This volume brings together a number of leading scholars working in the field of ancient Greek mathematics to present their latest research. In their respective area of specialization, all contributors offer stimulating approaches to questions of historical and historiographical ‘revolutions’ and ‘continuity’. Taken together, they provide a powerful lens for evaluating the applicability of Thomas Kuhn’s ideas on ‘scientific revolutions’ to the discipline of ancient Greek mathematics. Besides the latest historiographical studies on ‘geometrical algebra’ and ‘premodern algebra’, the reader will find here some papers which offer new insights into the controversial relationship between Greek and pre-Hellenic mathematical practices. Some other contributions place emphasis on the other edge of the historical spectrum, by exploring historical lines of ‘continuity’ between ancient Greek, Byzantine and post-Hellenic mathematics. The terminology employed by Greek mathematicians, along with various non-textual and material elements, is another topic which some of the essays in the volume explore. Finally, the last three articles focus on a traditionally rich source on ancient Greek mathematics; namely the works of Plato and Aristotle.

This volume brings together a number of leading scholars working in the field of ancient Greek mathematics to present their latest research. In their respective area of specialization, all contributors offer stimulating approaches to questions of historical and historiographical ‘revolutions’ and ‘continuity’. Taken together, they provide a powerful lens for evaluating the applicability of Thomas Kuhn’s ideas on ‘scientific revolutions’ to the discipline of ancient Greek mathematics. Besides the latest historiographical studies on ‘geometrical algebra’ and ‘premodern algebra’, the reader will find here some papers which offer new insights into the controversial relationship between Greek and pre-Hellenic mathematical practices. Some other contributions place emphasis on the other edge of the historical spectrum, by exploring historical lines of ‘continuity’ between ancient Greek, Byzantine and post-Hellenic mathematics. The terminology employed by Greek mathematicians, along with various non-textual and material elements, is another topic which some of the essays in the volume explore. Finally, the last three articles focus on a traditionally rich source on ancient Greek mathematics; namely the works of Plato and Aristotle.

This is a wide-ranging study of numbers as a social and cultural phenomenon in ancient Greece, revealing both the instrumentality of numbers to polis life and the complex cultural meanings inherent in their use.

The aim of this monograph is to describe Greek mathematics as a literary product, studying its style from a logico-syntactic point of view and setting parallels with logical and grammatical doctrines developed in antiquity. In this way, major philosophical themes such as the expression of mathematical generality and the selection of criteria of validity for arguments can be treated without anachronism. Thus, the book is of interest for both historians of ancient philosophy and specialists in Ancient Greek, in addition to historians of mathematics. This volume is divided into five parts, ordered in decreasing size of the linguistic units involved. The first part describes the three stylistic codes of Greek mathematics; the second expounds in detail the mechanism of "validation"; the third deals with the status of mathematical objects and the problem of mathematical generality; the fourth analyzes the main features of the "deductive machine," i.e. the suprasentential logical system dictated by the traditional division of a mathematical proposition into enunciation, setting-out, construction, and proof; and the fifth deals with the sentential logical system of a mathematical proposition, with special emphasis on quantification, modalities, and connectors. A number of complementary appendices are included as well.

The controversial matters surrounding the notion of anachronism are difficult ones: they have been broached by literary and art critics, by philosophers, as well as by historians of science. This book adopts a bottom-up approach to the many problems concerning anachronism in the history of mathematics. Some of the leading scholars in the field of history of mathematics reflect on the applicability of present-day mathematical language, concepts, standards, disciplinary boundaries, indeed notions of mathematics itself, to well-chosen historical case studies belonging to the mathematics of the past, in European and non-European cultures. A detailed introduction describes the key themes and binds the various chapters together. The interdisciplinary and transcultural approach adopted allows this volume to cover topics important for history of mathematics, history of the physical sciences, history of science, philosophy of mathematics, history of philosophy, methodology of history, non-European science, and the transmission of mathematical knowledge across cultures.

This is a collection of surveys on important mathematical ideas, their origin, their evolution and their impact in current research. The authors are mathematicians who are leading experts in their fields. The book is addressed to all mathematicians, from undergraduate students to senior researchers, regardless of the specialty.

This book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day. The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge.

The persistent desire to animate inanimate objects has been a recurring theme in European culture dating back to ancient Greek and Roman times. Technological Animation in Classical Antiquity aims to establish, for the first time, the significance of this aspiration and its practical realization within Greek and Roman societies. While certain aspects of this narrative have been explored previously, this study shifts the focus to place technological animation at the forefront. The sixteen chapters examine the tangible existence of such devices across various media and considers their roles in diverse contexts, delving into the reciprocal relationship between technological and material realities, and its influence on the concept of animation and vice versa. By adopting this perspective, technological animation not only provides a new understanding of the processes behind animation but also lends a fresh perspective to the animated artifact. In contrast to other types of animation, where the technologically animated artifact is often dismissed as a perceptual error induced, for instance, by rhetoric or magic, this study separates technological animation from notions of rhetorical or magical skills, theurgy, or divine intervention. Specifically, it concentrates on a subset of artificial animation solely produced through technical procedures, exploring how various motive forces actively contributed to giving objects agency and impacting their viewers, illuminating how the material conditions of the artifacts themselves played a role in the process of technological animation--whether through the distinctive materiality of bronze or the design of a statuette's hinge.

This volume offers an English translation of all ten extant books of Diophantus of Alexandria’s Arithmetica, along with a comprehensive conceptual, historical, and mathematical commentary. Before his work became the inspiration for the emerging field of number theory in the seventeenth century, Diophantus (ca. 3rd c. CE) was known primarily as an algebraist. This volume explains how his method of solving arithmetical problems agrees both conceptually and procedurally with the premodern algebra later practiced in Arabic, Latin, and European vernaculars, and how this algebra differs radically from the modern algebra initiated by François Viète and René Descartes. It also discusses other surviving traces of ancient Greek algebra and follows the influence of the Arithmetica in medieval Islam, Byzantium, and the European Renaissance down to the 1621 publication of Claude-Gaspard Bachet’s edition. After the English translation the book provides a problem-by-problem commentary explaining the solutions in a manner compatible with Diophantus’s mode of thought. The Arithmetica of Diophantus provides an invaluable resource for historians of mathematics, science, and technology, as well as those studying ancient Greek, medieval Islamic and Byzantine, and Renaissance history. In addition, the volume is also suitable for mathematicians and mathematics educators.