Revolver fed directly into the rock 'n' roll zeitgeist, and its influence could be heard everywhere: from the psychedelic San Francisco sound (Jefferson Airplane, Grateful Dead); to the first wave of post-blues hard rock (Sabbath, Zeppelin); through movie soundtracks and pretty much everything that followed it – including every generation of guitar-based pop music and even heavy metal. More than any record before or after, Revolver was the game-changer, and this is, finally, the detailed telling of its storied recording and enormous impact.

"There's a cancer, and it's killing our democracy. A poor man has to sell his soul to get elected. I cry for this country." On February 29, 2000, ninety-year-old Doris “Granny D” Haddock completed her 3,200-mile, fourteen-month walk from Los Angeles to Washington D.C. She walked through 105-degree deserts and blinding blizzards, despite arthritis and emphysema. Along her way, her remarkable speeches — rich with wisdom, love, and political insight — transformed individuals and communities and jump-started a full-blown movement. She became a national heroine. On her journey, Haddock kept a diary — tracking the progress of her walk and recalling events in her life and the insights that have given her. Granny D celebrates an exuberant life of love, activism, and adventure — from writing one-woman feminist plays in the 1930s to stopping nuclear testing near an Eskimo fishing village in 1960 to Haddock’s current crusade. Threaded throughout is the spirit of her beloved hometown of Dublin/Peterborough, New Hampshire — Thornton Wilder’s inspirations for Grovers Croner in Out Town — a quintessentially American center of New England pluck, Yankee ingenuity and can-do attitude. Told in Doris Haddock’s distinct and unforgettable voice, Granny D will move, amuse, and inspire readers of all ages with its clarion message that one person can indeed make a difference.

“Road Dogs is terrific, and Elmore Leonard is in a class of one.” —Dennis Lehane, author of Shutter Island and Mystic River “You know from the first sentence that you’re in the hands of the original Daddy Cool....This one’ll kill you.” —Stephen King Elmore Leonard is eternal. In Road Dogs, the PEN USA Lifetime Achievement Award winner and “America’s greatest crime master” (Newsweek) brings back three of his favorite characters—Jack Foley from Out of Sight, Cundo Rey from La Brava, and Dawn Navarro from Riding the Rap—for a twisting, explosive, always surprising masterwork of crime fiction the San Francisco Chronicle calls, “a sly, violent, funny and superbly written story of friendship, greed, and betrayal.”

An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.